|THE RISE OF SKYWALKERRISE OF SKYWALKERTHE MORNING WATCHJIMMY KIMMELFAMILY FEUDSKYWALKERSTAR WARSPREMIERE|
There’s one particularly telling and effective moment in The Skywalker Legacy, the feature-lenght documentary that’s included on the Star Wars: The Rise of Skywalker home release that sums up much of the ambivalence and consternation that some had with J.J. Abrams’ return to the Star Wars universe. After showing the intricate construction of a giant, practical snake monster, the doc cuts back to footage of Jabba The Hutt, that old analogue beast that slithered its way into our hearts. The sentiment is clear – we’re making movies like we used to! A celebration of practical effects, the dripping of k-y jelly to give viscosity just like the old costume days, it’s all there. There’s excitement on set, everyone talking about how amazing it looks, how lifelike, how this is how you’re supposed to do movies like this.
Cut to Visual Effects Supervisor Roger Guyett who shatters the myth, letting us know the creature was replaced by a CGI version in post.
Guyett’s resume is mighty. Having made his bones on groundbreaking films like Twister and Casper, he helped Spielberg bring the events of D-Day to screen in Saving Private Ryan, helped bring to life the best looking film in the Harry Potter series, Alfonso Cuarón’s Prisoner of Azkaban, and even made the theatrical version of Rent feel more than a stage production. Guyett has had many collaborations with Abrams – from the Star Trek Reboots through The Force Awakens and The Rise of Skywalker he was even second unit director on the former, as well as working with George Lucas on Episode III to round off the prequels. He’s in a unique position to speak to these changing landscapes of epic filmmaking.
We spoke at length about the apparent contradictions and indulgences in making a Star Wars film, and he made the case for why nothing was wasted and all contributed to the final presentation. He was erudite and open to the discussion, making for a dream conversation with a man who quite literally has helped shape what amazes us on screen for decades.
The following has been edited for clarity and concision.
We see practical effects being championed as almost a marketing ploy with the “postquels” as a mix of nostalgia and an attempt to delineate from Lucas’ second trilogy. In some ways the love of the practically-realized snake undercuts the extraordinary CGI you and your team accomplished, and raises questions about why the need to fetishize the on-set inclusions when they’re replaced anyway. Could you talk about that ethos, that somehow doing stuff on a computer is a “cheat” while doing an effect practically is not?
I think at the end of the day we’re all trying to do the best that we can, trying to make the best, most dramatic or emotional movie we can visually. I’m coming from figuring out how do you get the most...
The Morning Watch is a recurring feature that highlights a handful of noteworthy videos from around the web. They could be video essays, fanmade productions, featurettes, short films, hilarious sketches, or just anything that has to do with our favorite movies and TV shows.
In this edition, watch as stuntment recreate a fight scene from The Mandalorian with some low-rent props and visual effects in the middle of a dojo. Plus, Patrick H Willems, or rather some of his collaborators, put together a video essay on Labyrinth and the themes of capitalism in 1980s America, and you can get a lesson on how to draw a Walt Disney caricature.
First up, some professional stuntmen, with the help of some local cosplayers and propmakers, got together in Atlanta Judo Midtown to recreate a fight scene from The Mandalorian in a very low budget style. But the camera work and cheap digital effects make this video from Legend of Micah a little more stylish than your average sweded video elsewhere on the web.
Next up, since things are crazy right now with coronavirus, Patrick H Willems takes a backseat to video essays this week. Instead, his collaborators Jake and Matt took advantage of the situation to do a video essay about the 1980s cult favorite Labyrinth starring David Bowie and how it fights back against the idea of greed being good.
Finally, Walt Disney Animation Studios animation supervisor Michael Woodside sat down to teach you how to draw a Disney-Style caricature of Walt Disney himself. It’s all in honor of the annual caricature show curated by the studio, and it’ll help you pass the time while you’re stick at home with nothing to do. Maybe you can even try to draw a caricature of someone else like this too.
Jimmy Fallon, Jimmy Kimmel and Stephen Colbert are to host a major television event to help end COVID-19 airing across NBC, ABC and CBS as well as a number of international networks.
The trio will front One World: Together at Home featuring a slew of A-list stars on Saturday April 18 between 8pm and 10pm. The event, which is curated by Lady Gaga, has been put together by social action platform Global Citizen and the World Health Organization.
It builds on a series of live online concerts, organized by Global Citizen, where stars such as OneRepublic, Coldplay's Chris Martin and John Legend have performed at home.
The global entertainment special will celebrate the efforts of community health workers and promote the fight to end the global pandemic. It will feature multimillion-dollar pledges to the WHO's Solidarity Response Fund.
It will feature appearances by Alanis Morissette, Andrea Bocelli, Billie Eilish and her brother Finneas, Billie Joe Armstrong of Green Day, Burna Boy, Chris Martin, David Beckham, Eddie Vedder, Elton John, Idris and Sabrina Elba, J Balvin, John Legend, Kacey Musgraves, Keith Urban, Kerry Washington, Lang Lang, Lizzo, Maluma, Paul McCartney, Priyanka Chopra Jonas, Shah Rukh Khan, Stevie Wonder and friends of Sesame Street.
It will be produced by The Voice and Songland exec producer Audrey Morrissey and her production company Live Animals in partnership with Global Citizen.
In addition to NBC, ABC and CBS, it will air on BBC One as well as Disney, NBC and Viacom stations around the world. The full list of broadcasters includes Bravo, E!, MSNBC, NBCSN, NBC News, NBC News on YouTube, Peacock, Syfy, USA, ABC News, ABC News Live, Freeform, Nat Geo, Channel 5 in the UK, Network Ten in Australia, and Telefe in Argentina, BET and MTV globally across more than 180 countries, CMT, Comedy Central, Logo, MTV2, Paramount Network, Pop, TV Land and VH1 in the US as well as Bell Media platforms in Canada, MultiChoice, and Ireland's RTE.
It will also stream online via a number of platforms including China's Alibaba, Amazon Prime Video, Apple, Facebook, Hulu, Instagram, LiveXLive, Tencent, Tencent Music Entertainment Group, TIDAL, TuneIn, Twitch, Twitter, Yahoo and YouTube.
Money raised will go to the COVID-19 Solidarity Response Fund, run by the UN Foundation, to support and equip healthcare workers around the world, and to local charities that provide food, shelter, and healthcare to those that need it most.
Who Wants To Be A Millionaire? drama Quiz will be revealed to AMC viewers on Sunday May 31.
The network will launch the series, which is produced by The Crown producer Left Bank Pictures and is a co-production with British network ITV, over three weeks with the second and third episodes airing June 7 and June 14 respectively. The full series will be available to binge on AMC Premiere from May 31.
This comes after ITV revealed that it will air the three-part drama on April 13.
Quiz, directed by Stephen Frears A Very English Scandal and written by James Graham Brexit: An Uncivil War, tells the story of how Charles and Diana Ingram attempted an 'audacious heist' on the quiz show Who Wants to Be a Millionaire? Major Ingram Matthew Macfadyen, his wife Diana Sian Clifford and an accomplice, Tecwen Whittock Michael Jibson, who was sitting in the audience, were accused of cheating their way to a million pounds on the popular game show. The couple stood trial for conspiring by coughing during the recording to signify the correct answers to the multiple-choice questions posed to the Major by host, Chris Tarrant Michael Sheen.
Aisling Bea, star of Hulu's This Way's Up, plays ITV Entertainment boss Claudia Rosencrantz and Catastrophe star Mark Bonnar plays Paul Smith, Chairman of Celador Television and creator of Millionaire.
Creator James Graham told Deadline earlier this year, “It's quite easy to make TV people look pretentious and smug on TV, but that's the trope. They just run around in suits and they're really metropolitan and cutting and smug, and I don't think that's very interesting. So, I tried to humanize them and make them people with vulnerabilities and doubts and uncertainties and desires like everyone else.”
Graham added that one of the things that fascinated him was that he didn't think there were any bad guys in Quiz. “To this day, Paul Smith still believes that they are guilty, and he believes that very passionately. Whether it was the coughing, whether it was something else, he's convinced that people came into the thing that he created, sold around the world, and that these people are trying to destroy that. So, he feels that very keenly. And I think if you represent that honestly and sincerely, then he might be wrong, but he believes it. Similarly, the Ingrams are a normal people who go through this extraordinary story where they're thrown into the limelight. They're made an international laughing stocks, and they're on trial for their freedom. They may get sent to jail if they're found guilty. You try and create three-dimensional people,” he added.
Quiz is produced by Left Bank Pictures and...