Sam Mendes directed what many James Bond fans would call one of the best 007 movies ever made with the Oscar-winning “Skyfall,” but don’t expect the “American Beauty” and “1917” filmmaker to return to the spy franchise in the future. Mendes calls the Bond production machine “unhealthy” in a new GQ profile on 007 leading man Daniel Craig. Mendes went through a tumultuous production on “Skyfall” follow-up movie “Spectre,” which continued to have various script changes through the film shoot. That’s nothing compared to Craig’s “Quantum of Solace,” which started filming without a completed screenplay. Mendes says, “There has always been an element that Bond has been on the wing and a prayer. It is not a particularly healthy way to work.”
Bond’s on-the-fly production machine left Mendes and Craig emotionally and physically exhausted, so much so in the latter’s case that Craig infamously joked he’d rather “slit his wrists” than make another Bond movie. Craig was being hyperbolic, but he was serious about wanting to walk away. As the actor told GQ, “I was never going to do one again. I was like, 'Is this work really genuinely worth this, to go through this, this whole thing?' And I didn't feel...I felt physically really low. So the prospect of doing another movie was just like, it was off the cards. And that's why it has been five years.”
Mendes made headlines last December for being critical of getting involved with the Bond franchise. “When I think of them my stomach churns,” Mendes told The Sunday Times of his Bond movies. “It's just so hard. You feel like the England football manager. You think, if I win, I'll survive. If I lose, I'll be pilloried. There is no victory. Just survival.” The director added there are simply too many fans across the world to please when it comes to the James Bond films, saying, “Everyone has their own version of it in their head.
Craig’s next Bond outing, “No Time to Die,” will be his final time playing 007. The Cary Fukunaga-directed tentpole recently pushed back its release from April to the Thanksgiving holiday in November because of the worldwide coronavirus outbreak.
The specialty box office space was hustling and bustling on the holiday weekend as moviegoers came out to theaters after unwrapping gifts, eating endless amounts of Christmas cookies or just wanting to take a desperate break from family fun time. A handful of limited releases performed strongly over the five-day Christmas weekend.
Universal and DreamWorks Pictures’ 1917 kicked off its limited release in 11 North American theaters in Los Angeles, New York, Dallas, Chicago, San Francisco, DC and Toronto, opening to a stellar three-day estimate of $570,000 and a five-day cume of $1,008,000 with a per-screen average of $91,636 since opening on Christmas Day. The numbers are practically meeting box office expectations. It was on track to earn an estimated $600,000-$625,000 for the three-day weekend with a per-theater average of $55,000. To no surprise, we hear that the Arclight in Hollywood and Lincoln Square in New York topped the list while the film has a Cinemascore of A and is riding on a solid 90% at Rotten Tomatoes.
This is an incredible start to the Sam Mendes-directed World War I one-shot epic with panache from iconic cinematographer Roger Deakins and starring George MacKay and Dean-Charles Chapman. The film, which opens wide on January 10, was already garnering buzz from its early screenings and has been a critical success with a spot on AFI and the National Board of Review's lists for the top films of the year. It also has been nominated for three Golden Globe, including Best Picture, Best Director and Best Original Score and has received Critics' Choice nominations. The intense war drama is in a confident position with what we can expect from its peak award season box office performance.
The Warner Bros. pic Just Mercy opened in four theaters in New York and Los Angeles on Christmas Day with a five-day weekend estimated gross of $218,000 and a three-day weekend estimated gross of $105,000, a very great limited opening for the prison reform drama directed by Destin Daniel Cretton and starring box office draws Michael B. Jordan and Jamie Foxx.
The film, which is based on the book by real-life defense attorney Bryan Stevenson, is a narrative that is very much in the zeitgeist as the country becomes more cognizant of the need for prison reform and examination of those who have been wrongfully convicted. The film has been bolstered by audience Q&As and the fact that the film made history as first major studio film to implement the inclusion rider which mandates women, people of color, LGBTQ people and other underrepresented groups be considered for key on-screen and behind-the-scenes jobs.
With a certified fresh rating of 81% on Rotten Tomatoes and its poignant story of advocacy, the film earned Jamie Foxx a SAG Award nomination and the National Board of Review honored it with the...
High school can be a battlefield, but rarely has that battlefield seemed so dangerous as it does in Amazon’s stylish Sundance drama Selah and The Spades. The feature film debut of writer/director Tayarisha Poe, Selah and The Spades follows a young girl who is chosen to be the protégé of the Queen Bee of an elite Pennsylvania boarding school, and discovers that she wasn’t the first to be given this dubious honor. Watch the Selah and The Spades trailer below.Selah and The Spades Trailer
Amazon Studios has released the official trailer for Tayarisha Poe’s feature film debut, Selah and The Spades, a stylish high school drama set in the closed world of an elite Pennsylvania boarding school. In this exclusive world, the student body is run by five factions: The Spades, The Sea, The Skins, The Bobbies, and The Prefects. Commanding the top faction is the titular Selah Summers Love Simone, who decides to choose a young protégé to take her place upon graduation. But as that sophomore upstart Paloma Celeste O’Connor soon finds, it’s a treacherous path to the top.
Selah and The Spades seems like a teen drama in the tradition of Brick or Thoroughbreds — stylish, razor-sharp, and populated by very good-looking teens who all act like characters in a noir film. The cast of fresh faces playing those characters include Jharrel Jerome, Jesse Williams, Gina Torres, and Ana Mulvoy Ten.
Here is the synopsis for Selah and The Spades:
In the closed world of an elite Pennsylvania boarding school, Haldwell, the student body is run by five factions. Seventeen-year-old Selah Summers Lovie Simone runs the most dominant group, the Spades, with unshakable poise, as they cater to the most classic of vices and supply students with coveted, illegal alcohol and pills. Tensions between the factions escalate, and when Selah’s best friend/right hand Maxxie MOONLIGHT’s Jharrel Jerome becomes distracted by a new love, Selah takes on a protégée, enamored sophomore Paloma Celeste O’Connor, to whom she imparts her wisdom on ruling the school. But with graduation looming and Paloma proving an impressively quick study, Selah’s fears turn sinister as she grapples with losing the control by which she defines herself.
In her feature debut, writer/director Tayarisha Poe immerses us in a ened depiction of teenage politics. This searing character study encapsulates just how intoxicating power can be for a teenage girl who acutely feels the threat of being denied it. Exciting newcomer Lovie Simone’s performance beautifully embodies both Selah’s publicly impeccable command and the internal fears and uncertainty that drive it.
Selah and The Spades premieres on Amazon Prime Video April 17, 2020....
SPOILER ALERT: If you are among the few who haven’t actually watched Netflix’s Tiger King docuseries, this review contains a lot of details about what goes down in the sad big cat saga.
With Netflix poised in the coming days to cash in and crank the base up a notch with more Tiger King, it's time to come out and say it: I hate the Red State porn that is the crash and burn of Joe Exotic
The initial seven episodes of this septic and shallow patchwork of trademark infringement, sex, guns, labor exploitation, song, drugs, mullets, betrayal, animal activism, revenge, and a lot of big cats may be much binged over these weeks of coronavirus lockdown, but that doesn't mean it's actually worth watching.
Now, I get it, I sound like I'm just a dour critic who hates anything that isn't prestige premium cable or aspirational. C'mon man, you want to say, Tiger King: Murder, Mayhem and Madness is just so unbelievable, I can't look away.
I respectfully disagree, and in fact, propose Tiger King isn't just bad, but dangerous in a divided America persistently looking to reduce the other side to caricature.
In a presently ailing nation where TV is more voluminous and vital than ever, the truth is the March 20 launched Tiger King is a clawed white trash misery index. Gawking at some clearly fragile and damaged people like would-be reality TV star Exotic and their below the Mason-Dixon line antics, the series subsequently provides a cultural circus for those smug bicoastals under stay at home orders and screaming to rise up in moral superiority.
Essentially, the tale of big cat collector, self-styled Oklahoma zoo proprietor and 2016 Presidential candidate Exotic AKA Joseph Maldonado-Passage and his ultimately unsuccessful attempt to have rival Carole Baskin knocked off by a hitman hired for $3,000, Tiger King is in that context more a zero-sum game, literally and figuratively, than hitting the zeitgeist.
Obviously, Netflix are pretty damn good at gauging and dragging the public mood over the years, as the likes of the then phenomenon of 2015's Making A Murderer or 2018’s Wild Wild Country prove. Yet, for all the attention it has drawn, this unfocused murder for hire exploration of sorts emerges as a bastard child of Cops, a million Dateline segments from the 1990s and Fox’s short-lived Murder in Small Town X reality show from 2001.
Not exactly the prestige product that the home of Roma, The Irishman and American Factory likes to brag about at award shows. Then again, with the knowledge that the Romans sold out the Colosseum every night feeding Christians to the lions, the bottom line based House of Hastings surely loves the subscription sign up that the currently incarcerated Maldonado-Passage and the accompanying motley gaggle of...