|CAPTAIN AMERICAWINTER SOLDIERCHRIS EVANSAMERICA|
Marvel Cinematic Universe fans weathered years of back-and-forth before Chris Evans’ Steve Rogers passed Captain America’s shield to Sam Wilson in Avengers: Endgame. By the time it happened, the departure felt like it had been timed just right, especially with an incredible payoff after the seed with Thor’s hammer had been planted way back in Age of Ultron. The decade-long experience for Evans, however, almost didn’t happen. He did, in fact, turn down the role when Marvel Studios first approached him for 2011’s The First Avenger. Then he reconsidered after some advice from Mom Evans.
That tidbit arrives near the end of a lengthy Esquire interview to promote Evans role in Apple TV+’s upcoming Defending Jacob. Writer Brady Langmann met with Lisa Evans after a few hours with Chris, much of which was spent with the actor unable to comment upon reports of his involvement as the singing dentist in a Little Shop Of Horrors remake. Lots of “jazz hands” and uncomfortable expressions apparently went down, but the feature did produce this wonderful revelation from Lisa, who convinced him to seize an opportunity for which most actors can only dream:
“His biggest fear was losing his anonymity He said, ‘I have a career now where I can do work I really like. I can walk my dog. Nobody bothers me. Nobody wants to talk to me. I can go wherever I want. And the idea of losing that is terrifying to me.’ … I said to him, ‘Look, you want to do acting work for the rest of your life? If you do this part, you will have the opportunity. You’ll never have to worry about paying the rent. If you take the part, you just have to decide, It’s not going to affect my life negatively - it will enable it.'”
And the rest was history. Just think, we would have never received that killer ending line from Evans if not for his persuasive mother, and mom is always right. Now, Evans can not only let his Smug Flag fly for Rian Johnson, but he’s also taken on a challenging dramatic role with Defending Jacob, in which he plays an Assistant District Attorney and father of a young murder suspect. Talk about a rough position.
In the meantime, Evans did make it clear to Esquire that he can’t really talk about the possible Little Shop Of Horrors yet. Up until this point, he’s only addressed those reports with a surprised ? tooth emoji on Twitter.
— Chris Evans @ChrisEvans February 24, 2020Via Esquire
The Morning Watch is a recurring feature that highlights a handful of noteworthy videos from around the web. They could be video essays, fanmade productions, featurettes, short films, hilarious sketches, or just anything that has to do with our favorite movies and TV shows.
In this edition, stuntmen react to some of the action sequences pulled off in Captain America: The Winter Soldier, Crouching Tiger Hidden Dragon, Supercop and The Gate. Plus, Patrick H Willems returns with a video essay about why The Mask of Zorro with Antonio Banderas is great, and King of the Hill voice actress Pamela Adlon improvises voices for new animated characters.
First up, the gang at Corridor Crew sit down with stuntwoman Amy Johnston to break down some of the action sequences she was involved with for Captain America: The Winter Soldier. Plus, they take a look at fight sequences from Crouching Tiger Hidden Dragon, and The Gate, not to mention staring in awe at the dangerous stunts of Jackie Chan’s modern classic action movie Supercop.
Next up, Patrick H Willems delivers a surprising video essay that has plenty of compliments for The Mask of Zorro starring Antonio Banderas, Anthony Hopkins, and Catherine Zeta-Jones. He boldly says the movie might be the best reboot of an iconic character. Zorro may not be a superhero in the conventional sense, but this flick certainly has the makings of a superhero movie.
Finally, you may not know Better Things star Pamela Adlon by name, but you may know her voice as Bobby on King of the Hill, Spinelli on Recess, and Lucky in 101 Dalmatians. But now you can see how she fares with creating cartoon voices for characters that she’s seeing for the first time. Honestly, she makes me want to see shows situated around these characters immediately.
Though “The Plot Against America” took its time to get going, it’s full steam ahead for David Simon’s Philip Roth adaptation by Episode 4 — but to what end? With just two episodes to go, the drama has certainly flared up: The Levin familial bonds are being pushed to the brink as Sandy falls increasingly under Lindbergh’s spell, with the help of Aunt Evelyn and her new boyfriend Rabbi Bengelsdorf. The lines have been drawn, and it’s not looking good for either side. While this was by far the most exciting episode so far, it still feels as though Simon is obligingly following Roth’s outline rather than forging his own path.
In both the novel and the series “The Plot Against America,” there’s an unmentioned but implicit rhetorical question reaching out from beyond the page and screen. To borrow from the musical “Cabaret,” one of the only pieces of pop culture to artfully grapple with this unthinkable dilemma: What would you do? If a fascist were elected president of your country, if your sister started dating one of his shills, if your son was secretly sketching his visage by flashlight — how would you behave? Would you flee to Canada, organize the resistance, or stick your head in the sand and hope for the best?
The fourth episode hones in on these questions with laser-like precision, enjoying the fruits of the preceding three episodes that felt, both in retrospect and in real time, mostly like set-up. Having returned from his “Just Folks” adventure in Kentucky, a Hitler Youth-esque recruiting tool of Rabbi Bengelsdorf’s John Turturro design, Sandy has quite literally become the poster child for assimilationist Jews. Evelyn Winona Ryder proudly features him in a brochure for the program, against Bess’ Zoe Kazan wishes.
Sandy’s transformation has been building since the pilot episode, which ended with him surreptitiously sketching Charles Lindbergh from of a newspaper clipping. Having planted the seeds deliberately, the show earns its most uncomfortable moment so far when Sandy spits at his parents, calling them “ghetto Jews — narrow-minded ghetto Jews.” His transformation is complete. When Bess slaps him across the face, it’s hard not to let out a silent cheer. Your Jewish firstborn becoming a Nazi sympathizer may be the rare instance when a kid deserves a good wallop.
Less effective is a Shabbas dinner argument between Herman Morgan Spector and Bengelsdorf, where Herman puts aside any last shred of civility to tell the Rabbi what he really thinks of his man Lindbergh. Maybe it’s the fact that only the men are talking while the women make sidelong glances of...