The Wire, created by David Simon, examines the Bimore drug scene from the perspective of both the police and the drug dealers, providing flawed but deeply human, sympathetic faces to both sides of the drug war. It confronts the inner-city drug problem from every perspective, from the politicians elected to stamp out drugs to the distribution channels that bring in the drugs to a flawed education system that produces drug dealers to the gang warfare that ensues and the journalists assigned to cover the drug trade from all angles. It's an incredibly detailed series that defies expectations at every turn as it provides viewers with riveting, addictive, glimpse into a world that most of us have never understood beyond newspaper headlines. Spanning five seasons, The Wire is like a series of intricate, interconnected crime novels, a one-of-a-kind series that is not only entertaining, thoughtful, and insightful, but also necessary viewing.
The godfather of prestige dramas, The Sopranos is about New Jersey mobster Tony Soprano. He's running a crime syndicate; putting hits out on his enemies, and he's got rivals — and the FBI — closing in on him. But he's also got a suburban family he has to protect, kids he has to raise, and a marriage he has to nurture. With all that pressure, Tony begins to seek therapy to help with the panic attacks, to cope with the anxiety that balancing his family life and a career in crime produces. Creator David Chase takes a villain who knows he's a villain and finds ways to make us relate to and sympathize with him. The series, which kicked off the Golden Age of Television, may be the best-written and most well-acted series of all time, and it's certainly one of the most awarded, earning 21 Emmy Awards with 111 nominations three of those wins and eight of those nominations went to James Gandolfini. Notable for being one of television's most groundbreaking series, The Sopranos is a stunning, surprisingly affecting, often funny family drama punctured with moments of devastating violence, and it also boasts one of television's most polarizing, heavily debated series finales ever.
The series, based on George R.R. Martin's Song of Ice and Fire book series, is an intricately woven fantasy drama that's more about political gamesmanship dragons and war. Although it's about that, too. The series sees dozens of characters representing the seven kingdoms of Westeros vying for the Iron Throne, but there's also a supernatural outside force — an army of the dead — threatening to topple them all. Game of Thrones works for both those who love fantasy and those who don't because the universe is so impeccably built, the characters so vividly drawn, the relationship drama is so complex, and the plot twists so shocking. The sex and violence can be gratuitous at times, the storylines can occasionally drag, and the motivations of the characters can veer into the perverse, but that's all part of Game of Thrones package. It's more than just a show; it's a provocative, immersive, unpredictable weekly television event.
The kings of comedy over the last decade — Tina Fey, Jon Stewart, Judd Apatow, Ricky Gervais — and many of the best comedies of the last 20 years Arrested Development, 30 Rock, The OfficeCurb Your Enthusiasm — owe a huge debt to The Larry Sanders Show, which established the kind of single-camera, character-based comedies that are the norm today. The Larry Sanders Show is dark comedy perfection, a sitcom about a neurotic late-night talk show host in the heat of the late-night wars between Letterman and Leno, who are frequently mentioned. Long talked about as a possible late night star, Gary Shandling plays the host and Jeffrey Tambor co-stars as his sidekick, the boob, the sad sack, the butt of the joke in what's still the role of Tambor's career no small feat considering his part in Arrested Development, Transparent, and even Three's Company. Those who want to know the root of cringe comedy need look no further than Tambor's Hank Kingsley. Celebrities play both the public and private versions of themselves, putting on their celebrity personas during the talk-show segments of Larry Sanders, but playing parodies of themselves backstage or during commercial breaks. David Duchovny, who develops an uncomfortably strong man crush on Larry Sanders, is a particular stand-out. The Larry Sanders Show is not just groundbreaking, however; it's in the running for best comedy of all time, a show — like Arrested Development — that actually gets better the more times it is watched.
Damon Lindelof's series — based on the Tom Perrotta novel of the same name — is a dark drama, a mystery, a meditation on grief, and often a religious experience in and of itself. Set in a universe where two percent of the entire world's population mysteriously vanishes, The Leftovers plays with questions of faith, death, the supernatural, rebirth and the afterlife, all the while featuring some of the decade's best performances from Carrie Coon, Regina King, Christopher Eccleston, and Justin Theroux. The first season is bleaker than it needs to be and can occasionally be a slog, but the second and third seasons are as close to perfect as television gets — excellently written, emotionally powerful, masterfully crafted spiritual journeys with layers of mystery, literary and pop-culture allusions, humor, and heart. It is confounding, and heartbreaking, and magical. With the pitch-perfect, beautifully executed finale, Damon Lindelof also atones for whatever sins he committed in the Lost finale.
Six Feet Under, Alan Ball screenwriter, American Beauty set out to make a family drama that focused equally on the Fisher family and their grief after the family patriarch succumbs to the business end of a city bus, and stories about the bodies they bury each week as funeral parlor owners and the loved ones to whom they sell coffins. Each episode begins with a death starting with Nathaniel Fisher, Sr. in the pilot, and the rest of the episode explores its repercussions, how it affects the survivors, and how, thematically, the expiration of that life plays into the lives of the Fisher family. It also explores death as an industry, the cold business of dying — the financial exploitation, the detached corporate franchising, and the cookie-cutter, assembly-line processing of corpses. Ultimately, Six Feet Under is the best examination of death ever put on the small screen, but it's also a hopeful series for the way it uses the loss of life to prove a point about living. It also features one of television's all-time greatest series finale, a ten-minute montage that will leave viewers sobbing.
Creator Armando Iannucci's political satire boasts the best ensemble comedy on television it has a whopping 67 Emmy nominations and 14 wins, arguably the best comedy writers, and easily the most withering insults on the small screen. The series follows Selina Meyer Julia Louis-Dreyfus as she navigates the office of Vice President, the most pointless, powerless position in the executive branch. This is not West Wing — there are no political heroics in Veep — nor is it even Parks and Recreation. There's not an ounce of heart in the series. These are cynical soulless characters engaging in cynical soulless activities with no other end in mind aside from political victories, of which there are few, all of which Meyer and her staff stumble into backwards. It contains more jokes per minute than any other show on television, and the putdowns are a form of bloodsport. It's as vicious as it is funny, but it wouldn't work as well as it does unless it didn't have a ring of truth to it.
Curb Your Enthusiasm is basically what would happen if the George Costanza character was teased out of Seinfeld, relocated to Los Angeles, and the cringe humor dialed up to 11. The fantastically funny show from Larry David who inspired Costanza is improvised, and like Seinfeld, it's often about nothing. But David takes it to darker, more awkward places, and he's never afraid to depict himself as an entitled, self-indulgent, morally bankrupt, and decidedly unlovable man. It's a must-watch series for anyone that can stomach David's twisted comedy of discomfort, and for fans of Seinfeld, 2009's seventh season also offers a reunion of Seinfeld within the series.
On paper, HBO's Big Little Lies, an adaptation of Liane Moriarty about a group of housewives hiding a dark secret, seems like your standard melodramatic fare. There's cheating spouses, family squabbles, catfights, and murder with a classic whodunnit twist, but the show benefits from some truly brilliant performances and the kind of subtle, stylish direction only Jean-Marc Vallee — who's responsible for another series on this list — can deliver. Reese Witherspoon, Laura Dern, and Shailene Woodley star in this sordid tale about secrets and betrayal in a quiet, affluent seaside town, but it's Nicole Kidman who swallows up the screen, playing an abused wife and mother grappling with the consequences of her husband's nefarious deeds.
The Young Pope is the kind of batsh*t crazy show that only HBO could pull off. The series is a masterclass in excess — each frame is filled with decadent costumes, outrageous characters, bizarre action, and memeable dialogue. It's a gif-giving treasure trove of melodrama, and its star is Jude Law, who plays the titular guy. This is a pope who smokes, schemes, and sashays his way through the Vatican, decked out in immaculate robes and dripping in dramatic flair. Conflict arises as he tries to enact a decidedly conservative regime, resulting in scandal, violence, and chaos amongst his cardinals. If you need any more incentive to watch, you may consult our own Brian Grubb's flawless Popedown coverage — a breakdown of all of the insane action that happens on this show.
Before Game of Thrones and Westworld, there was Rome. This sprawling historical drama made all kinds of noise and won its fair share of awards when it first premiered and rightfully so. With a large and talented cast, the series took on some of history's most notable characters — think Julius Caesar, Mark Antony, Brutus, and the like — while also managing to craft a narrative around the struggles of two low-level Roman soldiers. The real draw of this series though, aside from some superb acting and an intriguing narrative, is its sheer scope. If you thought GoT battle scenes were ambitiously planned, wait until you watch this show.
