|BEST MOMENTSWATCHMENTHE BESTSNL|
Even though the latest 007 movie has been pushed to a release date in the fall, James Bond himself, Daniel Craig, still hosted last night’s “Saturday Night Live.” It's actually been eight years since Craig last hosted “SNL,” and you know what? After this second time, while he may not be playing James Bond anymore, he can host any time he wants.Host: Daniel Craig
If there's one thing Daniel Craig makes clear in his opening monologue, it's this: “I'm not a nerd. You're a nerd.” Fine, while he may not be a nerd, he's certainly not afraid to go all-in on a joke or, even better, be the butt of one. That is the key to this episode, and it's really amazing to realize while watching that this man's only hosted twice, despite how good he is at it.
It's always nice to see an “SNL” monologue step outside the box, and this one does, featuring pre-tape “footage” from the upcoming James Bond movie. It seems like it takes the live audience a moment to realize what's going on, as the first “SNL” cast member to show up in the sketch is Chloe Fineman, who still kind of blends in, as good as she is. Craig's “favorite scene” in the movie is apparently the one where Bond ends up becoming a craps guy and it's filled to the brim with the most un-Bondlike characters ever, on top of Fineman's progressively frustrated Bond girl. You've got Heidi Gardner and Beck Bennett as messy gamblers, old lady gambler Kate McKinnon, bachelor party boy Kenan Thompson “THIS GUY! HIM!”, and Mikey Day as the craps dealer-turned-villain.
It's simply a fun sketch to open things up with, with Bond getting way too into craps and becoming “Simba,” as he's the “king of the jungle.” In fact, Craig singing the opening music from “The Lion King” is arguably the best thing any James Bond movie has ever given us, even tangentially. Thompson showing up to do the “HIM!” bit in both the Bond entrance and live on stage then brings it all together. “SNL” also knows how good it is, as it’s provided a version of the scene without the monologue.
You can't go wrong with a pre-tape rap or otherwise from both Kenan Thompson and Chris Redd, and the live audience — who are pretty good this episode, other than the moment in the cold open with the “WOO!” for white chocolate — realizes that before it even really gets going. It's worrying at first that this is a hacky sketch about ending up “on the couch,” but it thankfully takes its first interesting turn when The Weeknd comes in. “We make dinner like lovers do / I pour wine / And I'm sleeping on the couch tonight.” That's...
Stephen Williams, whose directing credits include episodes of Watchmen, The Walking Dead, Lost, and more, is set to helm Universal’s new monster movie Don’t Go in the Water. There are zero plot details at the moment, but it’s safe to assume from the monster movie distinction and the title that this is going to be some sort of aquatic horror movie – and we could always use more of those.
Variety has the scoop on Don’t Go in the Water, described simply as a “suspenseful monster movie” from director Stephen Williams. Stranger Things producer Shawn Levy is producing, along with Dan Levine for 21 Laps Entertainment, while Adam Kolbrenner will produce for Lit Entertainment Group. Adam Rodin is executive producing.
Williams directed two Watchmen episodes – “She Was Killed by Space Junk”, which featured the now-infamous giant Dr. Manhattan dildo, and “This Extraordinary Being”, one of the most memorable episodes of the series, in which Regina King’s Angela relives her grandfather’s memories via a drug trip. That episode was highly renowned for its unique visual style, so it’s great to see Williams branch out into a big movie. Save for 1995’s Soul Survivor, all his other credits are in TV.
I wish I could tell you more about the Don’t Go in the Water plot, but there simply isn’t anything to tell. However, the title certainly suggests this is some sort of aquatic horror film, and that’s a sub-genre I always enjoy. Earlier this year we saw the release of Underwater, a surprisingly fun undersea monster movie starring Kristen Stewart.
Other entries include DeepStar Six, Leviathan, Deep Rising, and more. Hell, you can even include every shark movie under that banner as well – all the Jaws flicks, The Shallows, Deep Blue Sea, and so on. The only real prerequisite is that the plot involves unlucky characters either on a boat or in some sort of underwater location being plagued by danger. It doesn’t even have to be monster-based danger. There’s Dead Calm, where the danger is Billy Zane. Hell, go ahead and include Titanic in there, I don’t care. There are no more rules anymore, folks. Anything goes these days.
