|THE RISE OF SKYWALKERRISE OF SKYWALKERGEORGE LUCASSKYWALKERSTAR WARSPREMIERE|
There’s one particularly telling and effective moment in The Skywalker Legacy, the feature-lenght documentary that’s included on the Star Wars: The Rise of Skywalker home release that sums up much of the ambivalence and consternation that some had with J.J. Abrams’ return to the Star Wars universe. After showing the intricate construction of a giant, practical snake monster, the doc cuts back to footage of Jabba The Hutt, that old analogue beast that slithered its way into our hearts. The sentiment is clear – we’re making movies like we used to! A celebration of practical effects, the dripping of k-y jelly to give viscosity just like the old costume days, it’s all there. There’s excitement on set, everyone talking about how amazing it looks, how lifelike, how this is how you’re supposed to do movies like this.
Cut to Visual Effects Supervisor Roger Guyett who shatters the myth, letting us know the creature was replaced by a CGI version in post.
Guyett’s resume is mighty. Having made his bones on groundbreaking films like Twister and Casper, he helped Spielberg bring the events of D-Day to screen in Saving Private Ryan, helped bring to life the best looking film in the Harry Potter series, Alfonso Cuarón’s Prisoner of Azkaban, and even made the theatrical version of Rent feel more than a stage production. Guyett has had many collaborations with Abrams – from the Star Trek Reboots through The Force Awakens and The Rise of Skywalker he was even second unit director on the former, as well as working with George Lucas on Episode III to round off the prequels. He’s in a unique position to speak to these changing landscapes of epic filmmaking.
We spoke at length about the apparent contradictions and indulgences in making a Star Wars film, and he made the case for why nothing was wasted and all contributed to the final presentation. He was erudite and open to the discussion, making for a dream conversation with a man who quite literally has helped shape what amazes us on screen for decades.
The following has been edited for clarity and concision.
We see practical effects being championed as almost a marketing ploy with the “postquels” as a mix of nostalgia and an attempt to delineate from Lucas’ second trilogy. In some ways the love of the practically-realized snake undercuts the extraordinary CGI you and your team accomplished, and raises questions about why the need to fetishize the on-set inclusions when they’re replaced anyway. Could you talk about that ethos, that somehow doing stuff on a computer is a “cheat” while doing an effect practically is not?
I think at the end of the day we’re all trying to do the best that we can, trying to make the best, most dramatic or emotional movie we can visually. I’m coming from figuring out how do you get the most...
He also set up a sister postproduction facility in Santa Monica and launched EDnet to share video through fiber-optic networks.
Tom Kobayashi, the respected Hollywood sound engineer who ran George Lucas' Skywalker Sound postproduction facilities in Marin County and Santa Monica, has died. He was 91.
Kobayashi died March 3 in Bakersfield, California, his family announced.
After leaving the Lucas fold, Kobayashi in 1992 launched the Entertainment Digital Network, or EDnet, which employs fiber-optic networks to send high-quality video and audio great distances. Its then-revolutionary technology enabled the industry to link together talent, execs and production facilities at great cost savings.
A child of Japanese immigrants, Kobayashi was interned during World War II before serving in the U.S. Army from 1946-51. After graduating from USC's Marshall Business School in 1953, he began his career in Hollywood as an accounting clerk at a film laboratory.
Following more than two decades as vice president, president and COO of audio postproduction company Glen Glenn Sound in Hollywood, the well-connected Kobayashi was recruited in 1985 by Lucas to head his new Skywalker Sound division at Lucasfilm.
Kobayashi at first was tasked with completing the construction of the Technical Building, a 700,000-square-foot postproduction facility on Skywalker Ranch north of San Francisco. The studio was to be equipped with advanced digital-picture, sound-editing and mixing devices developed by Lucasfilm's Droidworks division, the computer/R&D arm that would spawn Pixar.
The studio was to be used solely for the Star Wars creator and his friends and colleagues. But after two films were completed — the 1988 releases Tucker: The Man and His Dream, directed by Francis Ford Coppola, and Willow, produced by Lucas and directed by Ron Howard — it became clear a bigger business plan was required: Kobayashi would need to bring outside productions north to complete their films at Skywalker Ranch.
To help feed that pipeline, Kobayashi constructed a second post facility, Skywalker Sound South, in Santa Monica. Both facilities would flourish as dozens of films were made; among the first were Indiana Jones and the Last Crusade 1989, Backdraft 1991 and Terminator 2: Judgment Day 1991.
Meanwhile, Droidworks development work was restarted inside Skywalker Sound. In 1990, the EditDroid, an advanced computer film- and video-editing machine, found use in Hollywood, New York, Vancouver and Toronto, presaging the digital filmmaking revolution by more than a decade.
In 1992, Kobayashi and his engineers simplified postproduction by using digital telephone technology and new audio compression devices from Dolby. They connected the North and South ranches, essentially creating a 400-mile-long "digital...
Who Wants To Be A Millionaire? drama Quiz will be revealed to AMC viewers on Sunday May 31.
The network will launch the series, which is produced by The Crown producer Left Bank Pictures and is a co-production with British network ITV, over three weeks with the second and third episodes airing June 7 and June 14 respectively. The full series will be available to binge on AMC Premiere from May 31.
This comes after ITV revealed that it will air the three-part drama on April 13.
Quiz, directed by Stephen Frears A Very English Scandal and written by James Graham Brexit: An Uncivil War, tells the story of how Charles and Diana Ingram attempted an 'audacious heist' on the quiz show Who Wants to Be a Millionaire? Major Ingram Matthew Macfadyen, his wife Diana Sian Clifford and an accomplice, Tecwen Whittock Michael Jibson, who was sitting in the audience, were accused of cheating their way to a million pounds on the popular game show. The couple stood trial for conspiring by coughing during the recording to signify the correct answers to the multiple-choice questions posed to the Major by host, Chris Tarrant Michael Sheen.
Aisling Bea, star of Hulu's This Way's Up, plays ITV Entertainment boss Claudia Rosencrantz and Catastrophe star Mark Bonnar plays Paul Smith, Chairman of Celador Television and creator of Millionaire.
Creator James Graham told Deadline earlier this year, “It's quite easy to make TV people look pretentious and smug on TV, but that's the trope. They just run around in suits and they're really metropolitan and cutting and smug, and I don't think that's very interesting. So, I tried to humanize them and make them people with vulnerabilities and doubts and uncertainties and desires like everyone else.”
Graham added that one of the things that fascinated him was that he didn't think there were any bad guys in Quiz. “To this day, Paul Smith still believes that they are guilty, and he believes that very passionately. Whether it was the coughing, whether it was something else, he's convinced that people came into the thing that he created, sold around the world, and that these people are trying to destroy that. So, he feels that very keenly. And I think if you represent that honestly and sincerely, then he might be wrong, but he believes it. Similarly, the Ingrams are a normal people who go through this extraordinary story where they're thrown into the limelight. They're made an international laughing stocks, and they're on trial for their freedom. They may get sent to jail if they're found guilty. You try and create three-dimensional people,” he added.
Quiz is produced by Left Bank Pictures and...