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“Once Upon a Time in Hollywood” might be a getting a novelization courtesy of Quentin Tarantino. The director revealed on the latest “Pure Cinema Podcast” episode that he’s currently eyeing a novel adaptation of his 10-time Oscar nominee. Tarantino said to the podcast hosts, “I hadn’t thought about that until recently. But now I’m thinking a lot about it. I might be writing a novelization to ‘Once Upon a Time in Hollywood.'” Sony Pictures released “Hollywood” last summer to rave reviews and $374 million worldwide, a big haul for an original adult drama. The film stars Leonardo DiCaprio and Brad Pitt as a television actor and his stuntman struggling to adapt to changing Hollywood in 1969. Margot Robbie appears as Sharon Tate. The film won Oscars for Best Supporting Actor Pitt and Best Production Design.
Whether or not Tarantino moves forward with a novelization of “Once Upon a Time in Hollywood,” it appears likely fans will be getting some kind of supplemental version of his 2019 drama. The director has been vocal about leaving several scenes and characters on the cutting room floor, and he told IndieWire after the film debuted at Cannes that his assembly cut of the film ran over the four-hour mark. Brad Pitt said last September Tarantino was eyeing a miniseries release of “Hollywood” that would put back the deleted scenes.
“Once Upon a Time in Hollywood” marked the ninth feature of Tarantino’s career, making it his penultimate effort should he stick with his current plan to retire from feature filmmaking after his 10th movie. Tarantino has expressed interest in moving to other artistic mediums such as plays and books, so a “Hollywood” novelization would make sense for the director. Tarantino said last fall he was also planning to write a novel about a World War II veteran jaded by Hollywood movies.
“I've got this character who had been in World War II and he saw a lot of bloodshed there and now he's back home, and it's like the '50s, and he doesn't respond to movies anymore,” Tarantino said. “He finds them juvenile after everything that he's been through. As far as he's concerned, Hollywood movies are movies. And so then, all of a sudden, he starts hearing about these foreign movies by Kurosawa and Fellini. And so he's like, 'Well, maybe they might have something more than this phony Hollywood stuff.’”
There’s clearly books in Tarantino’s future. The director has not announced any plans for a follow-up movie to “Once Upon a Time in Hollywood.” The movie is available to watch on VOD and home video.
Brad Pitt has been one of Hollywood's biggest stars for what feels like forever now, constantly delivering incredible performances across a variety of genres. One thing that has always eluded him though is one of those little golden statues called Oscar, but last night he finally bagged one for his supporting performance in Quentin Tarantino's Once Upon a Time in Hollywood. During what turned out to be a rather touching acceptance speech, Brad Pitt reflected on his career, thanking the people that helped him get to where he is, but not before he took the opportunity to have a dig at President Donald Trump.'They told me I only have 45 seconds up here, which is 45 seconds more than what the Senate gave John Bolton this week.'
This, of course, is a reference to the lack of evidence that was allowed to be given at Trump's impeachment hearing by John Bolton, the ex-Trump adviser. Apparently Pitt did not get the memo from Ricky Gervais' Golden Globes opening monologue of just thanking your god, collecting your little statue, and getting off the stage.
After getting things started with a political quip, Pitt paid tribute to his Once Upon a Time in Hollywood director Quentin Tarantino, calling 'original' and 'one of a kind', before telling him that 'the film industry would be a much drier place without you.' He then sent his love towards his co-star, and fellow Hollywood A-lister, Leonardo DiCaprio.'Leo: I'll ride on your coattails any day, man. The view is fantastic.'
Having won the award playing a stuntman, Pitt quite rightly thanked the hard work of Hollywood's stunt performers.'I also wanna say, ya know, while we're doing all this, I think its time we give a little love to our stunt coordinators and our stunt crews.'
Finally, Pitt looked back at his glittering career, becoming quite emotional as he did so, and reflected on the people that got him to where he is, as well as the fairytale that has been his life in Hollywood.'Listen, I'm a bit gobsmacked. I'm not one to look back but this has made me do so, and I think of my folks taking me to the drive-in to see Butch and Sundance, and loading up my car and moving out here, and Geena and Ridley giving me my first shot. To all the wonderful people I've met along the way...to stand here now...once upon a time in Hollywood... ain't that the truth.'
The award clearly meant a lot to the actor, and it was a well-deserved victory for his charming, funny, stand-out performance as Cliff Booth in Quentin Tarantino's Once Upon a Time in Hollywood. As they kicked off the 92nd annual Academy Awards, Pitt's win was the first of the Oscar Winners announced. South Korean thriller Parasite won 4 Oscars while Joaquin Phoenix won his first Oscar for Joker.