In television's greatest all-time Western series, David Milch creates a brilliantly distinctive universe peopled with characters who speak their own language, a pungent mix of Shakespeare, profanity, and gunslinger lingo all rolled into one. Set in 1870s South Dakota, Deadwood charts the growth of Deadwood from a small camp into a town, basing many of the characters on real-life historical figures like Al Swearengen, Wild Bill Hickok, Calamity Jane, Wyatt Earp, and George Hearst. It also stars an incredible collection of talent — Timothy Olyphant, Anna Gunn, Ian McShane, Molly Parker, John Hawkins, Kim Dickens, and John Hawkes, among many others — who bring the town alive with all its danger, corruption, and family struggles. Fans of profanity should also take note: There are 1.58 f-bombs per minute in the series, which unfortunately was cancelled after three seasons, leaving several storylines unresolved. However, a Deadwood movie currently in development could eventually tie up those loose ends.
The second Jean-Marc Vallee entry on this list marks yet another series about complicated, flawed women. Amy Adams plays Camille Preaker, a reporter running from her past who's forced to return to her Southern roots for a story. Her homecoming is fraught with family tension, courtesy of an abusive mother played by a devilishly sinister Patricia Clarkson and a rebellious younger sister newcomer Eliza Scanlen. Camille is an alcoholic with suicidal tendencies, suffering from PTSD after another sibling's death and her mother's involvement in it, and Adams plays her to perfection, giving us a look at a woman intent on self-destruction, one who's searching for a shred of humanity in her sleepy, Southern town.
Created by Mike Judge Idiocracy, Beavis and Butthead, Silicon Valley is essentially Office Space for the tech worker of the 2010s. Instead of a traditional office, it's set in a modern workplace — the inside of a house — and instead of bosses, there are investors. Judge and co-creators John Altschuler and Dave Krinsky, however, approach the tech industry with the same biting, satirical edge that Judge took to Office Space. Nominated for 22 Emmys winning two, the HBO series follows the ups and mostly downs of a group of six friends trying to get a start-up off the ground. It works as both a scathing takedown of the tech industry as well as a traditional comedy. Through four seasons, it's also remained one of the most consistently funny comedies on television to both the code monkeys who understand the intricacies of Silicon Valley and laypeople who appreciate smart writing and indelible characters who are fun to hang out with — think better, smarter Entourage with ambitious tech geeks and incredibly sophisticated dick jokes.
With an intriguing storyline, an A-list cast, and roots in the beloved sci-fi genre, it was clear early on that HBO was banking on Westworld to fill the hole that would be left when Game of Thrones eventually ended. It looks like the powers that be made the right bet. Not only does this show offer a plot full of twists, turns, strange mythologies, and moral dilemmas, it's got a talented cast of colorful characters and it's premise — a robot uprising at an amusement park where adults can indulge in their basest desires free of consequence — is the kind of stuff great TV series are made of.
Nominated for 57 Emmys winning 20, Boardwalk Empire takes a simmering novelistic approach to its storytelling. Brilliantly acted and meticulously plotted, Boardwalk Empire can be a slow burn while the audience waits for the pieces to come together, but they always do with near-perfect execution. With a sprawling cast spread out geographically and numerous plotlines flowing away from the series' main character, Nucky Thompson Steve Buscemi, the Terence Winter-created series is historical fiction at its best. Loosely based on the life of Nucky Johnson, Boardwalk Empire examines the bootlegging industry in Atlantic City during Prohibition, and it brings in a host of familiar names including Al Capone, Lucky Luciano, and Arnold Rothstein. However, it's often the series-created characters played by Michael Pitt, Jack Huston, Charlie Cox, Michael Shannon, Michael K. Williams, and Kelly Macdonald that prove most riveting. It's a fascinating series from a historical standpoint it tracks the rise of the modern mafia, absorbing as a work of storytelling, and a remarkable acting showcase. There are no weak seasons here; it's an incredible series from start to finish and, if anything, it's only gotten better as it's aged.
2 miniseries, 20 episodes | IMDb: 9.5/10 and 8.3/10
The adaptation of Stephen E. Ambrose's 1992 non-fiction book of the same name, brought to HBO by Tom Hanks and Steven Spielberg, follows the “Easy” Company from training through its participation in several major battles in World War II up until the Japanese surrendered and the war ended. Meticulously researched with consultants who were actually in Easy Company, Band of Brothers is the best fictional account of World War II ever recorded. It's an extraordinary series that captures the violence of war, as well as the heroism — and flaws — of its characters. Nothing else comes close, really, to capturing the true sense of sacrifice of these men, nor documenting the slog and banality of war — long stretches of boredom punctuated by extreme violence. It's a harrowing series, and it's hard not to come away with a better appreciation of the men who served in that war. The Pacific, meanwhile, is a similar mini-series, offering an account of the United States Marine Corps' actions in the Pacific Theater of Operations. It's worth noting, too, that Band of Brothers and Pacific feature more than a dozen actors who would become famous after their roles in the miniseries.
HBO is taking a big step in its global programming plan with the premiere of its first non-English series. Adapted from Elena Ferrante's best-selling book series, My Brilliant Friend follows the story of two young women, growing up in 1950s, post-war Italy. The series begins with the girls as children, one outspoken and rebellious, the other mourning her childhood before it's even over. Over the course of this first season, the series explores the bonds of female friendship amidst a male chauvinistic backdrop. It's beautifully wrought, benefiting from an eager and inexperienced cast and a script filled with nuance, heartbreak, and hope.
Bill Hader brings more of his signature brand of humor to this dark comedy series about a Midwestern hitman who travels to Los Angeles for work and ends up immersing himself in the local arts scene. Watching Hader do anything is guaranteed fun but he somehow manages to make this down on his luck gun for hire a sympathetic anti-hero of sorts. Of course, the real gem of this show is Henry Winkler, who plays a tough-as-nails acting coach determined to make a thespian out of Hader's hitman.
Based on Candace Bushnell's 1997 book of the same name, Sex and the City put HBO original comedy on the map in the same way that The Sopranos did for HBO dramas. Following the lives of four New York City women, the series reveled in decadent fashion, relationship drama, and of course, sex. It was a fashion magazine come to life. Lasting six seasons and 94 episodes, the series peaked in season 4, but would still go on to spawn a bad Sex and the City movie and an even worse sequel. In the years since Sex and the City debuted, it's had a number of imitators — some better, some worse — which may have the effect of making the original seem dated. The '90s pop-cultural references don't help. Still, the groundbreaking series is essential viewing because of the way it changed the conversation about women and sex, even if some of those themes are ultimately neutralized by the materialism and the self-absorption of its lead character, played Sarah Jessica Parker.
Running for 5 seasons, Big Love tells the story of a Utah businessman and later Congressman Bill Henrickson Bill Paxton, a practicing polygamist with three wives Jeanne Tripplehorn, Chloe Sevigny, Ginnifer Goodwin and a set of children with each. Inspired by the real-life Fundamentalist Church of Jesus Christ of Latter Day Saints, it sees Bill navigate the complications involved in providing for three families, keeping those three wives happy in their own marriages as well as their relationships with each other. The premise is risky, as it asks the viewer to sympathize with a polygamist, but it works thanks to the marvelous performances of its ensemble, the original situations, the complex relationship drama and a bizarrely loving family dynamic. It wavers some in the middle seasons, but Big Love successfully rebounds in its final season.
Succession is a show steeped in commentary about corporate greed, the dark side of capitalism, and the elite. It's a show about men and women behaving badly, siblings squabbling over questions of inheritance, aging kings refusing to give up their withering empires. It's a show about four siblings who wrestle for control of their family's media conglomerate when their father's heh begins to fail which may not sound too interesting — we don't need another series about rich, white-people-problems — but its the performances that make this series stand out.
A daring, smart and polarizing comedy, Lena Dunham's Girls is an observant and well-acted show about privileged, self-absorbed and often unlikable characters dealing with their relationships and their fledgling careers in New York City. It's funny, it's awkward, it's frequently provocative, and it's aggravating as hell. However, it's also undeniably honest, unflinching, and original, and there's an undercurrent of sweetness beneath the often inscrutable actions of the characters, who behave as flailing 20-somethings do while trying to figure out their lives. Viewers may ernate between empathizing with the real struggles of the characters, and loathing their choices, but it's impossible not to feel something for these lovable and impossibly annoying people. In six seasons and 62 episodes, Girls never loses a step — it's as compelling, funny, and obnoxious in the first season as it is in the last.
