|THE MORNING WATCHREVIEWTRON|
The Morning Watch is a recurring feature that highlights a handful of noteworthy videos from around the web. They could be video essays, fanmade productions, featurettes, short films, hilarious sketches, or just anything that has to do with our favorite movies and TV shows.
In this edition, watch as stuntment recreate a fight scene from The Mandalorian with some low-rent props and visual effects in the middle of a dojo. Plus, Patrick H Willems, or rather some of his collaborators, put together a video essay on Labyrinth and the themes of capitalism in 1980s America, and you can get a lesson on how to draw a Walt Disney caricature.
First up, some professional stuntmen, with the help of some local cosplayers and propmakers, got together in Atlanta Judo Midtown to recreate a fight scene from The Mandalorian in a very low budget style. But the camera work and cheap digital effects make this video from Legend of Micah a little more stylish than your average sweded video elsewhere on the web.
Next up, since things are crazy right now with coronavirus, Patrick H Willems takes a backseat to video essays this week. Instead, his collaborators Jake and Matt took advantage of the situation to do a video essay about the 1980s cult favorite Labyrinth starring David Bowie and how it fights back against the idea of greed being good.
Finally, Walt Disney Animation Studios animation supervisor Michael Woodside sat down to teach you how to draw a Disney-Style caricature of Walt Disney himself. It’s all in honor of the annual caricature show curated by the studio, and it’ll help you pass the time while you’re stick at home with nothing to do. Maybe you can even try to draw a caricature of someone else like this too.
SPOILER ALERT: If you are among the few who haven’t actually watched Netflix’s Tiger King docuseries, this review contains a lot of details about what goes down in the sad big cat saga.
With Netflix poised in the coming days to cash in and crank the base up a notch with more Tiger King, it's time to come out and say it: I hate the Red State porn that is the crash and burn of Joe Exotic
The initial seven episodes of this septic and shallow patchwork of trademark infringement, sex, guns, labor exploitation, song, drugs, mullets, betrayal, animal activism, revenge, and a lot of big cats may be much binged over these weeks of coronavirus lockdown, but that doesn't mean it's actually worth watching.
Now, I get it, I sound like I'm just a dour critic who hates anything that isn't prestige premium cable or aspirational. C'mon man, you want to say, Tiger King: Murder, Mayhem and Madness is just so unbelievable, I can't look away.
I respectfully disagree, and in fact, propose Tiger King isn't just bad, but dangerous in a divided America persistently looking to reduce the other side to caricature.
In a presently ailing nation where TV is more voluminous and vital than ever, the truth is the March 20 launched Tiger King is a clawed white trash misery index. Gawking at some clearly fragile and damaged people like would-be reality TV star Exotic and their below the Mason-Dixon line antics, the series subsequently provides a cultural circus for those smug bicoastals under stay at home orders and screaming to rise up in moral superiority.
Essentially, the tale of big cat collector, self-styled Oklahoma zoo proprietor and 2016 Presidential candidate Exotic AKA Joseph Maldonado-Passage and his ultimately unsuccessful attempt to have rival Carole Baskin knocked off by a hitman hired for $3,000, Tiger King is in that context more a zero-sum game, literally and figuratively, than hitting the zeitgeist.
Obviously, Netflix are pretty damn good at gauging and dragging the public mood over the years, as the likes of the then phenomenon of 2015's Making A Murderer or 2018’s Wild Wild Country prove. Yet, for all the attention it has drawn, this unfocused murder for hire exploration of sorts emerges as a bastard child of Cops, a million Dateline segments from the 1990s and Fox’s short-lived Murder in Small Town X reality show from 2001.
Not exactly the prestige product that the home of Roma, The Irishman and American Factory likes to brag about at award shows. Then again, with the knowledge that the Romans sold out the Colosseum every night feeding Christians to the lions, the bottom line based House of Hastings surely loves the subscription sign up that the currently incarcerated Maldonado-Passage and the accompanying motley gaggle of...
Disney+ has been in American homes since last fall, but the House of Mouse’s streaming service is only just now starting to expand to international territories.
It’s been one week since Disney+ arrived in Europe, turning The Mandalorian into quite the sensation among viewers in the United Kingdom, Germany, Italy, Spin, Switzerland, Austria and Ireland. Now even more international markets are getting a taste of the live-action Star Wars series, with Disney+ launch in India, which was previously delayed from debuting on March 29, starting today.
Deadline has word on the India launch of Disney+ happening today. The debut of the streaming service was pushed back due to complications caused by the coronavirus pandemic, but the delay ended up not being extensive at all, which is good news for viewers in India who are anxious to start streaming.
In India, Disney’s streaming service will actually be called Disney+ Hotstar. That’s because Disney acquired Hotstar, India’s biggest streaming service, when they picked up Fox’s entertainment assets in their big merger. This will make India’s version of Disney+ significantly different from others.
Disney+ Hotstar will have three different subscription tiers for viewers to sign up for: Disney+ Hotstar VIP, Disney+ Hotstar Premium, and an ad-supported basic version of Disney+ Hotstar. Depending on your subscription tier, viewers will get access to not only Disney+ original programming and the movies of Marvel Studios, Walt Disney and Pixar Animation, but also Bollywood movies and even US shows from HBO, Fox and Showtime.The Mandalorian Launches Big on Disney+ in Europe
While Disney+ is just launching in India, it’s already comfortable across Europe after launching a week and a half ago. The service is now available in the United Kingdom, Germany, Italy, Spin, Switzerland, Austria and Ireland, and The Mandalorian is already a huge hit, based on what TV research company Parrot Analytics calls “demand expressions.”
Deadline has word from Parrot Analytics that the premiere of the first two episodes of The Mandalorian resulted in 33 million demand expressions, which comes from looking at data across social media, video streaming, photo sharing, blogging and research platforms. And that was just on March 24 when Disney+ launched in those territories. That’s not bad considering they’ve had months to pirate the series following its debut in the United States.
However, it should be noted that some demand expressions are not as valuable in measuring the impact of a television series. That’s because social media engagements aren’t indicative of engagement with a series, as in actually watching the show in question. But even so, the fact that so many people are talking about the series...