|JOAQUIN PHOENIXTODD PHILLIPSNOMINATIONJOKEROSCAR|
Baby Yoda fanatic Werner Herzog had an eventful 2006. He directed Rescue Dawn, his highest-grossing movie in America; was shot at during an interview with BBC; and saved Joaquin Phoenix from a car accident. The legendary filmmaker and two-time Simpsons guest star recounted the last two incidents in an interview with the New York Times.
When asked by interviewer-extraordinaire David Marchese whether he ever found out who fired at him with an air rifle, Herzog replied, “I was shot at various times. You mean here in Los Angeles?” Yes, in Los Angeles. “No, I wasn’t interested.” Fair enough. As for Phoenix, Herzog said that he recognized him it’s fun to imagine Herzog catching a matinee screening of Clay Pigeons, “although he was upside down in this car, squished between airbags that had deployed and wildly trying to light a cigarette.”
Only Herzog could make a car accident sound poetic:
“I knew he must not light his cigarette, because there was gasoline dripping and he would have perished in a fireball. So I tried to be clearly commandeering to him and tell him not to. But I was worried that if you gave him a command, he would strike his lighter even harder. So I managed to snatch the cigarette lighter from his hand. Then it became completely clear that it was Joaquin. But I didn’t want to speak to him after. I saw he wanted to come over and thank me. I just drove off.
Recalling the incident the week after it happened, Phoenix said that he heard a German voice tell him “just relax” and that “there’s something so calming and beautiful about Werner Herzog’s voice. I felt completely fine and safe.” I’m not sure what’s more on-brand: Phoenix smoking a cigarette after crashing his car, or Herzog refusing to stick around after potentially saving a man’s life. He would’ve stayed, had it been Baby Yoda.
Via New York Times
Joker may have only won two of the 11 Oscars it was nominated for, but they were big ones: Best Actor for Joaquin Phoenix and Best Original Score for Hildur Guðnadóttir, making her the fourth female composer to win overall and the first to win for a dramatic score. All the awards affirmation Phoenix and Guðnadóttir were also victorious at the Golden Globes has Joker director and co-writer Todd Phillips in a nostalgic mood, as he shared some behind-the-scenes photos from the final day of shooting on Instagram.
“All of these were taken on our last day of shooting. It was bittersweet for sure — while it felt great to be done, we also had such an intense and unique experience — and then suddenly it just ends,” he wrote. “What a ride this film has been and it all culminated with watching Joaquin walk up on that stage this weekend. Thanks again to the entire cast and crew. And especially the fans, for seeing through all the noise and showing up.” Phillips also added the hashtag “#illtellyouwhatyouget,” a nod to what Arthur Fleck tells Murray Franklin before shooting and killing him “You get what you fuckin' deserve!.
The photos, all of which were taken from the Arkham State Hospital set, show an emotional Phoenix dancing, hugging, smoking, and looking generally menacing. Hopefully he turns down that intensity for his next project: Mike Mills' C'mon C'mon, where he reportedly plays an “artist left to take care of his precocious young nephew as they forge an unexpected bond over a cross country trip.” Look for it this year or 2021.
The Television Academy is adjusting the eligibility and voting deadlines for this year’s Primetime Emmy calendar in response to concerns made by TV communication executives and awards strategists in the current coronavirus climate.
The dates for the Creative Emmy Awards and Primetime Emmy shows remain unchanged respectively on Sept. 12-13 and Sept. 20, and will only be moved should state and national safety directives deem them to be, should the coronavirus worsen.
This morning’s big changes involve the entry deadline moving close to four weeks from May 11 to June 5, and the Phase one voting period jumping from June 15-29 to July 2-13 with the new nominations announcement date being July 28 instead of July 14. The Phase one period thus shrinks from 15 days to 12 days.
Phase 2 voting, which was originally set for Aug 17-31, will start slightly later, and shave off four days, now occurring between Aug. 21-31.
Also being extended is the eligibility date for hanging episodes for regular series and limited series, as the TV Academy takes into account production and programming delays. Now, all hanging episodes must broadcast or post on an accessible platform by June 30, instead of May 31. Both regular and limited series must still premiere by the end of this year’s eligibility date which remains May 31. A minimum of six episodes continues to be required for a show to be qualified in the series category. A limited series in its entirety must air or post on a platform before June 30, and if it doesn’t, then the limited series will qualify in the 2020-2021 Emmy year.
Meanwhile, all TV Academy FYC events “whether with a live audience, streaming or recorded for posting on a viewing platform” per the org remain suspended for the current Emmy season.
In recent weeks, the TV Academy appeared to be standing firm on their original voting and eligibility dates. However, TV publicists and Emmy campaign strategists reportedly voiced their reservations about promoting too heavily and too soon, thus wanting to exercise a greater degree of sensitivity in a spring that’s been rocked by COVID-19: Many productions have shut down, leaving many out of work, and the whole atmosphere across the nation is rather dour as we all self quarantine. Emmy season has traditionally been decked with glam marketing, billboards, food trucks, stunt events, big DVD boxes and soirees. Earlier this year, to tame some of that, the TV Academy banned DVD mailers to voters, and in doing so, favored online screeners. The hope here with the TV Academy’s tweaking of the FYC calendar is that we’ll be on the other side of the curve in regards to coronavirus, and in a lighter-spirited environment. Between the entertainment capitals, New York City currently counts 23K COVID-19 cases and 365 deaths as of yesterday while Los Angeles counts 1,2K cases...
With large swathes of the population sitting at home, audiences have a chance to catch up on films that were released years ago and find new insights into their narrative. Recently, a fan who had been watching Suicide Squad with his family reached out to the film's director David Ayer to ask about the meaning behind the scene where the Joker is lying in the middle of a room lined with a circle of knives, guns, and baby clothes. Denying that the baby onesies were trophies after an infanticide spree on the part of the cackling psychopath, Ayer provided the following explanation for the scene instead.'No it's more innocent. Harley wanted a normal family with Joker hence the baby in her vision. I figured she would have endlessly pestered Mr. J about having a kid. So he had Mr. Frost buy some onesies. The circle represents how he sees Harley.'
The scene under discussion comes up early in the story. Harley Quinn, played by Margot Robbie, is locked up in Arkham, and we see Joker, played by Jared Leto, in his mansion mourning her absence. He has also shown to have drawn a grin across his face using a sharpie, which according to David Ayer, is because...'He was having a hard time smiling without Harley so gave himself some help with a sharpie.'
This introduction sets up the fact that this Joker is unlike any other live-action portrayal of the supervillain as a man who is missing his demon lover. The onesies we see lined up on the floor next to the Joker later make an appearance in the scene where the Enchantress offers Harley her heart's desire, and she imagines a life of domestic bliss with her beloved Mistah J, with their babies wearing the onesies.
How the circle of knives represents Harley in the mind of the Joker is up for debate. Perhaps he fears that his affection for Harley makes her dangerous to him, and thus views her as a circle of knives drawing closer, threatening to destroy him.
This sentiment of Joker being attracted towards Harley and simultaneously hating the fact that she has made him care for her is also played out in the scene where Harley willingly throws herself into a pit of acid on Joker's command. After trying to walk away from the whole thing, Joker almost unwillingly jumps in after her and rescues her, proving that she means more to him than he can bring himself to admit.
From his explanation, it is clear that Ayer had a solid backstory and reasoning behind the script for Suicide Squad, which unfortunately did not translate very well to the big screen. But now that James Gunn has taken over directorial duties on the sequel, there is a chance to see a Suicide Squad film that gets critical acclaim in addition to minting money at the box office. David Ayer on Twitter brings us this news.