The first season of the Nic Pizzolatto-written series is a truly exceptional season of television that combines ambitious writing with the bold, atmospheric direction of Cary Fukanaga and two of the best television performances of the decade in Matthew McConaughey and Woody Harrelson's depiction of Detectives Rust Cohle and Marty Hart. Set in 2012, the first season sees Cohle and Hart questioned about a 1995 murder investigation they were involved in after new evidence surfaces and ultimately reunites the estranged partners. It's a riveting immersive season of noir, an enthralling and masterfully crafted murder mystery layered with literary allusions and unexpected twists. Unfortunately, the second season of the anthology series, which takes up a new case and features all new characters, is every bit as disappointing as the first season is great. Season one is must-see television, the second season should be avoided. The third season is a bit of a mixed bag but is definitely worth watching for the obviously great Mahershala Ali and the surprisingly great Stephen Dorff.
Part gothic romance and part vampire story, True Blood — based on the Sookie Stackhouse novels by Charlaine Harris — is set in a Louisiana town where vampires live among humans thanks to the invention of a synthetic blood. It's generally well acted hough the accents can be occasionally bothersome; features a great ensemble notably led by Anna Paquin, Bill Moyers, and Alexander Skarsgård; and contains a lot of wry, dishy humor that it blends with social commentary. At its core, however, True Blood is a biting, erotically-charged soap opera, and the more it leans into that, the better the series is. Warning: There is a precipitous drop off in quality in the final two seasons after showrunner and creator Alan Ball leaves.
David Simon's follow-up to The Wire, Treme shares much in common with jazz, one of the major subjects of the series: It's dense, meandering, and occasionally discordant, but it's frequently moving when it's not overly self-indulgent. Set in New Orleans three months after Hurricane Katrina, Treme sees its residents attempt to rebuild their lives in the wake of the devastation. Over the course of four seasons and 36 episodes, Treme tracks the successes, the setbacks, and the heartbreaks of musicians, chefs, lawyers, and developers, among others, and while it's often glacially paced and can get bogged down in extended musical interludes, it's as honest a depiction of the aftermath of Katrina as we're likely to see, warts and all. Treme is not for everyone; it's filled with big beautiful moments and great music, but it offers no easy answers or satisfying conclusions. After four seasons, Treme doesn't end so much as it trails off, leaving the characters facing the same uncertainty that the residents of New Orleans faced in the years after Katrina.
Groundbreaking because it was the first original drama created by HBO ultimately paving the way for The Sopranos and the golden age of television, Oz can still stand on its own as a brutal, unflinching Shakespearean prison drama. It's set in Emerald City, an experimental unit within a prison with a carefully managed population designed to encourage rehabilitation and conflict resolution. Yet the inmates nevertheless continue to struggle to survive as each faction fights for power. It's a harsh, sadistic series, grim and often unpleasant to watch because it is so often gruesome in its depiction of violence. It does, however, rely too often on stereotypes, and the writing can be both overcooked and pretentious especially Harold Perreneau's monologues. However, Oz is remarkable not just for pushing the boundaries of premium cable at the time, but for helping to launch the careers of so many talented character actors J.K. Simmons, Lance Reddick, Dean Winter, Christopher Meloni, and Bobby Cannavale, among them.
Set in the Dust Bowl of the 1930s, Carnivàle pits an 18-year-old carny with magical healing powers against an evangelical preacher who has his own supernatural abilities to bend people to his will. Each episode takes place in a distinctive carnival setting where an ongoing battle between good and evil is raging. The series was originally envisioned as a trilogy of stories, each part told in two seasons. Unfortunately, due to the expense of the series, only the first part of the trilogy was completed, which left a few storylines unresolved. Over a decade later, however, Carnivàle remains rich and singularly original series, a compelling if often frustrating combination of Twin Peaks, John Steinbeck, and Lost.
An eight-part miniseries based on the British series The Criminal, The Night Of follows a legal case from the night of a murder through the arrest and trial of the lead suspect Riz Ahmed. From novelist Richard Price Clockers and Steven Zaillian Moneyball, who wrote and directed the series, The Night Of works on a number of levels: It's a compelling murder mystery, it's a tour de force of acting thanks to Ahmed and John Turturro and it's a scathing indictment of the Americancriminal justice system. The series illustrates, best of all, that a conviction isn't even necessary to ruin a mans' life, especially if he's a person of color. Suspicion is all it takes.
Grown out of Issa Rae's web series Awkward Black Girl, Insecure takes us through the romantic and career travails of an insecure twenty-something black woman in a way that makes it clear that many of the experiences of the characters are rooted in reality. There's nothing particularly original about its premise — it's a relationship comedy — but its approach is uniquely bold, honest, and witty. It's very funny, but it also hits a lot of dramatic notes well and features one of the most remarkably authentic friendships on television.
Created by James Bobin, Jemaine Clement, and Bret McKenzie, Flight of the Conchords follows the day-to-day lives of two clueless shepherds-turned-musicians, Jemaine Clemaine and Bret McClegnie playing fictionalized versions of themselves who have moved from New Zealand to New York City in an attempt to make a career out of being folk musicians. In each episode, the characters also break into song, delivering irresistible, infectious pop-song parodies. It's hard to describe exactly what kind of show Flight of the Conchords is, but its humor is dry and sardonic. It's a lightweight comedy — it often feels like sketch comedy — but it's hilarious and infinitely clever.
Danny McBride plays Kenny Powers, a brash, profane washed-up major league relief pitcher who returns his North Carolina hometown and ends up living with his brother and teaching P.E. at the local middle school. The show, like Kenny Powers, is loud, obnoxious, and grating, and yet still capable of delivering some of the funniest lines on television. It's completely absurd, but it works because of how far Danny McBride is willing to take it. The show only seems to have one joke, but Eastbound and Down manages to find new ways to poke and prod that joke into life. In fact, the series gets better as it progresses through its fourth season, especially after it figures out how to combine emotional heft with the crude, bombastic humor.
Laura Dern has starred in two fantastic series for HBO but her best work remains as Amy Jellicoe, a middle-aged woman going through a nervous breakthrough on Enlightened. The dramedy follows Amy as she recovers from a mental break that happened after being fired by the shady company she'd been working for — to be fair, her heavy drinking and the affair she was having with her married boss didn't scream longevity. After a two-month rehab stint and a bipolar diagnosis, Amy tries to get her life back on track and ends up uncovering a damning secret about the people she works for. Dern in anything is worthy of a watch but when the actress plays messy, “unlikeable” female characters intent on self-destruction, she's truly at her best.
There's a reason Senator Elizabeth Warren stans this sports dramedy series starring Dwayne Johnson. Not only is the action star at his comedic best playing Spencer Strasmore, a former NFL player who embarks on a new career as a financial manager to pro athletes in the show's premiere, but the whole vibe of this show is Entourage on steroids. In other words, get ready to laugh your a** off at some raunchy, physical humor and witty one-liners while ogling expensive suits, fast cars, million-dollar mansions, and a yacht or two.
The Duplass brothers comedy-drama series about a family trying to rediscover their joy for life remains some of the brotherly duo's best work. Starring Mark Duplass as a 40-something sound designer going through a mid-life crises and Melanie Lynskey as his wife Michelle, a woman looking to reinvent herself, the show follows the couple as they try to inject a bit of spark back into their marriage with the help of an out-of-work actor friend and Michelle's sister, a bouncy castle entrepreneur.
Welcome to Scariest Scene Ever, a column dedicated to the most pulse-pounding moments in horror. In this edition: Horror icon Freddy Krueger clawed his way out of a nightmare and into the pop culture pantheon in A Nightmare on Elm Street.
Thirty-five years ago, the theatrical release of A Nightmare on Elm Street solidified director Wes Craven as a definitive voice in horror, launched a major horror franchise, and introduced an iconic movie monster in Freddy Krueger. Delivering his supernatural take on the slasher, Craven created a horrifically scarred killer whose favored slaying grounds is a place that should offer the most safety, in the nestled comfort of your dreams. Dreamscapes bleed into harrowing reality, often literally, and the only way to evade Freddy’s clutches is to stay awake. But no one can stay awake forever.
Craven demonstrates the high-stakes in this slasher right away with one of the most seminal horror scenes of the ‘80s. The blurred lines between waking life and imagination disorient as Craven goes straight for the jugular, offing a major character in the grisliest fashion after setting her up to be the lead character. This vital scene didn’t just set the tone for the rest of the film; it left an enduring, indelible mark on the genre.
Written and directed by Craven, who was inspired by a series of newspaper articles about Southeast Asian refugees that died in their sleep after suffering severe nightmares, A Nightmare on Elm Street follows the thread of what if dreams had the power to kill. High school teens Nancy Thompson Heather Langenkamp, Tina Gray Amanda Wyss, Glen Lantz Johnny Depp, and Rod Lane Jsu Garcia discover they’ve been having nightmares about the same man. A horrifically scarred figure with a red and green striped sweater and a glove with razor blades attached to the fingers. Though it at first seems like a strange coincidence, it’s revealed to be the spirit of slain child murderer Fred Krueger Robert Englund that seeks revenge by invading the dreams of his murderers’ children. He’s out for blood.
The Story So Far
After waking from a horrific nightmare that leaves her with four slashes across her nightgown upon waking, a shaken Tina is hesitant to fall asleep the following night. She enlists her best friend Nancy and Nancy’s boyfriend Glen to sleep over for comfort and support. As Tina shares details about her dreams, Nancy recalls the same figure has started appearing in her dreams as well. The coincidence is interrupted when Tina’s tumultuous lover Rod crashes the sleepover. The foursome separates in different corners of the Gray household to settle in for sleep. Terror, of course, ensues.
Tina wakes in the middle of the night from rocks pelted at her window and eerie whispers of her name. When she goes outside to investigate, she’s tormented and chased by Freddy Krueger in the alley until he catches her just outside her backdoor. As she tries to fight him off, it’s revealed to be a nightmare; Rod wakes in fright to see Tina struggling with an unseen foe. One that tears her open and drags her across the walls and ceiling. Her corpse drops onto the bed, splattering the pool of blood everywhere.
From the opening title sequence, Craven is setting up minor misdirection. The entire focus is on Tina. Her foreboding travels through the boiler room in her nightmares, the relationships established with her friends and boyfriend. Her fears. Yet, at only 13-minutes into the runtime, Craven pulls the rug out from under the viewer with a disturbing nightmare that results in Tina’s gruesome demise. This scene works two-fold; it gives the viewer their first real glimpse of the horrific boogeyman, Freddy Krueger, and it shows just how gory it can be to die in your dreams. Craven is making a bold declaration that there will be no gentle death by natural causes in these nightmares turned reality.
Bringing this scene to life required the most complex special effects of the low budget production. How do you go about having a character thrash about a room and get slaughtered by an unseen presence while another looks on helpless and confused? For it, Craven turned to mechanical special effects designer Jim Doyle, who also played the uncredited face of Freddy in the wall above Nancy’s bed just before this classic scene. Craven showed Doyle a scene from Royal Wedding, which saw Fred Astaire dancing up the walls, to give an idea of the revolving room he envisioned. It took Doyle a month to build the framework and the inner revolving room on axles. Four crew members spun the room by hand.
Everything inside the room was bolted down, from the furniture to the camera crew and actor Garcia. All except Wyss, who had to crawl around the bottom of the room as it rotated. The constant change of perspective gave Wyss a case of vertigo from the first spin, making her on-screen terror real. Craven had to tell her which direction was up and down between takes to keep her spatial awareness grounded.
When Tina drops from the ceiling and lands on the bed, it’s a stuntwoman. Two crew members held her in place and released on “action!” That splash of blood from her landing ruffled some feathers with the MPAA, who insisted the blood splatter not exceed beyond two frames.
The revolving room was the most expensive and complicated special effect of the film. Production reused it again when filming Glen’s death – Craven’s homage to The Shining – and Doyle kept it to rent out in later films like Larry Cohen’s The Stuff to recoup some of the costs he put into building it. It’s a shining example of how the film’s low budget proved to be a source of inspiration and innovation, rather than a shackle of limitation.
A Nightmare on Elm Street, even 35 years later, is a classic that bears no shortage of standout moments that elicits chills. Yet it’s the early demise of Tina that showcases just how well Craven had his finger on the pulse of horror. A brutal slaying of who was initially set up to be the film’s lead shook audiences to their core. Craven was and always will be a horror master, and this scene nails why.
When it comes to beloved animated films, Disney's had the market cornered for quite some time. The Mouse House consistently churns out beautifully-rendered art and expertly-crafted storytelling, which is why the studio has been at the forefront of animation and computer generation in the world of film. From classics once locked up in that metaphorical vault to modern offerings that combine cutting-edge tech with truly inspiring stories, Disney+ is now home to the best animated features its parent company has to offer.
So of course, we've rounded up the ones worth watching first.
Run Time: 105 min | IMDb: 8.5/10
Disney continued its trend of spotlighting underserved communities and lesser-known cultures with Coco, a Pixar project that follows a young boy learning the importance of family during a traditional Mexican celebration, “Dia de Los Muertos.” The Day of the Dead is probably a holiday you've heard of before, but the film adds a rich history and vibrancy to a time held sacred by so many. Coco has dreams of becoming a singer, but when he finds himself amongst the dead, he must rely on his courage and his ancestors to help him return to the living. Bring your tissues for this one.
Robin Hood 1973
Run Time: 83 min | IMDb: 7.6/10
There are too many Robin Hoods on film to count at this point, but there's something special about this take on the masked outlaw, who's imagined here as a sly fox while the rest of the key players take on other humanoid animal forms. He's charming, gallant, and just heroic enough to make us root for him, plus he's responsible for many a sexual awakening, so Disney must've done something right.
Toy Story 1995
Run Time: 81 min | IMDb: 8.3/10
Another animated flick that revolutionized the genre when it landed in theaters in the mid-1990s is this beloved story about a group of anthropomorphic toys who come to life when their human, a little boy named Andy, and his family aren't around. The group is led by a cowboy named Woody Tom Hanks, who becomes jealous when Andy receives a new action figure for his birthday, a space ranger named Buzz Lightyear Tim Allen, who believes he's an actual ranger, not a toy. The two battle for Andy's attention, resulting in misadventures that land them in all kinds of danger. It's Pixar's first feature film, the first computer-animated movie, and its screenplay was penned by the likes of Joss Whedon and Andrew Stanton. So yeah, it's worth a watch.
The Nightmare Before Christmas 1993
Run Time: 76 min | IMDb: 8/10
There are inventively animated children's stories and then there's whatever Tim Burton decides to do next. The director never fails to bring something wholly-original and cutting edge to whatever genre he tackles but his greatest triumph might be this '90s fantasy classic that manages to make even Christmas just a bit dark.
Oliver and Company 1988
Run Time: 74 min | IMDb: 6.7/10
Occasionally, Disney displayed moments of true ingenuity in its storytelling aspirations, digging for interesting angles in the oddest of places, reinventing classics, and reimagining worn-out tropes. Oliver and Company is one of those moments. A canine spin on Charles Dickens' classic Oliver Twist, this film follows an orphaned kitten named Oliver who joins up with some street-savvy mutts led by a mongrel named Dodger Billy Joel in all his savoir-faire and begins pulling jobs to help them pay off a debt to a vicious loan shark and his Dobermen henchmen. But when Oliver draws the attention of a little rich girl who decides to adopt him, the crew must rescue them both from the opportunistic thug. The music, the voice cast, the emotions this film draws out — who gave Disney permission to be so good?
The Emperor's New Groove 2000
Run Time: 78 min | IMDb: 7.3/10
Here's an over-reaching statement that we will defend until the end of time: The Emperor's New Groove is one of the greatest animated films of our generation. The film follows a spoiled king voiced by David Spade, who is accidentally turned into a llama and goes on the run from his evil adviser Yzma Eartha freaking Kitt people. He's befriended by a lovable llama herder named Pacha John Goodman, who helps him take back his thrown. Llamas don't get enough screen time, to be honest, and they make for hilarious heroes, but the real star of this show is Kronk Partick Warburton, Yzma's dim-witted, kind-hearted sidekick who can talk to squirrels and was so entertaining, he got his own spin-off.
The Aristocats 1970
Run Time: 78 min | IMDb: 7.1/10
Look, Disney usually banks on cute canines to sell movies, but cat people will always have this animated classic about a reckless alley cat who must save a family of Parisian felines set to inherit their owner's fortune when an evil butler takes matters into his own hands. Jazz-loving cats? Who knew?
Walt Disney Entertainment
Beauty and the Beast 1991
Run Time: 84 min | IMDb: 8/10
Sure, the story of Beauty and the Beast is more than a bit problematic. A bookish young woman sacrifices her freedom to save her father's life and becomes the prisoner of a churlish prince cursed to live life as a beast unless he can win her affections. It may have taught children some strange lessons about the power of Stockholm Syndrome, but look, the soundtrack slaps and any time Lumiere and Cogsworth are on screen, they're comedy gold.
Run Time: 102 min | IMDb: 7.5/10
Disney switched up its formulaic princess model with this icy musical about two orphaned sisters who must work together to protect their kingdom from evil forces. Kristen Bell plays Anna, the perky protagonist and younger sibling to Queen Elsa Idina Menzel, a young woman with extraordinary abilities who must hide her powers from the world. The songs are terrific, the animation is superb, and you can't tell us that you don't love Josh Gad as a talking snowman.
