|TO ALL THE BOYSTHE BOYSTRAILERNETFLIX|
What happens after happily ever after? A lot of growing up, according to To All the Boys: P.S. I Still Love You star Lana Condor. The naive protagonist of the To All the Boys I’ve Loved Before will write her final letter with To All the Boys 3, which has already wrapped filming, according to Condor.
But after all the rom-com shenanigans that Lara Jean Covey and Peter Kavinsky went through in the past two films, where does that leave them in the third and final To All the Boys film? Condor teased what Lara Jean will be going through and the growing up she does in her senior year of high school, with new To All the Boys 3 details.
In an interview with The Hollywood Reporter, Condor teased a few To All the Boys 3 details about Lara Jean’s romantic and personal journey.
“I definitely think that she’s grown from the first one, but she’s still finding herself, and as all of us humans do, we continue to find ourselves for the rest of our lives,” she said of the romance book-loving high schooler. The second film, which adapted Jenny Han’s P.S. I Still Love You, the second book in her To All the Boys series, picked up with Lara Jean Covey and Peter Kavinsky now officially dating. But Lara Jean’s insecurities start to thwart their happy relationship — not to mention her flirtation with former crush, the sensitive John Ambrose Jordan Fisher — in sequel that offered an oft-frustrating but refreshing look at what happens after happily ever after.
But Lara Jean still has a lot of growing up to do in the third film, which has just wrapped filming and is based off of Han’s 2017 book Always and Forever, Lara Jean. It won’t just be romantic growth, Condor teased to THR, but personal growth:
“It’s her senior year, so she’s trying to figure out actually what she’s going to do for her future, like making choices for what’s right for you versus what you want in the moment because you want to stay with someone. That’s super difficult, right?
What I can say is she faces some real, real life choices. What I love about the third movie is she fully comes into her own. It’s a full beginning, middle, end, and for me, that was great as an actor because I had all the time in the world to play and to grow and to feel good with the way that we ended things.”
It sounds like the love triangle between Lara Jean, Peter, and John Ambrose isn’t quite over with, despite Lara Jean choosing Peter at the end of P.S. I Still Love You. But I hope that the film won’t stretch out the love triangle, and instead focus on Lara Jean’s coming-of-age, and wrestling with her future. The To All the Boys films are well-established as rom-com fluff, but it’d be interesting to see the film’s...
In retrospect, last summer seemed like a much simpler time, and that’s a severe understatement considering what the world’s enduring right now. Folks were able to enjoy time at the beach without endangering public health, and for those who needed relief from the heat, Amazon’s The Boys delightfully skewered superheroes with a wickedly fun romp of a first season. Very quickly, the second season headed into production, and unlike many shuttered productions, the show’s return still appears to be on track for a summer release. Thank goodness for TV continuing to do its thing as the ultimate distraction during these difficult months.
After the show delivered a bloody first look, showrunner Eric Kripke has now revealed what he’s remotely working on during the editing process. He hopes that folks can cure some of their COVID-19-induced “apocalypse anxiety” by revisiting the first batch of episodes - hey, that’s not a bad idea - and checking out these shots.
Raging case of Apocalypse Anxiety? There's a cure! Watch #TheBoysTV on @PrimeVideo! See the show reviewers call "blasphemous" & "a sick work of perversion."
And I'm hard at work remotely on #Season2. Here's a few shots! @KarlUrban @antonystarr @TheBoysTV #TheBoys #SPNFamily pic.twitter.com/rHnw0REsIx
— Eric Kripke @therealKripke March 22, 2020Those who aren’t familiar with the show might be unimpressed at this “reveal,” which actually says a lot. Obviously, we’re looking at Homelander the most powerful superhero known to humanity, and also the greatest villain on Earth and Butcher leader of the vigilante group who’s gonna keep beating back The Supes. Homelander’s looking even more dead-eyed than the last time we saw him, and he’ll surely be even more out of control after killing Elisabeth Shue’s Madelyn Stillwell. This was clearly the role that Antony Starr was meant to play, and there’s also the deliciously deviant Karl Urban delivering a knowing glance and proving that he’s still got that bad boy’s number.
The second season of The Boys promises to be even more mayhem filled than the first outing with Toronto shutting down a controversial scene and a subsequent teaser teasing a blood-soaked production. The series, which not only stars Urban and Starr but Jack Quaid as Hughie, Chace Crawford as The Deep, Erin Moriarty as Annie January, Laz Alonso as Mother’s Milk, Tomer Kapon as Frenchie, Karen Fukuhara as The Female, Simon Pegg as Hughie’s father, will presumably return in July 2020.
