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Want a first look at the final season of Lucifer? Did you hear details have emerged from a leaked pilot script for Superman & Lois? Is there a post-credits scene for Birds of Prey? Could the future of the DC Extended Universe be brighter than the MCU? What does Scott Derrickson think of Sam Raimi replacing him on Doctor Strange in the Multiverse of Madness? All that and more in this edition of Superhero Bits.
Entertainment Weekly has a first look at the return of Inbar Lavi as Eve in the fifth and final season of Lucifer.
A new survey found a group of Star Wars fans much more into Marvel Comics 77.8% than DC Comics 46.1%.
this is SO EMBARRASSING lmao pic.twitter.com/Puz15LEzdg
— lana ??? @themycira February 4, 2020
Michael Strahan accidentally referred to Birds of Prey as being in the Marvel Cinematic Universe.
Need to know how to unlock the new Harley Quinn looks an accessories in Fortnite? Here you go, kids.
During season 6 of Arrow, there was a point that Oliver didn’t want to be the Green Arrow but he still needed to go on missions. Costume Designer Maya Mani wanted some sort of disguise that feels tactical and cool. The goggle was initially conceptualized for Diggle before he was become full Spartan. I think in the end we ended up with something much simpler and less customized. @cw_arrow @stephenamell #greenarrow #oliverqueen #mayorqueen #tactical #season6 #concept #illustration #costume #design
A post shared by Andy Poon @andypoondesign on Jan 24, 2020 at 2:37am PST
Here’s an unused design for a suit Oliver Queen could have worn when he didn’t want to be Arrow anymore.
Spider-Man helmer Sam Raimi expressed interest in directing a Marvel Studios movie as far back as 2015.
The Birds of Prey look like they belong in a museum in this banner that resembles a classic kind of painting.
The pilot script for Superman & Lois has leaked online, and it seems some other DC characters may appear.Continue Reading Superhero Bits
Due to the amount of graphics and images included in Superhero Bits, we have to split this post over THREE pages. Click the link above to continue to the next page of Superhero Bits....
Welcome to The Clock Tower, where we’ll break down the goings on of the The CW network’s Arrowverse. We’ll touch on things like themes, cultural impact, lead-ins to major events, ships, and more every week! Warning: this Clock Tower is filled with spoilers. Proceed at your own risk.
So the world’s falling apart and you’ve turned to your superhero stories for comfort! Welcome! This week tackled a bunch of “fun” topics like murder, transphobia, and prematurely saying goodbye to longtime friends because contracts were about to expire and networks felt the need to write them off. Fun stuff! By and large, everyone did a solid job. The Flash is the only series that’s currently struggling a bit in the narrative department, but I think they ultimately have a point. Let’s dive in!The Farewell
One of my first pieces here at /Film was an article lamenting what Legends of Tomorrow would lose by saying goodbye to Ray Palmer and Nora Darhk. One is a constant beacon of hope and optimism, even in the darkest of times, the other a symbol insisting that your trauma doesn’t get to define you. The idea of losing them has been heart-wrenching since it was announced.
While the writers did their best to give a good reason for the departure and a solid farewell episode, it did little to make the farewell any easier. Obviously, the most difficult part of this story was always going to be seeing Ray say goodbye to Nate.
The SteelAtom friendship is, to this day, one of the best on-screen depictions of male friendship I’ve ever seen. There’s not an ounce of toxicity to it. It’s just bros being bros doing bro stuff all the while loving each other as fiercely as all men should be allowed to.
We all watched the same show, I’m not going to recap their goodbye. We all saw it, most of us ugly cried. It sucked. I will miss Ray and Nora forever.Dream on Dreamer
No I’m not sorry for getting Cascada stuck in your head. This week’s episode of Supergirl finally buckled down and gave us some Dreamer content. While it was worth the wait, let’s not go another half season without giving the gal something to do, yeah?
Nia decides to take things into her own hands after a transphobic creep starts targeting trans women to get to Dreamer. He doesn’t think that she’s the right kind of symbol for his “good” and “right” community. When you play stupid games, you win stupid prizes, and Mr. “Good” – no, his character name wasn’t even worth remembering – played a real, real stupid game.
We fittingly see Dreamer angrier than we’ve ever seen her in the past. There is a plague trying to wipe out her community, and she’s going to eradicate that plague no matter how hard Kara pleads with her to let a system that’s consistently failed her and her trans brothers and...