Inside Out 2015
Run Time: 95 min | IMDb: 8.2/10
Warning: watching this animated flick that personifies the inner emotions of a preteen girl going through the turmoil of a cross-country move will bring out all the feels. Amy Poehler, Bill Hader, and Mindy Kaling lead the stellar voice cast for this on-brand story that follows Poehler's Joy as she navigates the little girl's mind space with Sadness Phyllis Smith in tow. It's beautifully-realized with plenty of humor and heart, but please, don't talk to us about Bing Bong. It's still too soon.
The Hunchback of Notre Dame 1996
Run Time: 91 min | IMDb: 6.9/10
Demi Moore, Jason Alexander, and Kevin Kline lend their voices to this colorful tale of a deformed bell ringer who must fight his guardian, an evil government minister, to help his gypsy friend. There's talking gargoyles, some great musical numbers, and the animation is breathtaking, but the heart of this story — which examines how we treat those who veer from what society deems as “the norm” — is sophisticated stuff that feels relevant, even decades later.
Run Time: 107 min | IMDb: 7.6/10
Moana made waves when it landed in theaters a few years ago thanks to its thoughtful coming-of-age story rooted in South Pacific folklore, a fun performance from Dwayne Johnson, and its earworm-y songs by Lin-Manuel Miranda and Opetaia. The film is filled with insightful storytelling and beautifully-rendered artwork, and it also gave kids a heroine they could really root for and relate to. Watching it never gets old — and neither does listening to its soundtrack.
Run Time: 88 min | IMDb: 7.6/10
Another animated classic, the story of Mulan might be getting a live-action version in 2020, but this animated rendition of a young woman who poses as a man to prevent her father from serving in the Emperor's army and defeats the greatest threat to China's dynasty is still the standard by which all other animated movies are measured.
Run Time: 96 min | IMDb: 8.2/10
Somehow, Disney knew that audiences would get choked up by lonely boomers, balloon houses, and dim-witted golden retrievers, so they threw all three into this flick that follows an elderly man named Carl, who decides to fly his house to Paradise Falls following the death of his wife. He gets an unexpected travel buddy in Russell, a young “Wilderness Explorer” hoping to earn his final merit badge by helping Carl. The two journey to the Falls where they encounter an exotic beast that Russell names Kevin. It's quirky and exciting and just sentimental enough to warrant some tissues.
Run Time: 108 min | IMDb: 8/10
Jason Bateman, Idris Elba, and Ginnifer Goodwin lend their voices to this adventure comedy about a city of anthropomorphic animals and a rookie bunny cop with dreams of making it on the force. Goodwin plays Judy Hopps, a young hare with big goals who leaves her farming family behind to live in Zootopia. She encounters a slick criminal in fox Nick Wilde who gives her more than a bit of trouble but also helps her uncover a bigger conspiracy when some of the less-predatory animals begin disappearing. The humor is elevated above normal Disney far as is the underlying message of acceptance and tolerance but, if nothing else, you can just enjoy a delightful Jenny Slate voicing a sheep named Bellwether.
Run Time: 98 min | IMDb: 8.4/10
Another unique, expertly-crafted Disney offering is this animated space adventure flick about a waste-collecting robot named Wall-E, who falls in love with another robot named EVE and follows her across the galaxy. Set years into the future, Wall-E is responsible for cleaning up an uninhabitable Earth while its residents coast through space on a luxury cruiser. EVE is a probe sent to assess Earth's viability, which is when she strikes up a friendship with Wall-E. The two eventually go on a mission to convince humans to return to Earth, a wild ride that touches on everything from eco-conservatism to consumerism and the bonds of friendship.
Run Time: 90 min | IMDb: 8/10
Sorry to Will Smith, but there's a superior Genie in our book. He's big, blue, animated, and voiced by Robin Williams. Come for the musical numbers, stay for Williams' outlandish comedy and the gorgeous artwork in this classic that imagines a world in which a regular street rat can become a prince — if he can manage to outwit an evil sorcerer and his meddlesome parrot.
The Lion King 1994
Run Time: 88 min | IMDb: 8.5/10
Yeah, Beyonce's version will eventually land on Disney+, but no offense to Queen Bey, there's just no beating the original, which tells the tale of a lion cub destined for greatness who must overcome tragedy and a scheming uncle to rule the Pride Lands. The Elton John-created soundtrack, the Shakespearean story, James Earl Jones as Mufasa, and Jeremy Irons as a sassy Scar. What's not to love about this classic?
The Little Mermaid 1989
Run Time: 83 min | IMDb: 7.6/10
This Disney classic about a mermaid princess who strikes a terrible bargain with a sea witch in exchange for the chance to walk on land and find her prince makes for such an interesting re-watch as an adult. It's still filled with the same breathtaking imagery and banging musical numbers you remember, but Ariel's journey and Ursula's position as the film's villain might need to be reexamined. You tell us.
James and the Giant Peach 1996
Run Time: 79 min | IMDb: 6.7/10
Based on a children's story from Roald Dahl, this imaginative tale of an orphan who befriends a group of anthropomorphic bugs living inside a giant peach marked a breakthrough in animation when it was first released. James, a good-natured boy abused by his guardians, finds a new family inside a magical fruit that he takes on grand adventures to the North Pole and New York City. It's deliciously weird and fun, and it's got Tim Burton all over it.
There was a time when tales of aliens, space travel, and robots were believed to be the strict province of four-eyed basement dwellers, but the truth is that everybody can find something to enjoy in the weird world of science fiction. The best sci-fi works in both universal truths and hyperspecific detail, using fantastical yet fully-realized worlds to tell stories about our own.
Netflix's selection of good sci fi movies isn't exhaustive, but there's still plenty worth exploring nestled among the sequels and paycheck-generators. Keep on scrolling for 10 of the best sci-fi movies on Netflix streaming to watch right now, all taking you from the moon, the farthest reaches of space, and to the outer fringes of reality itself.
1. The Matrix 1999
Run Time: 136 min | IMDb: 8.7/10
The Wachowskis created one of the greatest sci-fi films in cinematic history with their mind-bending Matrix trilogy, but the original is hard to top. Keanu Reeves plays Neo, a young man unplugged from the matrix — a kind of alternate reality that keeps humans docile, so machines can harvest their life energy. He teams up with a band of rebels fighting the machines Laurence Fishburne as Morpheus and Carrie-Ann Moss as Trinity and faces off against a henchman named Agent Smith Hugo Weaving. The real draw of this trilogy, besides its inventive storyline, is the CGI display. The movie also sports some of the most imaginative fight sequences you'll ever see on the big screen.
2. Ex Machina 2014
Run Time: 108 min | IMDb: 7.7/10
Alex Garland's sci-fi thriller breathed new life into the tired A.I. trope when it landed in theaters a few years ago. The film focuses on a naïve young programmer Domhnall Gleeson who's selected amongst a pool of applicants to evaluate a new A.I. lifeform. The poor kid is whisked away to a remote villa to spend time with the eerily-human-looking robot, Ava Alicia Vikander and her eccentric, often cruel creator Nathan Oscar Isaac, a genius with an ego to match his talent. The film takes some twists you don't expect, and Isaac gives cinema one of its greatest dance sequences, in case you needed more reason to watch.
3. Star Wars: The Last Jedi 2017
Run Time: 152 min | IMDb: 7.3/10
There's always going to be backlash when a studio decides to revive a beloved franchise and take it in a new direction but The Last Jedi continues to anger space fanboys everywhere and honestly, we're not sure what their gripe is. Rian Johnson gave us a masterclass in how to take something old and make it new again with his interpretation, injecting a bit of fun and fantasy into the age-old story. Mindblowing Jedi fights, Force connections, Porg, and Arctic Foxes, the movie has something for everyone and it challenges both old and new characters alike with interesting arcs and climactic moments. Plus, did we mention Porgs?
Warner Bros. Pictures
4. Her 2013
Run Time: 126 mins | IMDb: 8/10
Spike Jonze imagines a world in which Artificial Intelligence can become something more than just a personal assistant program. Joaquin Phoenix plays Theodore Twombly, a depressed introvert going through a divorce who starts up a relationship with an OS named Samantha. Things get serious before Theodore begins to realize that romance with an A.I. is more complicated than he thought. What follows is a thoughtful exploration of love, relationships, and the ways human beings find connection in a plugged-in world.
5. V for Vendetta 2005
Run Time: 132 min | IMDb: 8.2/10
Natalie Portman and Hugo Weaving star in this sci-fi action flick about a dystopian world ruled by tyranny and fascism. Portman plays Evey, a frightened young woman thrust into a world of cloaked rebellion after a meeting with the mysterious V Weaving, a man who wears a Guy Fawkes mask and plans to blow up Parliament in one year. The British government has utilized a military state to purge itself of “undesirables,” homosexuals, free-thinkers, those of a different race and religious background than they deem worthy. V seeks to correct this by punishing the government, slashing up police, burning down buildings, and inciting others, including Evey, to riot. It's an action-filled romp that packs a philosophical punch.
