|ONCE UPON A TIME IN HOLLYWOODONCE UPON A TIMETHE IRISHMANNOMINATIONHOLLYWOODIRISHMANNETFLIX|
“Once Upon a Time in Hollywood” might be a getting a novelization courtesy of Quentin Tarantino. The director revealed on the latest “Pure Cinema Podcast” episode that he’s currently eyeing a novel adaptation of his 10-time Oscar nominee. Tarantino said to the podcast hosts, “I hadn’t thought about that until recently. But now I’m thinking a lot about it. I might be writing a novelization to ‘Once Upon a Time in Hollywood.'” Sony Pictures released “Hollywood” last summer to rave reviews and $374 million worldwide, a big haul for an original adult drama. The film stars Leonardo DiCaprio and Brad Pitt as a television actor and his stuntman struggling to adapt to changing Hollywood in 1969. Margot Robbie appears as Sharon Tate. The film won Oscars for Best Supporting Actor Pitt and Best Production Design.
Whether or not Tarantino moves forward with a novelization of “Once Upon a Time in Hollywood,” it appears likely fans will be getting some kind of supplemental version of his 2019 drama. The director has been vocal about leaving several scenes and characters on the cutting room floor, and he told IndieWire after the film debuted at Cannes that his assembly cut of the film ran over the four-hour mark. Brad Pitt said last September Tarantino was eyeing a miniseries release of “Hollywood” that would put back the deleted scenes.
“Once Upon a Time in Hollywood” marked the ninth feature of Tarantino’s career, making it his penultimate effort should he stick with his current plan to retire from feature filmmaking after his 10th movie. Tarantino has expressed interest in moving to other artistic mediums such as plays and books, so a “Hollywood” novelization would make sense for the director. Tarantino said last fall he was also planning to write a novel about a World War II veteran jaded by Hollywood movies.
“I've got this character who had been in World War II and he saw a lot of bloodshed there and now he's back home, and it's like the '50s, and he doesn't respond to movies anymore,” Tarantino said. “He finds them juvenile after everything that he's been through. As far as he's concerned, Hollywood movies are movies. And so then, all of a sudden, he starts hearing about these foreign movies by Kurosawa and Fellini. And so he's like, 'Well, maybe they might have something more than this phony Hollywood stuff.’”
There’s clearly books in Tarantino’s future. The director has not announced any plans for a follow-up movie to “Once Upon a Time in Hollywood.” The movie is available to watch on VOD and home video.
Meanwhile six-time nominee 'Little Women' only won one award, for costume design, in an awards ceremony that featured numerous onstage comments praising the work of female directors.
The 2020 Oscars marked another disappointing awards ceremony for the team behind Netflix's Martin Scorsese-directed mob drama, The Irishman. After being shut out at the Golden Globes and Screen Actors Guild Awards, the epic, decade-spanning and decade-in-the-making story starring Robert De Niro and Oscar nominees Al Pacino and Joe Pesci failed to win any of the 10 Oscars for which it was nominated.
Still, Scorsese got a few shout-outs from the stage, with Chris Rock and Steve Martin mentioning the film and the director in their monologue and best director winner Bong Joon Ho taking a minute to note how, as an aspiring director, he was particularly inspired by Scorsese, comments that prompted the Academy Awards audience to give Scorsese a standing ovation.
Meanwhile, other top nominees had a relatively disappointing night, with six-time nominees Jojo Rabbit, Marriage Story and Little Women only taking home one award each. Little Women's prize was arguably the lowest profile award of those one by Jojo Rabbit and Marriage Story, only taking home the prize for best costume design. It's poor showing was somewhat ironic given that a theme throughout the show was praising the work of female directors, like Little Women helmer Greta Gerwig, despite the fact that none were nominated for best director again this year. Jojo Rabbit won best adapted screenplay while Marriage Story's Laura Dern won the best supporting actress award she was expected to take home
While Once Upon A Time in Hollywood won two awards, for production design and best supporting actor Brad Pitt, writer-director-producer Quentin Tarantino didn't win any of the awards for which he was nominated including high-profile prizes best original screenplay, best director and best picture.
Similarly, 11-time nominee Joker only won two awards, for best score and best actor Joaquin Phoenix, high-profile victories but a significant drop, numbers-wise, from its leading spot among nominated films.
Also while Parasite was predicted to do well at the 2020 Oscars, with the best picture race shaping up as a battle between the Bong Joon Ho film and Sam Mendes' 1917, many pundits expected 1917 to win best picture or for Mendes to win best director, if not both, particularly after 1917 won the top prizes at the BAFTA Awards last week, in the middle of Oscar voting, after winning the top prizes at the DGA Awards and PGA Awards. And while 1917 won three awards, all were in technical categories.
