|STAR TREK: PICARDRESISTANCESTAR TREKREVIEW|
The first season of Star Trek: Picard was as frustratingly mixed as any first Trek season. As thrilling as it was to see Jean-Luc Picard return, its great ideas and story elements are tantalising moments amid a show that’s merely pretty good. The central story is solid. It’s the best-shot Star Trek show to date, shying away from shiny sci-fi precision in favour of earthy tones and messy spills of light. The inevitable moments of fan service mostly serve the story. And while its structure and texture is wildly different to any prior Treks, it still finds time to explore big ideas like the rest of them.
So by way of organisation, here are five things we loved about the season, and three we didn’t and by “we,” I mean “me”.Liked: The Returning Cast
First and foremost: Patrick Stewart. Reprising his most famous role after nearly two decades, Stewart plays Picard as the same bookish, steadfastly ethical, self-consciously stiff decision-maker he was – but softened with age. This Picard savours moments, rather than optimising them, granting us a more personal look into the character. It’s a really unique progression of a hero from commanding officer to retiree.
Though no other Next Generation-era figures return as regulars, several pop up in recurring roles, most significantly Jeri Ryan and Jonathan Del Arco as former Borg Seven of Nine and Hugh. It makes perfect sense to match Picard up with his fellow “XBs,” and their scenes together are some of the season’s best. Ryan especially gets super-solid dramatic meat to sink her teeth into. Poor Seven of Nine.
Stewart’s TNG co-stars are also responsible for the season’s most delightful passage, in which Picard and hybrid android Soji drop in on Will Riker, Deanna Troi, and their daughter Kestra, to whose development they are devoted after losing their son to an incurable degenerative illness. Between their loss, Picard’s own incurable brain abnormality, and the presence of “Data’s daughter,” conversation naturally turns to life, death, age, love, and loss. Beyond seeing Jonathan Frakes and Marina Sirtis again, it’s a surprising breather in a breathless show, allowing the characters to simply sit, talk, and enjoy some delicious wood-fired pizza.Liked: The New Cast
For a show trading so heavily on characters and concepts from a show that ended in 1994, Picard has a varied and interesting new cast. Santiago Cabrera delivers a cigar-chomping tour de force as Cristóbal Rios and his crew of holographic, variously-accented lookalikes: the season basically functions as a showreel for the actor. Ever-reliable ensemble player Alison Pill never delivers less than 110% in painting neurotic AI specialist Agnes Jurati’s unusual and emotional character arc. Romulan warrior-monk Elnor is a classic Star Trek character, defined...
Jesse Eisenberg, best known for his roles in movies such as Zombieland and The Social Network, is staying quite busy these days. Much of the time, in recent years, that is spent on slightly smaller indie movies, which vary greatly in scope and genre. Case in point, Eisenberg is starring in not one, but two movies that are coming out on the same day this week in Resistance and Vivarium.
In the case of Resistance, directed by Jonathan Jakubowicz, Jesse Eisenberg portrays real-life mime Marcel Marceau who went on to become something of an unlikely hero during World War II, becoming a member of the French Resistance, which helped to save the lives of thousands of children. On the other side of the fence, we have Vivarium. Directed by Lorcan Finnegan, this contained sci-fi flick reteams him with his Art of Self-Defense co-star Imogen Poots and sees them as a couple looking to buy a house and they become trapped in the labyrinth of a development, forcing them to live in a suburban nightmare.
I recently had the good fortune of speaking with Jesse Eisenberg on behalf of both movies. It's actually the third time in a year I've spoken with the actor, a tradition I hope to see continue. We discussed their commonalities, what sets them apart, how the current coronavirus pandemic is influencing the way in which they will be viewed and much more.
Hey man, are you doing alright?
Jesse Eisenberg: Yeah! We're about to drive cross country in an RV.
Oh man. That's wild.
Jesse Eisenberg: It's pretty weird, yeah. So unbelievably surreal.
I don't know if you remember but I got to interview you twice in the last year. I got to talk to you for The Art of Self-Defense and Zombieland 2, so I guess we're making this something of a tradition when you have a new movie coming out.
Jesse Eisenberg: [laughs] That would be great! And hopefully this won't end, given the current pandemic.
Touching on that a little bit, we're here to talk about Resistance and Vivarium. You have two movies coming out on the same day at a time when people could really use a break from life. How does that feel for you? You mentioned the word surreal.
Jesse Eisenberg: Yeah. Also, you make these movies with a certain kind of intention and they end up coming out at a time that will necessarily affect the way they are viewed. Vivarium is this kind of claustrophobic fever dream of a movie about characters that are totally isolated who literally have no interaction with anybody besides themselves and their increasingly stir-crazy child. I think it will be filtered through the gaze of being stuck at home and quarantined now. And Resistance is this really beautiful, uplifting movie about a guy who is keeping these children entertained and distracted through a war. Again, I think it will be filtered through the lens of parents keeping their children occupied when they are not allowed to go outside or play with other...