6. Okja 2017
Run Time: 120 min | IMDb: 7.4/10
Bong Joon-Ho's send-up of corporate farming and environmental abuses isn't subtle. Tilda Swinton goes all-out as the CEO of an evil corporation only to be outdone by Jake Gyllenhaal's broad turn as an unstable TV host. But its tale of an endearing, genetically modified “super pig” and the girl who loves him is effective and contains both some terrific action set pieces and the most affecting child/strange beast relationship this side of E.T.
7. Snowpiercer 2013
Run Time: 126 min, IMDb: 7.1/10
Chris Evans stars in this sci-fi thriller from auteur Bong Joon-ho. The film, set years into the future following a devastating ice age caused by mankind, follows Evans' Curtis who lives in poverty on a train that continuously circles the Earth and contains all that remains of human life. Curtis is part of the “scum” the people relegated to the back of the train while the “elite” enjoy the privilege of wealth and status that comes with living in the front. Curtis sparks a rebellion that ends in bloodshed and a devastating reveal when he makes it to the train's engine room and discovers just how the elite have been fueling their operation. It's a dark, grimy action piece that should give fans a new appreciation for Evans' talent.
8. Equilibrium 2002
Run Time: 107 min | IMDb: 7.4/10
Christian Bale and Sean Bean star in this sci-fi drama set in an oppressive future where all forms of emotion are outlawed. Bale plays a man named John Preston, who's charged with enforcing the law, but when he accidentally forgets to take a dose of the medicine that suppresses feelings and artistic expression, he begins to question the system he upholds and, eventually, leads an uprising.
9. April And The Extraordinary World 2015
Run Time: 105 min | IMDb: 7.3/10
In an alternate version of 1941 where France has been led by a line of Napoleons and leading scientists mysteriously disappear, young April, her talking cat Darwin, and the shady Julius go searching for April's missing parents. It's an interesting take on a history where technological advancement isn't a thing, where “steampunk” is reality and TVs and cars don't exist. April's journey starts in the dreary, stuck-out-of-time France but leads her to fantastical advancements that still make sense in the world we're presented with. The heart of the film lies in the love that plucky, stubborn April has for those she cares about, and the film's driven by charming animation and a genuinely interesting concept. It's enjoyable action that's just out-there enough for adults while being accessible for the young and young at heart.
10. Under The Skin 2007
Run Time: 108 min | IMDb: 6.3/10
Scarlett Johansson stars in this sci-fi thriller about an other-worldly woman with a dark agenda. The film sees Johansson using her sex appeal to lure unsuspecting men to their watery doom while beginning to contemplate her own existence with every new partner she seduces. It's a subtle reverse of rape culture, with themes of race and immigration mixed in, but if all of that goes over your head, you'll at least enjoy seeing Johansson off a bunch of frat bros and rapists.
Recent Changes Through November 2019:Removed: AdvantageousAdded: The Matrix
As CGI found its footing in the '90s, the masses flocked to big-budget spectacles like Titanic and Jurassic Park. But another revolution was unfolding on a smaller scale. We also saw the first films from some of the best indie directors, from Wes Anderson to Quentin Tarantino. Below are 10 of the best '90s movies on Netflix right now, ranked. They range from the '90s-est '90s movies that every millennial grew up watching to the influential award winners that are worth discovering or revisiting.
Related: The Best '80s Movies On Netflix Right Now
1. The Matrix 1999
Run Time: 136 min | IMDb: 8.7/10
The Wachowskis created one of the greatest sci-fi films in cinematic history with their mind-bending Matrix trilogy, but the original is hard to top. Keanu Reeves plays Neo, a young man unplugged from the matrix — a kind of alternate reality that keeps humans docile, so machines can harvest their life energy. He teams up with a band of rebels fighting the machines Laurence Fishburne as Morpheus and Carrie-Ann Moss as Trinity and faces off against a henchman named Agent Smith Hugo Weaving. The real draw of this trilogy, besides its inventive storyline, is the CGI display. The movie also sports some of the most imaginative fight sequences you'll ever see on the big screen.
2. Schindler's List 1993
Run Time: 195 min | IMDb: 8.9/10
It took decades in the industry for Steven Spielberg to finally earn an Oscar for one of his movies, but his win for Schindler's List is well deserved. The film focuses on wealthy businessman Oskar Schindler, who spends his fortune and risks his life to save the lives of 1,100 Jewish men and women after taking in the horrors of WWII and the concentration camps. Between the three hour running time, the cold, unrelenting cruelty of Ralph Fiennes' portrayal of Amon Goeth, and its realistic style, it's a bleak film. But there's hope to be found in the grim black and white images. It's an important story told movingly by a filmmaker at the of his powers.
3. Pulp Fiction 1994
Run Time: 154 min | IMDb: 8.9/10
Possibly the most famous of Quentin Tarantino's masterpieces, Pulp Fiction stars John Travolta, Samuel L. Jackson, and Uma Thurman spitting out punchy dialogue, pop culture references, and committing some pretty violent crimes along the way. Tarantino's love of non-linear storytelling is on full display here with three separate plots, all entwined in some way, take shape over the course of the film. Travolta plays Vincent, a hitman for a mob boss who, along with his partner Jules Jackson, survives a couple of shootouts in the film as the two contemplate their life of crime, escort mob wives across town, help fix boxing matches, and dispose of dead bodies.
4. Trainspotting 1996
Run Time: 93 min | IMDb: 8.1/10
Danny Boyle's black comedy crime film has become a cult classic and made it on plenty “best movies” lists over the years. Ewan McGregor plays Mark Renton, an unemployed heroin addict who shares a flat with his equally unimpressive friends, Spud, Sick Boy, Franco, and Tommy. The group parties together constantly, doing drugs, getting into fights, and committing petty crimes before Renton attempts to get clean only to return home to make a drug deal that could set him up with a clean slate. It's darkly comedic, with some ridiculous twists thrown in, but the core of the story is surprisingly emotional.
5. Jackie Brown 1997
Run Time: 154 min | IMDb: 7.5/10
After earning acclaim with Pulp Fiction and Reservoir Dogs, Quentin Tarantino made his subtlest feature with Jackie Brown, an Elmore Leonard adaptation that the director still makes very much his own. After middle-aged stewardess Jackie Brown Pam Grier is picked up by the FBI, she's pulled between her arms-dealing boss Samuel L. Jackson, the feds that are after him, and saving her own skin. With an all-star ensemble that includes Robert De Niro and Robert Forster who earned an Oscar nomination, Jackie Brown is a throwback to the blaxploitation genre, which started in the '70s, of which Grier was a big part of. It's a tense, sexy, and desperate story with a wonderful soundtrack to boot.
New Line Cinema
6. American History X 1998
Run Time: 119 | IMDb: 8.5/10
Edward Norton stars in this politically-charged drama about a reformed neo-nazi skinhead hoping to prevent his brother from following in his footsteps. Norton plays Derek, a man who's anger over his father's death fuels him to start up a violent racist gang and recruit his brother, Danny, to film their exploits. When Derek goes to prison for killing a man, he changes his ways, enduring violence at the hands of his Aryan brothers while befriending a Black inmate who he works with. Once Derek is free, he goes against his former friends and mentor to get his brother out of the life, a decision that puts his life and his family at risk. It's a tough watch, one that feels even more relevant now than it did in the '90s, but Norton is fantastic in it.
7. Men In Black 1997
Run Time: 98 min | IMDb: 7.3/10
We should all hail the casting genius who threw Will Smith and Tommy Lee Jones together in this sci-fi action flick about a police officer who joins a secret government organization in charge of monitoring extraterrestrial activity on Earth. That's because the two bros — Smith, the wise-cracking rookie, and Jones, the seasoned veteran — have an almost otherworldly kind of chemistry on screen. Watching them bicker like an old married couple is almost more fun than witnessing them take down alien monsters intent on subjugating our planet.
8. Four Weddings And A Funeral 1994
Run Time: 117 min | IMDb: 7.1/10
A Hugh Grant-starring rom-com, this one sees the witty British playboy wrestle with the unwelcome realization that he may have finally found love over the course of five social occasions. The epiphany upends his comfortable bachelorhood and amuses his family and friends, but Grant's character fights the inevitable at every turn, giving us plenty of humor and sexual tension to keep things interesting.
9. Now and Then 1995
Run Time: 100 min | IMDb: 6.8/10
Christina Ricci, Gaby Hoffman, Thora Birch, and Ashleigh Aston Moore play younger versions of stars Rosie O'Donnell, Demi Moore, Melanie Griffith, and Rita Wilson in this quintessentially 90s tale of a group of young girls who form a friendship that carries them into their adult lives. The girls spend a life-changing summer together, investigating a mysterious death and learning more about themselves in the process before reuniting years later where they confront past mistakes. It's a heartwarming ode to friendship supported by a truly talented group of young actresses.