Although “The L Word: Generation Q” may have tried desperately to speak to a “new generation” of queer women and non-binary folks, fresher creative voices quickly rose to the top in its place. Though people still watched. Showtime’s “Work in Progress” was the best queer comedy of the year, Netflix’s “Feel Good” was an unexpected delight, and “Vida” is returning just in time for queer audiences to catch up on the best show about queer women of color on TV. Yet another contender released a promising first trailer today: “Betty” is a stylish and youthful portrait of Brooklyn teen skaters that already appears extremely queer.
The six-part half-hour arrives on HBO from filmmaker Crystal Moselle, who quickly made waves in 2015 with her her riveting documentary hybrid “The Wolfpack.” “Betty” is adapted from her second feature, the similarly hybridized “Skate Kitchen,” which followed a group of teenage girl skaters in New York City. The film premiered at the 2018 Sundance Film Festival to positive reviews and was released by Magnolia Pictures that year.
In his B+ review of “Skate Kitchen” out of Sundance, IndieWire’s Eric Kohn wrote: “The streetwise alternative to ‘Girls,’ the movie weaves together such a complete vision of its subjects that the rest of the world barely exists. Of course, there's a long-standing precedent to capturing this subculture — ‘Kids’ did it, with more adventurous storytelling twists, more than 20 years ago — but Moselle's subjects hold their own with the surprising ability to clarify their emotions through the cathartic process of hanging out.”
“Betty” features many of the film’s original stars, most of whom had not acted before, including Kabrina Adams, Dede Lovelace, Nina Moran, Rachelle Vinberg, and Ajani Russell. All accomplished skaters in their own right, the first trailer shows the charismatic crew navigating various crushes and friendship trials with compelling panache and humor.
“Betty” is directed, co-written, and executive produced by Moselle. Lesley Arfin and Patricia Breen are also co-writers. Arfin, who also EPs, is a comedy writer best known for co-creating the Netflix series “Love” with Judd Apatow and Paul Rust.
HBO will release “Betty” beginning May 1 at 11 pm ET. Check out the exciting first trailer below:
SPOILER ALERT: If you are among the few who haven’t actually watched Netflix’s Tiger King docuseries, this review contains a lot of details about what goes down in the sad big cat saga.
With Netflix poised in the coming days to cash in and crank the base up a notch with more Tiger King, it's time to come out and say it: I hate the Red State porn that is the crash and burn of Joe Exotic
The initial seven episodes of this septic and shallow patchwork of trademark infringement, sex, guns, labor exploitation, song, drugs, mullets, betrayal, animal activism, revenge, and a lot of big cats may be much binged over these weeks of coronavirus lockdown, but that doesn't mean it's actually worth watching.
Now, I get it, I sound like I'm just a dour critic who hates anything that isn't prestige premium cable or aspirational. C'mon man, you want to say, Tiger King: Murder, Mayhem and Madness is just so unbelievable, I can't look away.
I respectfully disagree, and in fact, propose Tiger King isn't just bad, but dangerous in a divided America persistently looking to reduce the other side to caricature.
In a presently ailing nation where TV is more voluminous and vital than ever, the truth is the March 20 launched Tiger King is a clawed white trash misery index. Gawking at some clearly fragile and damaged people like would-be reality TV star Exotic and their below the Mason-Dixon line antics, the series subsequently provides a cultural circus for those smug bicoastals under stay at home orders and screaming to rise up in moral superiority.
Essentially, the tale of big cat collector, self-styled Oklahoma zoo proprietor and 2016 Presidential candidate Exotic AKA Joseph Maldonado-Passage and his ultimately unsuccessful attempt to have rival Carole Baskin knocked off by a hitman hired for $3,000, Tiger King is in that context more a zero-sum game, literally and figuratively, than hitting the zeitgeist.
Obviously, Netflix are pretty damn good at gauging and dragging the public mood over the years, as the likes of the then phenomenon of 2015's Making A Murderer or 2018’s Wild Wild Country prove. Yet, for all the attention it has drawn, this unfocused murder for hire exploration of sorts emerges as a bastard child of Cops, a million Dateline segments from the 1990s and Fox’s short-lived Murder in Small Town X reality show from 2001.
Not exactly the prestige product that the home of Roma, The Irishman and American Factory likes to brag about at award shows. Then again, with the knowledge that the Romans sold out the Colosseum every night feeding Christians to the lions, the bottom line based House of Hastings surely loves the subscription sign up that the currently incarcerated Maldonado-Passage and the accompanying motley gaggle of...