|JENNA FISCHERTHE OFFICEEPISODES|
In the season two episode of The Office, “The Fire,” the Dunder Mifflin gang plays “Desert Island” after the fire alarm goes off and they’re evacuated from the building. The game is simple: what movies would you want if you were stranded on a desert island? The goal isn’t to impress anyone with your taste; it’s to simply list the movies that bring you the most comfort. For Meredith, that’s Legends of the Fall, My Big Fat Greek Wedding, The Bridges of Madison County, and Legally Blonde, which Pam also enjoys. “Wait, wait, wait. Pam… The game is Desert Island Movies, not guilty pleasure movies,” Jim responds, in classic Halpert fashion. “Desert Island Movies are the movies you’re going to watch for the rest of your life! Forever! Unforgivable.” What a d*ck.
Pam takes back her enjoyment of Legally Blonde — a good and fun movie! — but 15 years after the episode aired, Jenna Fischer is ready to take back her take back.
“I think Legally Blonde is a great movie that has a positive message. Jim is wrong,” Fischer told her co-host Angela Kinsey on the Office Ladies podcast. “Reese Witherspoon, in case you were worried that the movie didn’t land, we love Legally Blonde. It landed. We loved it.” It’s unclear what they think of the sequel, Red, White, & Blonde. The actresses did name their own Desert Island movies, however.
As noted by Mashable, Fischer picked The Edge, The Three Amigos, Tootsie, Terms of Endearment, and Parasite, while Kinsey went with Meet the Parents, Pride and Prejudice, Out of Africa, The Matrix, The Empire Strikes Back, Shakespeare in Love, and Elizabeth. Listen to the Office Ladies episode below then watch Legally Blonde.
Right now, everyone is looking for some kind of reprieve from being locked up at home due to the spread of the coronavirus across the United States. That doesn’t appear to be in the cards anytime soon, but The Office executive producers Paul Lieberstein and Ben Silverman think they’ve figured out a way to make light of the situation by crafting a new workplace comedy series inspired by the sudden rise in employees working from home due to the outbreak of coronavirus forcing people to practice social distancing.
Deadline was first to learn of the currently untitled coronavirus comedy series, though it’s not necessarily about the pandemic. Paul Lieberstein and Ben Silverman, better known to The Office fans as the frequently maligned Toby Flenderson and one of Jim’s business partners at their company Athlead, are creating the series that is said to focus on “wunderkind boss who, in an effort to ensure his staff’s connectedness and productivity, asks them all to virtually interact and work face-to-face all day.”
The series is in the works at Big Breakfast, the comedy production banner Silverman runs, where he’ll executive produce the series along with and Luke Kelly-Clyne College Humor and Kevin Healey Scare Tactics. They’ll also be working with Howard Owens’ Propagate Content, which will have Rodney Ferrell serving as an executive producer as well.
Silverman, who was also once an NBC executive, explained the inception of the series and his hope for what it will become:
“So many of us are jumping on daily Zoom meetings — for work and beyond. We are in a new normal and are personally navigating ways to remain connected and productive at work and in our home lives. With the brilliant Paul Lieberstein at the helm, we think we have a series that not only brings humor and comfort during this troubling time but will also be an inventive and enduring workplace comedy for years to come.”
While the prospect of trying to craft a series around the coronavirus outbreak sounds like a bad idea at this time, there’s no indication that the pandemic will actually play a part in the overall concept of the series. In fact, it would be easy to pull something like this off without introducing such a grim plot device.
What I’m envisioning with this series is a show with a format that echoes what we’ve seen accomplished with movies like Unfriended and Searching. Both of those films play out entirely on computer or mobile device screens and successfully tell a solid narrative. Modern Family did something similar with an episode that unfolded across the ensemble cast’s various screens, and it worked pretty well. But if that’s what this series will be like, can that concept be sustained for an entire series? Or will they need to take...
Keeping true to its word, Disney+ has updated The Simpsons fans on how soon to expect episodes of the classic animated series be made available in its original aspect ratio. The fledgling streaming service had promised a fix by 2020, and according to a latest tweet, fans should be good to go by the end of May.
We appreciate our fans’ patience and are working to make the first 19 Seasons and part of 20 of #TheSimpsons available in 4:3 versions on #DisneyPlus. We expect to accomplish this by the end of May.
— Disney+ @disneyplus April 2, 2020When Disney+ launched in November, Simpsons fans were quick to notice that older episodes looked noticeably off. Like most television series before the advent of flatscreen TVs, the show originally aired in a 4:3 ratio. To avoid showing black bars on each side of the picture, Disney+ used versions of the show that were cropped into 16:9 format, which cut off visual gags and led to characters looking stretched and distorted in certain scenes as shown below:
Not only are the classic Simpsons episodes on Disney+ awkwardly cropped, but they're stretched in a lot of places too. Bart's head looks 4 inches wider here: pic.twitter.com/fCpmTPasGj
— Tristan Cooper @TristanACooper November 12, 2019In Disney+’s defense, the cropping issue also occurred when FXX started airing The Simpsons marathons, and it’s believed the streaming service simply imported those versions after acquiring Fox. However, Disney was quick to respond to fan reactions, and within days of launch, it promised to offer viewers a choice of aspect ratios in a statement to The LA Times:
“We presented ‘The Simpsons’ in 16:9 aspect ratio at launch in order to guarantee visual quality and consistency across all 30 seasons. … Over time, Disney+ will roll out new features and additional viewing options. As part of this, in early 2020, Disney+ will make the first 19 seasons and some episodes from Season 20 of ‘The Simpsons’ available in their original 4:3 aspect ratio, giving subscribers a choice of how they prefer to view the popular series.”
While May pushes the limit of “early 2020,” it’s understandable that Disney has had its hands full, as the pandemic has forced the company to scuttle release dates for major blockbusters like Black Widow and Mulan while halting production on a variety of upcoming projects headed for theaters and Disney+.
Via Disney+ on Twitter