Other multiple Oscar nominees that were shut out included Harriet and The Two Popes.
Source: Hollywood Reporter
The Television Academy is adjusting the eligibility and voting deadlines for this year’s Primetime Emmy calendar in response to concerns made by TV communication executives and awards strategists in the current coronavirus climate.
The dates for the Creative Emmy Awards and Primetime Emmy shows remain unchanged respectively on Sept. 12-13 and Sept. 20, and will only be moved should state and national safety directives deem them to be, should the coronavirus worsen.
This morning’s big changes involve the entry deadline moving close to four weeks from May 11 to June 5, and the Phase one voting period jumping from June 15-29 to July 2-13 with the new nominations announcement date being July 28 instead of July 14. The Phase one period thus shrinks from 15 days to 12 days.
Phase 2 voting, which was originally set for Aug 17-31, will start slightly later, and shave off four days, now occurring between Aug. 21-31.
Also being extended is the eligibility date for hanging episodes for regular series and limited series, as the TV Academy takes into account production and programming delays. Now, all hanging episodes must broadcast or post on an accessible platform by June 30, instead of May 31. Both regular and limited series must still premiere by the end of this year’s eligibility date which remains May 31. A minimum of six episodes continues to be required for a show to be qualified in the series category. A limited series in its entirety must air or post on a platform before June 30, and if it doesn’t, then the limited series will qualify in the 2020-2021 Emmy year.
Meanwhile, all TV Academy FYC events “whether with a live audience, streaming or recorded for posting on a viewing platform” per the org remain suspended for the current Emmy season.
In recent weeks, the TV Academy appeared to be standing firm on their original voting and eligibility dates. However, TV publicists and Emmy campaign strategists reportedly voiced their reservations about promoting too heavily and too soon, thus wanting to exercise a greater degree of sensitivity in a spring that’s been rocked by COVID-19: Many productions have shut down, leaving many out of work, and the whole atmosphere across the nation is rather dour as we all self quarantine. Emmy season has traditionally been decked with glam marketing, billboards, food trucks, stunt events, big DVD boxes and soirees. Earlier this year, to tame some of that, the TV Academy banned DVD mailers to voters, and in doing so, favored online screeners. The hope here with the TV Academy’s tweaking of the FYC calendar is that we’ll be on the other side of the curve in regards to coronavirus, and in a lighter-spirited environment. Between the entertainment capitals, New York City currently counts 23K COVID-19 cases and 365 deaths as of yesterday while Los Angeles counts 1,2K cases...
Welcome to The Quarantine Stream, a new series where the /Film team shares what they’ve been watching while social distancing during the COVID-19 pandemic.
The Show: The Secret History of Hollywood
Where You Can Stream It: The podcasting app of your choice.
The Pitch: The Secret History of Hollywood is the most compelling, immersive, and emotional podcast I’ve ever had the pleasure of listening to. Each season consists of deep dives into a major Hollywood figure, tracing its subject’s rise to prominence and giving incredible insight into their home lives, painting a portrait so captivating and well-rounded that biographies or books on the subjects could only dream to achieve.
Why It’s Essential Quarantine Listening: I’ve been thinking about this podcast a lot since I first stumbled across it several years ago, but I think it’s especially appropriate to recommend it right now because some of its episodes are incredibly lengthy – many clock in around an hour and a half, but some of them stretch to four, six, or even nine hours long. Yes, really. Some of you may scoff, but isn’t being in quarantine the perfect time to give a long-form podcast a chance?
Adam Roche, the voice behind the show, had no background in sound editing or sound production when he got started, but he could have fooled me: the series reminds me of an old-time radio show, complete with sound effects and Roche doing voices as he plays the people in a given scene. I realize that may sound cheesy, and it absolutely would be in less-capable hands. But trust me: Roche’s mellifluous voice and incredibly researched accounts are perfect for this type of storytelling.
The show has brought me to tears multiple times over the years, and I think a huge part of the reason for that is because of the long episode lengths. Like a great TV series you never want to end, you get to spend hours and hours with the subjects of these episodes and build emotional connections to them, so when they they experience hardships, a project goes wrong, or they lose a loved one, the results can be unexpectedly powerful.
The show has earned the attention of Hollywood vets like Peter Ramsey Spider-Man: Into the Spider-Verse and Mark Gatiss Sherlock, Game of Thrones, the latter of whom lends his own terrific voice to introductions of the most recent season, which covers the prolific producer Val Lewton Cat People, The Body Snatcher, The Ghost Ship. I knew nothing about Lewton or his work before I listened to the eleven episode season, but by the end, I feel like not only do I know all about him, but I feel I’ve experienced his highs and lows right alongside him. It’s truly spellbinding stuff, and it comes with my absolute highest recommendation.
I’ve talked about the show a couple...