'I'll ride on your coattails any day, man. The view is fantastic.' Brad Pitt thanks Leonardo DiCaprio during his #Oscars speech...
Welcome to The Quarantine Stream, a new series where the /Film team shares what they’ve been watching while social distancing during the COVID-19 pandemic.
The Show: The Secret History of Hollywood
Where You Can Stream It: The podcasting app of your choice.
The Pitch: The Secret History of Hollywood is the most compelling, immersive, and emotional podcast I’ve ever had the pleasure of listening to. Each season consists of deep dives into a major Hollywood figure, tracing its subject’s rise to prominence and giving incredible insight into their home lives, painting a portrait so captivating and well-rounded that biographies or books on the subjects could only dream to achieve.
Why It’s Essential Quarantine Listening: I’ve been thinking about this podcast a lot since I first stumbled across it several years ago, but I think it’s especially appropriate to recommend it right now because some of its episodes are incredibly lengthy – many clock in around an hour and a half, but some of them stretch to four, six, or even nine hours long. Yes, really. Some of you may scoff, but isn’t being in quarantine the perfect time to give a long-form podcast a chance?
Adam Roche, the voice behind the show, had no background in sound editing or sound production when he got started, but he could have fooled me: the series reminds me of an old-time radio show, complete with sound effects and Roche doing voices as he plays the people in a given scene. I realize that may sound cheesy, and it absolutely would be in less-capable hands. But trust me: Roche’s mellifluous voice and incredibly researched accounts are perfect for this type of storytelling.
The show has brought me to tears multiple times over the years, and I think a huge part of the reason for that is because of the long episode lengths. Like a great TV series you never want to end, you get to spend hours and hours with the subjects of these episodes and build emotional connections to them, so when they they experience hardships, a project goes wrong, or they lose a loved one, the results can be unexpectedly powerful.
The show has earned the attention of Hollywood vets like Peter Ramsey Spider-Man: Into the Spider-Verse and Mark Gatiss Sherlock, Game of Thrones, the latter of whom lends his own terrific voice to introductions of the most recent season, which covers the prolific producer Val Lewton Cat People, The Body Snatcher, The Ghost Ship. I knew nothing about Lewton or his work before I listened to the eleven episode season, but by the end, I feel like not only do I know all about him, but I feel I’ve experienced his highs and lows right alongside him. It’s truly spellbinding stuff, and it comes with my absolute highest recommendation.
I’ve talked about the show a couple...
Martin Scorsese’s frequent cinematographer Rodrigo Prieto said last December the tone of their next collaboration together, “Killers of the Flower Moon,” was still being worked out. Now comes word from Scorsese himself that the tone has been set and the project, based on David Grann's historical novel of the same name, will be the director’s first Western. “Killers of the Flower Moon” is Scorsese’s follow-up to “The Irishman,” which nabbed 10 Academy Award nominations this year. The project is set to star longtime Scorsese muses Leonardo DiCaprio and Robert De Niro.
“We think it's a Western,” Scorsese tells Premiere of the film. “It happened in 1921-1922 in Oklahoma. There are certainly cowboys, but they have cars and also horses. The film is mainly about the Osage, an Indian tribe that was given horrible territory, which they loved because they said to themselves that Whites would never be interested in it. Then we discovered oil there and, for about ten years, the Osage became the richest people in the world, per capita. Then, as with the Yukon and the Colorado mining regions, the vultures disembark, the White man, the European arrives, and all was lost. There, the underworld had such control over everything that you were more likely to go to jail for killing a dog than for killing an Indian.”
Scorsese continues, “It's so interesting to think about the mentality that leads us to this. The history of civilization goes back to Mesopotamia. The Hittites are invaded by another people, they disappear, and later it is said that they have been assimilated or, rather, absorbed. It is fascinating to see this mentality which is reproduced in other cultures, through two world wars. And which is therefore timeless, I think. This is the film that we are going to try to make.”
David Grann's book centers around the Osage Nation murders, in which members of the Native American tribe were killed after discovering oil on their reservation. The murders attracted the attention of the newly-created FBI. Paramount Pictures boarded the project last June, bringing Scorsese back to a major Hollywood studio following his work on “The Irishman” with Netflix. Production on “Killers of the Flower Moon” is expected to begin this spring, making a 2021 release date most likely.