10. The Waterboy 1998
Run Time: 89 min | IMDb: 6.1/10
Remember when we used to like Adam Sandler? Sure, his comedies were never high art, but you still find yourself quoting them to this very day. The Waterboy is the classic example of this comfortable familiarity. Sandler mugs his way through his performance as a football team's waterboy who gets a shot at playing due to his ability to channel his rage into unexpected prowess on the field, and you'll find yourself cocooned in the welcoming embrace of '90s nostalgia.
Recent Changes Through November 2019:Removed: Scream, The Sixth Sense, Empire Records, As Good As It Gets, Groundhog DayAdded: Men In Black, The Matrix, American History X, Now And Then, Trainspotting
There's nothing better than bingeing some good scary movies on Netflix on a dark, stormy night in October. From ghosts to vampires and zombies just about every morbid fantasy that your demented mind can conjure has representation. We've watched the best horror movies on Netflix streaming right now, and here they are, in their beastly, blood-curdling glory. It's perfect for that late night movie binge to keep you wide awake all the way through 2019.
Related: The Best Horror Movies On Hulu Right Now
Run Time: 98 min | IMDb: 7.4/10
Sissy Spacek's blood-drenched teen horror flick made high school seem even more terrifying when it landed in theaters in the late '70s. The film follows a young girl suffering under the abuse of her religiously-devout mother and being bullied by the more popular kids at school. She has some embarrassing moments — getting her period during swim class — and some tension-filled fights with her mother that begin to unleash her supernatural abilities. Good ol' mom thinks they're powers given by the Devil himself, but Carrie decides to use them to exact her vengeance, and it's as gruesome as you'd hope.
The Texas Chain Saw Massacre 1974
Run Time: 83 min | IMDb: 7.5/10
Probably the most influential horror film in the slasher genre, this '70s era nightmare has spawned a franchise that continues to thrill movie audiences, but the original film from Tobe Hooper is a cult classic. The film follows a group of friends who attract the attention of cannibals on their way to visit an old homestead and must try to survive the torture of Leatherface, a terrifying villain with an even scarier get-up. There's plenty of gore if that's your thing and some sly political commentary if you can look past it.
Scream 2 1997
Run Time: 120 min | IMDb: 6.1/10
Surprisingly, despite internet leaks and constantly rewritten scripts, this sequel to Wes Craven's cult slasher flick performed even better than its predecessor, especially with critics. The story treads along the same lines as the first: we're still following Sydney Prescott Neve Campbell around, this time as she navigates college life. But when a copycat killer begins donning Ghostface's disguise and stalking her, she's forced to turn to some old friends for help. The whole world feels more lived in, and Craven's not afraid to take shots and exploit sequel clichés, which makes this a terrifying, at-times hilarious, follow-up.
As Above So Below 2014
Run Time: 93 min | IMDb: 6.2/10
Before Ben Feldman played a lovable know-it-all on Superstore, the guy was surviving a terror-filled jaunt through the catacombs of Paris in this horror movie. Feldman plays George, a reluctant sidekick to Scarlett Perdita Weeks, a young alchemy scholar and his former girlfriend. Scarlett convinces George a few others to venture into the famous Paris underground in order to find the fabled philosopher's stone Harry Potter kids should know all about this thing, we're not explaining it here. What they find instead is basically Dante's Inferno come to life as they face down cults, demons, ghosts, and all manner of horrific beings. Let this be a warning, children: Nothing good happens this far below street level. Nothing.
The Perfection 2018
Run Time: 90 min | IMDb: 6.1/10
Allison Williams, who's become something of a scream queen after her work in Get Out, continues her horror track record with this thriller about a gifted musician who befriends the talented student who replaced her. Strange happenings begin to occur, events that sabotage the young girl, but as terrifying as this story is, there's absolutely no way you'll be able to predict its ending.
Next Entertainment World
Run Time: 121 min | IMDb: 6.3/10
This South Korean period zombie flick is just weird and gory enough to stick with you long past its end credits. The basic premise follows a clash between an exiled prince and a minister of war set to the backdrop of a zombie plague, but the horror elements spring up while zombie hordes attack villages and during creepier, nerve-wracking moments between its main characters.
Murder Party 2007
Run Time: 120 min | IMDb: 5.9/10
Jeremy Saulnier is someone who knows how to make a story of thrilling and brutal violence. Director of Blue Ruin and Green Room, he manages to make his stories gripping and tense with slight touches of offbeat humor. Well, for his first feature, that offbeat humor is just as extreme as the violence. An awkward guy finds an invite to a random Halloween party and decides to attend, unbeknownst to him that he'll be the murdered main attraction for a group of eccentric artists. It's a slow build toward its inevitably over-the-top and bloody conclusion, but it's a fun ride for a low-budget gory comedy.
Rosemary's Baby 1968
Run Time: 137 min | IMDb: 8/10
Mia Farrow stars in this iconic horror classic that's probably influenced every other film on this list. The movie follows Rosemary Woodhouse Farrow and her husband, Guy. They're a pair of newlyweds who move to a new apartment where they're quickly surrounded by strange neighbors and even more worrisome happenings. When Rosemary mysteriously becomes pregnant, she becomes paranoid that the people around her, including her husband, are out to get her.
The Conjuring 2014
Run Time: 112 min | IMDb: 7.5/10
The Conjuring marks the first installment in a horror series that sees Patrick Wilson and Vera Farmiga playing a married pair of paranormal investigators who seek to understand the phenomenon of hauntings. When the duo is called to assist a family living in a ghostly farmhouse in Rhode Island, they encounter more than they can handle when it comes to the undead. Again, these stories were based on true events, so watch at your own risk.
Life After Beth 2014
Run Time: 89 min | IMDb: 5.6/10
Aubrey Plaza and Dane DeHaan star in this horror comedy about a guy named Zach, who's mourning the loss of his girlfriend, only to discover she's come back to life. Plaza stars as Beth, the dead girl revived, who begins exhibiting strange behavior, eventually going into full-blown zombie mode while her devoted boyfriend Zach DeHaan tries to manage her mood swings and her pesky craving for human flesh. John C. Reilly and Molly Shannon play Beth's parents, who hilariously try to cover-up their daughter's current undead state, and though things go off the rails in the final act, watching Plaza play a moody, angst-ridden walking corpse is one hell of a good time, even if it does give you nightmares.
Green Room 2015
Run Time: 95 min | IMDb: 7/10
When a punk rock group accidentally witnesses the aftermath of a murder, they are forced to fight for their lives by the owner of a Nazi bar Patrick Stewart and his team. It's an extremely brutal and violent story, much like the first two features from director Jeremy Saulnier Blue Ruin and Murder Party, but this one is made even tenser by its claustrophobic cat-and-cornered-mouse nature. Once the impending danger kicks in, it doesn't let up until the very end, driven heavily by Stewart playing against type as a harsh, unforgiving, violent character.
The Witch 2016
Run Time: 92 min | IMDb: 6.8/10
Robert Eggers' Sundance hit attracted some of the oddest complaints directed at any film in recent years when some disgruntled audience members suggested it wasn't scary enough. Maybe they were watching a different movie? Set in colonial New England, the austere film follows a family outcast from their strict religious community and trying to make it on their own at the edge of some deep, dark woods. It essentially takes the witch-fearing folklore of the era at face value, watching the family disintegrate under the insidious influence of a nearby witch. It's a slow-burn horror movie, light on shocks, heavy on unease, and thematically rich in ways that only become apparent later.
Run Time: 103 min | IMDb: 6.9/10
Patrick Wilson stars in another horror flick on this list, this time as the father of a little boy trapped in a coma who's been possessed by evil spirits. Rose Byrne plays his wife, and while the story itself is a bit muddled, the premise is solid nightmare fuel. Really, is there anything more terrifying than a demon child?
Tucker & Dale Vs. Evil 2010
Run Time: 88 min | IMDb: 7.6/10
This indie comedy has quickly become a cult classic, turning familiar scary movie tropes on their heads in bloody and hilarious ways. Alan Tudyk and Tyler Labine star as two bumbling-yet-well-meaning hillbillies who get pulled into a nightmare scenario when a group of horny coeds think they're trying to kill them. In a series of events that escalates in violence, Tucker and Dale try to do the right thing while managing to stay alive in the process. As one of the best horror comedies, it's a hidden gem waiting to be discovered by those looking for off-the-beaten-path hilarity.