Last Updated: April 6th
A good gangster movie must do two things: Make us want to live a life of crime and, at the same time, make us grateful we haven't indulged our dark sides like the characters on this list. Most gangster films make the criminal underworld look like a hell of a good time. There's booze, money, women, expensive cars, everything we're taught we should want, but the lavish lifestyle often comes with a price, which means a good gangster movie must also show us the downside of running a criminal empire: The violence, the bloodshed, and the very real threat of prison time. As they say, you can't have your cake and eat it too — but no one told that to the characters in these films.
Here are the 10 most enjoyable films currently streaming on Netflix.
Related: The Best Crime Movies On Netflix Right NowNetflix The Irishman 2019
Run Time: 209 min | IMDb: 8.7/10
Martin Scorsese delivers another cinematic triumph, this time for Netflix and with the help of some familiar faces. Robert De Niro and Al Pacino team up again for this crime drama based on actual events. De Niro plays Frank Sheeran a World War II vet who finds work as a hitman for the mob. Pacino plays notorious Teamster Jimmy Hoffa, a man who frequently found himself on the wrong side of the law and the criminals he worked with. The film charts the pair's partnership over the years while injecting some historical milestones for context. It's heavy and impressively cast and everything you'd expect a Scorsese passion-project to be.A24 A Most Violent Year 2014
Run Time: 125 min | IMDb: 7/10
Jessica Chastain and Oscar Isaac play a husband-wife duo caught up in the criminal underground in this darkly-lit drama. Isaac plays Abel Morales, an immigrant and aspiring business owner who finds himself the target of ruthless competitors when he takes steps to secure a facility to transport oil throughout the boroughs. Chastain plays his wife Anna, a shrewd businesswoman in her own right who comes from a mobster family. The two fights against a determined D.A. and corrupt criminals in order to secure the money they need to purchase the land, but in doing so, they become the enemy they've been fighting against. It's a heavy, morose kind of film, filled with violence and shady back-door dealings, but Chastain and Isaac bring a bit of brilliance to it all.Netflix Imperial Dreams 2014
Run Time: 87 min | IMDb: 6.8/10
John Boyega stars in this stirring drama about a recently released convict caught up in the terrible cycle that people often face after prison. Boyega plays Bambi, a 21-year-old who gets a taste of freedom after spending time behind bars for some kind of crime involving a weapon. Bambi's determined to live right and do right by...
Welcome to The Quarantine Stream, a new series where the /Film team shares what they’ve been watching while social distancing during the COVID-19 pandemic.
The Series: I Think You Should Leave with Tim Robinson
Where You Can Stream It: Netflix
The Pitch: Former Saturday Night Live featured player and Comedy Central’s Detroiters creator and co-star Tim Robinson teams up with fellow SNL writer and his Detroiters co-creator Zack Kanin to deliver a series of offbeat comedy sketches mostly featuring characters that need to desperately leave, would be wise to leave, or are being implored to leave a variety of awkward, confrontational and goofy situations.
Why It’s Essential Viewing: Saturday Night Live is still largely considered the gold standard for sketch comedy, even if you always hear someone saying that the current cast isn’t as funny as the previous generation, which has happened with every new roster of players since the beginning of the show. But that doesn’t mean SNL is the only place to find great sketch comedy. In fact, sometimes the style of the series doesn’t lend itself well to certain comedians’ sensibilities. Such is the case with Tim Robinson. But that’s not always a bad thing.
During his single-season tenure as a featured player of Saturday Night Live, Tim Robinson appeared in a handful of memorable sketches but never really found firm footing as a cast member. But what you might not know is that Robinson stayed on the show as a writer for another three years afterwards. That’s because he’s truly a great sketch comedy writer, and I Think You Should Leave shows the comedy of Tim Robinson at its absolute best.
I Think You Should Leave basically feels like a collection of pre-recorded “10-to-1” sketches from SNL, the kind of weird sketches that were put in the timeslot that was typically 10 minutes left until the show ended at 1:00 A.M., around the time people started tuning out. These sketches are typically much weirder and riskier than the rest of the SNL sketch line-up, and when they land, the payoff can be massive. And most of the sketches in I Think You Should Leave are gut-bustingly hilarious.
Tim Robinson is a master at overdoing it, but in a truly commendable and hilarious fashion. Whether it’s peak awkwardness, unnecessary rage, being severely inconvenienced by something trivial, unconvincingly trying to avoid being blamed for driving a car through a shop front, or getting wildly specific about legal advice, Robinson proves to be a master sketch comedian with a unique comedic perspective. But he’s not the only one who gets to have fun.
Ruben Rabasa became a meme after upending an automobile focus group on the show, Will Forte plays a totally sane man trying to get revenge on a...