Content! It’s all about content! And if you’re already running out of things to watch at home, CBS All Access is here to help. The streaming subscription service was already offering up a free trial for 30 days, but since it looks like we’re going to be social distancing for at least another month, they’ve extended the trial period for another 30 days. That means you can get a 60-day CBS All Access free trial right now, giving you plenty of time to binge The Twilight Zone reboot and more.
Mashable called our attention to the 60-day CBS All Access free trial. All you have to do is head over to the streaming service’s website, and when you go to checkout, use the promo code GIFT and sign up for a one-month free trial. Once your account is created, then go into your account settings and in the “Subscription & Billing” area you can put in the ENJOY promo code to add another free month.
With two months of CBS All Access, you’ll have plenty of time to stream as much Star Trek as you please. They have everything from Star Trek: The Animated Series to Star Trek: The Next Generation. Plus, you’ll find the CBS All Access exclusives Star Trek Discovery and Star Trek: Picard available there too. If you’re wondering where the original Star Trek series from 1966 is streaming, you’ll have to head to Hulu or Amazon Prime.
That’s not all the sci-fi offerings CBS All Access has. You can also find both the original iteration of The Twilight Zone and the reboot of the anthology series from executive producer Jordan Peele. Our review painted a complimentary portrait of the modern spin on the classic series, so now’s the time to check it out.
All you crime procedural fans out there will get plenty of CSI: Crime Scene Investigation and NCIS, including the spin-offs NCIS: New Orleans, NCIS: Los Angeles, and CSI: Miami. There’s also both the original and new versions of MacGyver and Hawaii Five-0.
Reality show junkies can get their fix with tons of episodes of Survivor, Big Brother, and The Amazing Race. Even though Big Brother might hit a little too close to home for everyone stuck at home, the other two shows will be therapeutic for those who are desperate for a change of scenery.
But if you’re not interested in any of those contemporary shows, there are plenty of classics available too, including I Love Lucy, Magnum P.I. Mission: Impossible, Family Ties, Gunsmoke, Taxi, and Perry Mason.
The only way to figure out what you want to watch from CBS All Access is to sign up for that free channel. So enjoy!...
SPOILER ALERT: If you are among the few who haven’t actually watched Netflix’s Tiger King docuseries, this review contains a lot of details about what goes down in the sad big cat saga.
With Netflix poised in the coming days to cash in and crank the base up a notch with more Tiger King, it's time to come out and say it: I hate the Red State porn that is the crash and burn of Joe Exotic
The initial seven episodes of this septic and shallow patchwork of trademark infringement, sex, guns, labor exploitation, song, drugs, mullets, betrayal, animal activism, revenge, and a lot of big cats may be much binged over these weeks of coronavirus lockdown, but that doesn't mean it's actually worth watching.
Now, I get it, I sound like I'm just a dour critic who hates anything that isn't prestige premium cable or aspirational. C'mon man, you want to say, Tiger King: Murder, Mayhem and Madness is just so unbelievable, I can't look away.
I respectfully disagree, and in fact, propose Tiger King isn't just bad, but dangerous in a divided America persistently looking to reduce the other side to caricature.
In a presently ailing nation where TV is more voluminous and vital than ever, the truth is the March 20 launched Tiger King is a clawed white trash misery index. Gawking at some clearly fragile and damaged people like would-be reality TV star Exotic and their below the Mason-Dixon line antics, the series subsequently provides a cultural circus for those smug bicoastals under stay at home orders and screaming to rise up in moral superiority.
Essentially, the tale of big cat collector, self-styled Oklahoma zoo proprietor and 2016 Presidential candidate Exotic AKA Joseph Maldonado-Passage and his ultimately unsuccessful attempt to have rival Carole Baskin knocked off by a hitman hired for $3,000, Tiger King is in that context more a zero-sum game, literally and figuratively, than hitting the zeitgeist.
Obviously, Netflix are pretty damn good at gauging and dragging the public mood over the years, as the likes of the then phenomenon of 2015's Making A Murderer or 2018’s Wild Wild Country prove. Yet, for all the attention it has drawn, this unfocused murder for hire exploration of sorts emerges as a bastard child of Cops, a million Dateline segments from the 1990s and Fox’s short-lived Murder in Small Town X reality show from 2001.
Not exactly the prestige product that the home of Roma, The Irishman and American Factory likes to brag about at award shows. Then again, with the knowledge that the Romans sold out the Colosseum every night feeding Christians to the lions, the bottom line based House of Hastings surely loves the subscription sign up that the currently incarcerated Maldonado-Passage and the accompanying motley gaggle of...