'Ellen's Greatest Night of Giveaways' puts up more solid numbers as the holiday event closes out its run.
CBS' Young Sheldon was down a little bit in Thursday's same-day ratings, but it was still the most-watched non-sports show of the night by a sizable margin. Ellen's Greatest Night of Giveaways, meanwhile, closed out a solid three-day run on NBC, and Fox's Thursday Night Football ended its season on the low side.
Young Sheldon drew 8.21 million viewers and a 1.0 rating in adults 18-49, off slightly from last week's initial numbers 8.39 million, 1.1. It led all other entertainment shows by about 2 million viewers and tied for the top spot in the 18-49 demo. The Unicorn 5.62 million, 0.7, Mom 6.19 million, 0.7 and Carol's Second Act 5 million, 0.6 were fairly steady, as was Evil 0.5, 3.63 million at 10 p.m.
Ellen's Greatest Night of Giveaways drew a 1.0 in adults 18-49 and 5.89 million viewers, in line with Wednesday's show. Superstore 0.6, 2.83 million and Perfect Harmony 0.4, 1.8 million were in line with their last outings, despite later start times. A repeat of last year's special A Legendary Christmas 0.3, 1.68 million closed out NBC's night.
The final Thursday Night Football of the season carried Fox to No. 1 in primetime, as usual, but early numbers are down considerably from last week's season high. The Bimore Ravens' blowout win over the New York Jets is at 9.02 million viewers in the fast nationals, off by a third from last week's preliminary 13.64 million. It will adjust up in the finals.
ABC aired a full night of holiday programming, with animated specials Olaf's Frozen Adventure and Toy Story That Time Forgot each scoring 0.6s in adults 18-49 and the premiere of The Great American Baking Show: Holiday Edition at 0.5. Supernatural and Legacies are both at 0.3 for The CW, even with last week.
Fox's 2.5 rating among adults 18-49 pending updates for its live broadcast easily led primetime on the broadcast nets. CBS finished second at 0.7. NBC is third with a 0.6, followed by ABC 0.5 and Univision 0.4. The CW and Telemundo tied at 0.3.
Polish composer and conductor Krzysztof Penderecki, whose often disturbing and challenging avant-garde music has turned up in films from “The Shining” to “The Exorcist” and “Children of Men,” and as recently as the TV series “Twin Peaks: The Return,” died at his home in Krakow on Sunday, March 29. He was 86 years old.
Penderecki’s greatest influence on any modern composer can perhaps be found in the work of Johnny Greenwood, the lead guitarist and keyboardist of Radiohead and musician behind the soundtracks for films including Paul Thomas Anderson’s “There Will Be Blood,” “Phantom Thread” and “The Master,” as well as Lynne Ramsay’s “We Need to Talk About Kevin” and “You Were Never Really Here.”
“What sad news to wake to. Penderecki was the greatest — a fiercely creative composer, and a gentle, warm-hearted man. My condolences to his family, and to Poland on this huge loss to the musical world,” Greenwood tweeted on Sunday morning.
Penderecki began composing in the 1960s, going on to produce eight symphonies, four operas, a requiem, and many concertos and choral works, many of which are regarded as notoriously difficult to play. His compositions were often politically motivated, including probably his most famous work, “Threnody for the Victims of Hiroshima,” which appeared in the films “The People Under the Stairs” and “Children of Men.”
The chilling composition below was also used by David Lynch in the landmark Episode 8 of Showtime’s “Twin Peaks: The Return,” set against images of an atomic bomb that appears to birth evil itself into the world. In “Children of Men,” “Threnody” sets off the film’s masterful long-take sequence as Clive Owen rushes to safety through a harrowing warren of chaos. In this piece, 52 string instruments collaborate to create a nerve-shredding soundscape.
Penderecki’s work also appeared in “The Shining,” with terrifying pieces employed by director Stanley Kubrick in lieu of an original soundtrack though composer Wendy Carlos did turn in a score, it went mostly unused in favor of preexisting music. Penderecki’s works also appear in David Lynch’s “Inland Empire” and “Wild at Heart,” Martin Scorsese’s “Shutter Island,” William Friedkin’s “The Exorcist,” and Peter Weir’s “Fearless.” His work even appears in the 1996 disaster movie “Twister” and the Netflix series “Black Mirror.” He also contributed original scores to films as well, including most recently in the 2015 Polish horror film “Demon.”
Head over to The New York Times for a full obituary...