GMM Grammy/Phenomena Motion Pictures
Run Time: 97 min | IMDb: 7.1/10
This Thai horror film follows a young man named Tun and his girlfriend, Jane, who accidentally run over a young woman after a party and are haunted by her spirit. Hauntings and horror go hand-in-hand, but this film digs deeper into the supernatural trope by revealing a surprising, gruesome connection between the woman's ghost and the film's protagonist. We won't spoil anything here, but let's just say there's a reason this death follows this guy wherever he goes.
Run Time: 99 min | IMDb: 6.6/10
When a graduate student in Chicago who's completing her thesis on urban legends accidentally summons the ghost of an artist murdered in the late 19th century, things become a bit hellish. The Candyman was the son of a slave who grew up in polite society, became a painter, and fell in love with a white woman before a lynch mob cut off his painting hand, replaced it with a hook, and doomed him to his current existence. It's a terrifying commentary on race relations and what we inherit, but even if that flies over your head, you'll still be sufficiently spooked.
Run Time: 81 min | IMDb: 6.6/10
Mike Flanagan, who directed Oculus and Ouija: Origin of Evil, expertly directs this simple tale of a deaf woman being menaced by a masked and later unmasked killer in her remote home. This is nothing you haven't seen before, but Flanagan brings real panache and visual energy to a film that could have easily felt redundant in the hands of a lesser filmmaker.
The Autopsy Of Jane Doe 2016
Run Time: 86 min | IMDb: 6.8/10
Succession's Brian Cox and Emile Hirsch star in this horror mystery about a father-son coroner team attempting to identify a Jane Doe who was harboring all kinds of dark secrets. When a corpse is brought into a small-town coroner's lab, he and his son begin to experience supernatural phenomena. Tommy Cox and Austin Hirsch try to escape the lab but quickly realize that they're dealing with something far more dangerous than a dead body while demonic spirits, old curses, and witches come to life.
The Ritual 2017
Run Time: 94 min | IMDb: 6.3/10
This Netflix nightmare follows a group of friends who venture into the Scandinavian wilderness in order to honor their recently-murdered brother. The guys, Luke Rafe Spall, Phil Arsher Ali, Hutch Robert James-Collier, and Dom Sam Troughton are forced to take a different path from the one planned, a mistake that leads them to cults and sacrificial offerings and an ancient being who prefers to stake its prey. The scenery is gorgeous, the chemistry of the cast is spot on, and the premise — how these men confront their fears and failures thanks to a supernatural being — starts out promising, though it could've delivered a better ending.
Gerald's Game 2017
Run Time: 103 min | IMDb: 6.7/10
Stephen King's 1992 novel transpires mostly in one isolated lake house's bedroom where its protagonist, Jessie, lies bound to a bed after her husband dies in the midst of a sex game. That makes it a tough story to film, which may explain why it took 25 years to get turned into a movie. But the wait was worth it: director Mike Flanagan delivers a resourceful, disturbing adaptation anchored by a great Carla Gugino performance with some fine supporting work from Bruce Greenwood. Forced to find a way out of her situation, while confronting her own past, Gugino's Jessie is made to go to extremes, which leads to, among other things, one of the squirmiest scenes in recent memory.
Under the Shadow 2016
Run Time: 84 min | IMDb: 6.9/10
This Iranian horror flick manages to tie in relevant world events with a darker story of demonic possession. The film follows Shideh, a former medical student and mother trapped in her home during the bombings of Tehran with her daughter, Dorsa. The pair are soon haunted by a djinn, a malevolent spirit who can possess a human by taking what's most important to them. For Dorsa, it's her doll, for Shideh, it's a medical textbook her dead mother gave her. The two fight to survive the bombs and this evil spirit, and you'll be fighting to get to sleep after the nightmares from this one begin
Run Time: 105 min | IMDb: 6.2/10
After losing her father, young Veronica Sandra Escacena and two classmates attempt to contact the other side with a Ouija board during a solar eclipse. Something more sinister breaks through, though, as Veronica is haunted by a dark presence everywhere she goes. Even though it has just been released in 2018, it's already been called one of the scariest movies ever made. While that is certainly open for debate, what Veronica does do is excel phenomenally in the cliche horror bits every viewer has seen a thousand times over, such as mishandled Ouija use, frightening entities that only the protagonist is privy to, and twisted dreams. Based on a true story, the film relies on the strong performance of newcomer Escacena, highlighted by her haunting expressions of terror and anguish.
Run Time: 98 min | IMDb: 5.9/10
Netflix is running the market on creepy AF movies lately. This one comes in the form of a young kid suffering from a rare autoimmune disease that forces him to live life inside a bubble. When a new treatment option presents itself, his family sends him to a kind of safe house where specialist can test out the cure, but the boy quickly discovers things aren't what they seem. The mansion may in fact be haunted by past patients, and his doctors are probably trying to kill the young kid. Yikes.
Run Time: 82 min | IMDb: 6.3/10
One of the better found-footage movies to come down the pike in Paranormal Activity's wake is this creepy gem about a videographer director Patrick Brice who answers a strange Craigslist ad from a man Mark Duplass who requests to be followed around with a camera for 24 hours. There are a few points late in the narrative where suspension of disbelief becomes an issue a not-atypical problem for the genre, but if you can look past that, you'll be treated to a very scary turn by Duplass and a supremely-unnerving epilogue.
Creep 2 2017
Run Time: 80 min | IMDb: 6.4/10
Spoilers for Creep: What could have very well been a stand-alone character exploration in 2014's Creep is ened in Creep 2, which sees Mark Duplass' chameleon-like killer seeking a different kind of self-portrait. Burned out on his string of murders, Aaron reaches out to a woman who's looking for her own kind of story by meeting and filming the lonely people she meets online. Instead of a wolf-in-sheep's-clothing path the killer normally follows, he tells the woman what he is off-the-bat and what he wants: An ending to his journey. With all his cards seemingly on the table — and her hiding some of her own — it's an even more fascinating tale than the original.
Train To Busan 2016
Cannes Film Festival
Run Time: 118 min | IMDb: 7.5/10
Zombie movies have been done to death, brought back to life, and repeated a few more times. But that doesn't mean there still aren't entertaining stories to be found in the genre. Train To Busan doesn't bring anything exceptionally original to the walking undead, but it's no less of a thrilling ride. An overworked dad is riding the rails with his neglected daughter when a Z-word outbreak strikes, causing savagery from corpse and living alike. Its fast-moving, contorted foes are genuinely freaky in the movie's cramped setting, making the story feel like a zombified Snowpiercer. It's a fun action flick with a slightly heavy-handed but solid emotional core that's unsurprisingly getting an English remake.
The Invitation 2016
Run Time: 100 min | IMDb: 6.7/10
After back-to-back big studio bombs, Karyn Kusama returned to her scrappy indie roots with this contained, brilliantly suspenseful study of the darkness that can arise when people don't allow themselves to feel. The Invitation isn't a perfect film, but Kusama does a lot with the scant resources she had to play with here, and you have to appreciate her willingness to tackle grief so directly in a genre that tends to have little time for genuine human emotion.
The Bar 2017
A Pokeepsie Films/Nadie es Perfecto/Atresmedia Cine
Run Time: 102 min | IMDb: 6.4/10
A varied group of people is stuck in a bar after a man is gunned down outside. As the paranoia spreads and they turn on one another, they discover a mysterious sickness could be the culprit. It's a bottle-type plot that has been done before — locking a bunch of frenzied folks in a cage and let instincts take their course — but this Spanish horror comedy injects its own dark humor and keeps the answers to a minimum, making an entertaining story that unfortunately favors the “dark” over the “comedy” in its final act.
In The Tall Grass 2019
Run Time: 101 min | IMDb: 5.5/10
The latest Stephen King adaptation is this disturbing nightmare maze from Netflix about a brother and sister who venture into a tall grass field in Kansas after hearing a young boy's cries for help and quickly discover something evil lurking within. The film stars Patrick Wilson as the kid's dad, who's also been looking for him for an undetermined amount of time. The most terrifying thing about this film is how it uses something so common-place and unextraordinary to mine fear and suspicion at every turn. You'll never look at a cornfield the same way again.
Run Time: 130 min | IMDb: 6.3/10
A man Legion's Dan Stevens travels to an island to infiltrate a brutal cult in the hopes of saving his kidnapped sister. As the group's leaders close in on discovering his identity, the dark secrets of the island start to present themselves. Written and directed by The Raid: Redemption director Gareth Evans, Apostle is a tense, beautifully shot thriller that doesn't even seem like a horror film from the get-go. Stevens provides another icy, powerful performance alongside Michael Sheen's turn as the leader of the harsh cult. It's certainly a highlight among the Netflix original films.
Recent Changes Through November 2019:Removed: Scream, The Sixth SenseAdded: Rosemary's Baby, The Texas Chain Saw Massacre