Even though Tony Stark is no longer in the Marvel Cinematic Universe's future so far as we know, there are some Iron Man surprises in store, including a new set of armor. This was, somewhat surprisingly, revealed by Disney and Marvel Studios months ago and nobody noticed. Yet, no doubt in part thanks to everyone being cooped up at home right now combing through unwatched material on streaming services, the armor has had a spotlight shed upon it, raising questions about how it will be used.
The armor was revealed in the Disney+ special Expanding The Universe. The documentary takes a look at the future of Marvel Studios, including some of the live-action shows like WandaVision and The Falcon and the Winter Soldier. The special also touches on the animated series What If? which will look at alternate universe scenarios for popular characters within the MCU. It seems, based on what we see in the preview, that this new Iron Man armor will appear in the show, which opens up a whole host of possibilities, including having Robert Downey Jr., or at least his voice, back in the MCU for a brief moment.
At one point in the documentary, some art for What If? is being showcased. We see a young Howard Stark, drawn very much to look like Dominic Cooper, who played Tony Stark's dad in Captain America: The First Avenger. We also briefly see some brand new Iron Man armor that looks far too advanced to have been cooked up during Howard's day, which rules out a few scenarios. One episode of What If? will center on Peggy Carter taking the supersoldier serum, turning her into Captain Britain. It seems we're going to see Steve Rogers in an early version of the Iron Man suit in that episode, but this version seems far more modern than what would have been available in the 1940s.
Interestingly, at one point, thanks to Jeff Goldblum, who is returning to reprise his role as Grandmaster from Thor: Ragnarok for the animated show, it was reported that Robert Downey Jr. would be voicing Tony Stark/Iron Man in the show. This was a big deal, given the character's fate at the end of Avengers: Endgame. That claim was later refuted, but perhaps there is some truth to it after all?
At this point, we have more questions than answers. What we know for sure is that What If? is aiming for a summer 2021 debut. Beyond that, there is also going to be another new version of the Iron Man armor debuting at Disney's Avengers Campus, which is expected to open at California Adventure this summer. The armor has been dubbed the Mark 80. Be sure to check out the armor in question for yourself, courtesy of some Twitter posts. Expanding The Universe is available to stream now on official Disney Plus streaming App.
¿Armadura nueva de Tony? pic.twitter.com/M2Tx1FsTaS— ????️???? QuidVacuo ????????️ @QuidVacuo_ March 25, 2020
Howard Stark. pic.twitter.com/XW9rlUNOD7—...
Although “The L Word: Generation Q” may have tried desperately to speak to a “new generation” of queer women and non-binary folks, fresher creative voices quickly rose to the top in its place. Though people still watched. Showtime’s “Work in Progress” was the best queer comedy of the year, Netflix’s “Feel Good” was an unexpected delight, and “Vida” is returning just in time for queer audiences to catch up on the best show about queer women of color on TV. Yet another contender released a promising first trailer today: “Betty” is a stylish and youthful portrait of Brooklyn teen skaters that already appears extremely queer.
The six-part half-hour arrives on HBO from filmmaker Crystal Moselle, who quickly made waves in 2015 with her her riveting documentary hybrid “The Wolfpack.” “Betty” is adapted from her second feature, the similarly hybridized “Skate Kitchen,” which followed a group of teenage girl skaters in New York City. The film premiered at the 2018 Sundance Film Festival to positive reviews and was released by Magnolia Pictures that year.
In his B+ review of “Skate Kitchen” out of Sundance, IndieWire’s Eric Kohn wrote: “The streetwise alternative to ‘Girls,’ the movie weaves together such a complete vision of its subjects that the rest of the world barely exists. Of course, there's a long-standing precedent to capturing this subculture — ‘Kids’ did it, with more adventurous storytelling twists, more than 20 years ago — but Moselle's subjects hold their own with the surprising ability to clarify their emotions through the cathartic process of hanging out.”
“Betty” features many of the film’s original stars, most of whom had not acted before, including Kabrina Adams, Dede Lovelace, Nina Moran, Rachelle Vinberg, and Ajani Russell. All accomplished skaters in their own right, the first trailer shows the charismatic crew navigating various crushes and friendship trials with compelling panache and humor.
“Betty” is directed, co-written, and executive produced by Moselle. Lesley Arfin and Patricia Breen are also co-writers. Arfin, who also EPs, is a comedy writer best known for co-creating the Netflix series “Love” with Judd Apatow and Paul Rust.
HBO will release “Betty” beginning May 1 at 11 pm ET. Check out the exciting first trailer below: