Neon has had a banner year since picking up the U.S. distribution rights to Parasite, ushering the film to a history-making Best Picture win at the 2020 Oscars. Now the indie film distributor has won the domestic rights to the Nicolas Cage revenge thriller Pig and the Sundance favorite Possessor, directed by Brandon Cronenberg.
Variety reports that Neon, the U.S. distributor behind Bong Joon-ho’s Oscar-winning film Parasite, has won the domestic rights to the Nicolas Cage-starring revenge thriller Pig, directed by first-time filmmaker Michael Sarnoski.
Written and directed by Sarnoski, Pig stars Cage as “a reclusive truffle hunter in Oregon whose prize hunting pig is kidnapped, forcing him to return to old stomping grounds in Portland and confront his past.” The film also stars Hereditary‘s Alex Wolff, and is based on a story by Sarnoski and Vanessa Block, who also produced alongside Pulse Films.
Neon won the rights in a heated bidding war last week that involved “numerous competitors.” Based on the film’s premise of a man and his animal in the American frontier, I’d guess one of those competitors is fellow indie wunderkind A24. Don’t worry A24, you still have the lovely First Cow. Endeavor Content, which first showed the promo footage for Pig at February’s Berlin Film Festival, is continuing to seek international partners.
Neon continued its hot streak with the acquisition of the U.S. rights to Brandon Cronenberg’s Possessor, a sci-fi thriller starring Andrea Riseborough as a corporate agent who works for a “secretive organization using brain-implant technology to inhabit other people’s bodies and commit assassinations for high-paying clients,” according to Neon’s press release. The film, which /Film reviewer Chris Evangelista wants everyone to know, “rules,” debuted in January to the Sundance Film Festival to rave reviews, including ours.
“Neon is a hugely exciting distributor, and I’ve been eager to work with them for a while now. I’m thrilled they are taking on ‘Possessor’ in collaboration with Well Go USA, who made production of the film possible,” Cronenberg said in a statement.
Neon’s acquisitions are a nice return to regular movie news as the industry continues to stay at a standstill in the wake of the coronavirus COVID-19 pandemic, which has shuttered movie theaters around the country and forced studios to indefinitely delay major releases. Despite the demand for early digital releases and Neon’s own partnership with Hulu, Neon still plans to release Pig at a to-be-determined date. No release date has yet been set for Possessor....
Netflix has released the first trailer for Extraction. This one, on paper, has a whole lot going for it. For one, it's one of few new blockbuster-level releases viewers will be able to watch this month, as movie theaters all around the country remain closed. It also features Chris Hemsworth in the lead. To top it all off, he's reunited with Joe and Anthony Russo, the directors of Avengers: Endgame, who are producing the original thriller. And, based on this first trailer, this could certainly be something to look forward to this month.
The trailer opens up with Chris Hemsworth doing some intense cliff diving/meditation before some of the action kicks in. We get the sense that Hemsworth has something of a death wish. We then get to the heart of the matter, which sees this man having to rescue the son of a drug lord, who was kidnapped by a rival drug lord. Things escalate, to say the very least of it, and Hemsworth is left trying to fight off impossible odds to keep this kid safe. This does seem to lay everything out on the table, seemingly not leaving much up to the imagination, but it's an impressive trailer. Lots of action. Real stakes.RELATED: Netflix's Extraction Poster Shows Chris Hemsworth as a Deadly Black Market Mercenary googletag.cmd.pushfunction ;
New Netflix original Extraction centers on a hardened mercenary's mission, which becomes a soul-searching race to survive when he's sent into Bangladesh to rescue a drug lord's kidnapped son. The cast also includes Rudhraksh Jaiswal, David Harbour, Derek Luke and Golshifteh Farahani. Taking to Twitter, Chris Hemsworth expressed his excitement in sharing the trailer, especially at this moment in time, given what's going on in the world.'So happy to finally be able to share the trailer for Extraction with you all! This has been a difficult few months for all of us, and we hope this will provide a bit of entertainment while we are all staying home.'
This trailer arrives after an Extraction poster proved to be quite popular after it was unveiled. Netflix has been ramping up its work with A-list filmmakers in the past few years and this is a huge example of that. The Russo brothers, coming off of Avengers: Infinity War and Avengers: Endgame, have been busy producing a number of high-profile projects. In this case, Joe Russo wrote the screenplay and is producing alongside his brother, Anthony Russo. Re-teaming them with Hemsworth, who plays Thor in the Marvel Cinematic Universe, makes this an impressive package deal.
Sam Hargrave, a longtime stunt coordinator who has worked on quite a few massive blockbusters in his day, including Captain America: Civil War with the Russo brothers, is making his feature directorial debut. Hargrave also worked on Atomic Blonde, The Hunger Games series and Suicide Squad, as well as a few other MCU titles like Thor: Ragnarok. So he knows his way around a big...
SPOILER ALERT: If you are among the few who haven’t actually watched Netflix’s Tiger King docuseries, this review contains a lot of details about what goes down in the sad big cat saga.
With Netflix poised in the coming days to cash in and crank the base up a notch with more Tiger King, it's time to come out and say it: I hate the Red State porn that is the crash and burn of Joe Exotic
The initial seven episodes of this septic and shallow patchwork of trademark infringement, sex, guns, labor exploitation, song, drugs, mullets, betrayal, animal activism, revenge, and a lot of big cats may be much binged over these weeks of coronavirus lockdown, but that doesn't mean it's actually worth watching.
Now, I get it, I sound like I'm just a dour critic who hates anything that isn't prestige premium cable or aspirational. C'mon man, you want to say, Tiger King: Murder, Mayhem and Madness is just so unbelievable, I can't look away.
I respectfully disagree, and in fact, propose Tiger King isn't just bad, but dangerous in a divided America persistently looking to reduce the other side to caricature.
In a presently ailing nation where TV is more voluminous and vital than ever, the truth is the March 20 launched Tiger King is a clawed white trash misery index. Gawking at some clearly fragile and damaged people like would-be reality TV star Exotic and their below the Mason-Dixon line antics, the series subsequently provides a cultural circus for those smug bicoastals under stay at home orders and screaming to rise up in moral superiority.
Essentially, the tale of big cat collector, self-styled Oklahoma zoo proprietor and 2016 Presidential candidate Exotic AKA Joseph Maldonado-Passage and his ultimately unsuccessful attempt to have rival Carole Baskin knocked off by a hitman hired for $3,000, Tiger King is in that context more a zero-sum game, literally and figuratively, than hitting the zeitgeist.
Obviously, Netflix are pretty damn good at gauging and dragging the public mood over the years, as the likes of the then phenomenon of 2015's Making A Murderer or 2018’s Wild Wild Country prove. Yet, for all the attention it has drawn, this unfocused murder for hire exploration of sorts emerges as a bastard child of Cops, a million Dateline segments from the 1990s and Fox’s short-lived Murder in Small Town X reality show from 2001.
Not exactly the prestige product that the home of Roma, The Irishman and American Factory likes to brag about at award shows. Then again, with the knowledge that the Romans sold out the Colosseum every night feeding Christians to the lions, the bottom line based House of Hastings surely loves the subscription sign up that the currently incarcerated Maldonado-Passage and the accompanying motley gaggle of...