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Police in Crowley, Louisiana have issued an apology for using the siren heard in “The Purge” to signal the 9pm local time curfew that has been put into effect in the city because of the coronavirus outbreak via NME. The curfew prohibits citizens from leaving their homes between the local hours of 9pm and 6am. The police department said the curfew went into place because the city is located in the state’s Acadia Parish, which has “received the worst rating for the rapid spread of the virus. It has been put into place in order to try and slow the spread.” Police are giving citations to people who violate the curfew. People traveling to or from work must have documentation from their employer.
An alarm used by police at the beginning of the month was the same alarm heard in “The Purge,” James DeMonaco’s 2013 horror thriller about a fictional America where for one night it becomes legal to commit any crimes, including murder, for a 12-hour period. The alarm in “The Purge” is heard to signal that the killing and crime sprees can begin. The first “Purge” film starred Ethan Hawke and launched a franchise that includes three follow-up movies and a series on USA Network.
Crowley Police chief Jimmy Broussard said in a statement to the local ABC news affiliate KATC that he was unaware the signal being used for the coronavirus curfew was the same signal heard in “The Purge.” The chief assured citizens that the “Purge” siren would not be used again. The siren caused enough of a stir that an additional statement was released by Acadia Parish sheriff K.P. Gibson.
“Last night a ‘Purge Siren’ was utilized by the Crowley Police Department as part of their starting curfew,” the statement said. “We have received numerous complaints with the belief that our agency was involved in this process. We were not involved in the use of the ‘Purge Siren’ and will not utilize any type of siren for this purpose. Calls regarding this matter should be directed to the Crowley Police and Chief Broussard and not the Acadia Parish Sheriff’s Office.”
Universal Pictures is scheduled to release the next “Purge” movie in theaters this summer, but the film is likely to be delayed because of the coronavirus. The studio was not involved in the Crowley police department’s use of “The Purge” siren.
SPOILER ALERT: If you are among the few who haven’t actually watched Netflix’s Tiger King docuseries, this review contains a lot of details about what goes down in the sad big cat saga.
With Netflix poised in the coming days to cash in and crank the base up a notch with more Tiger King, it's time to come out and say it: I hate the Red State porn that is the crash and burn of Joe Exotic
The initial seven episodes of this septic and shallow patchwork of trademark infringement, sex, guns, labor exploitation, song, drugs, mullets, betrayal, animal activism, revenge, and a lot of big cats may be much binged over these weeks of coronavirus lockdown, but that doesn't mean it's actually worth watching.
Now, I get it, I sound like I'm just a dour critic who hates anything that isn't prestige premium cable or aspirational. C'mon man, you want to say, Tiger King: Murder, Mayhem and Madness is just so unbelievable, I can't look away.
I respectfully disagree, and in fact, propose Tiger King isn't just bad, but dangerous in a divided America persistently looking to reduce the other side to caricature.
In a presently ailing nation where TV is more voluminous and vital than ever, the truth is the March 20 launched Tiger King is a clawed white trash misery index. Gawking at some clearly fragile and damaged people like would-be reality TV star Exotic and their below the Mason-Dixon line antics, the series subsequently provides a cultural circus for those smug bicoastals under stay at home orders and screaming to rise up in moral superiority.
Essentially, the tale of big cat collector, self-styled Oklahoma zoo proprietor and 2016 Presidential candidate Exotic AKA Joseph Maldonado-Passage and his ultimately unsuccessful attempt to have rival Carole Baskin knocked off by a hitman hired for $3,000, Tiger King is in that context more a zero-sum game, literally and figuratively, than hitting the zeitgeist.
Obviously, Netflix are pretty damn good at gauging and dragging the public mood over the years, as the likes of the then phenomenon of 2015's Making A Murderer or 2018’s Wild Wild Country prove. Yet, for all the attention it has drawn, this unfocused murder for hire exploration of sorts emerges as a bastard child of Cops, a million Dateline segments from the 1990s and Fox’s short-lived Murder in Small Town X reality show from 2001.
Not exactly the prestige product that the home of Roma, The Irishman and American Factory likes to brag about at award shows. Then again, with the knowledge that the Romans sold out the Colosseum every night feeding Christians to the lions, the bottom line based House of Hastings surely loves the subscription sign up that the currently incarcerated Maldonado-Passage and the accompanying motley gaggle of...
He also played the police chief in 'Beverly Hills Cop II' and mogul Louis B. Mayer in 'Gable and Lombard.'
Allen Garfield, the New Jersey character actor who specialized in playing nervous types while appearing in such films as The Conversation, The Candidate, The Stunt Man and Nashville, has died. He was 80.
His sister, Lois Goorwitz, confirmed his death in a brief conversation with The Hollywood Reporter.
Earlier, actress Ronee Blakley posted the news of Garfield's death on Facebook, saying that he had died Tuesday and that the cause was COVID-19. Garfield and Blakley played husband and wife in Robert Altman's Nashville 1975.
Garfield suffered a stroke as he was set to appear in Roman Polanski's The Ninth Gate 1999, then suffered another one in 2004 that led him to reside at the Motion Picture Country Home and Hospital in Woodland Hills. A spokeswoman for the MPTF facility did not know if Garfield was there at the time of his death.
Born Allen Goorwitz on Nov. 22, 1939, in Newark, he went by his real name in several films, including The Brink's Job 1978 and One From the Heart 1981, midway through his career.
Garfield boxed as an amateur, worked as a sportswriter and studied with Lee Strasberg and Elia Kazan at the Actors Studio in New York. He appeared often onstage before making his film debut in Orgy Girls '69, followed by other big-screen appearances in 1971 in Woody Allen's Bananas and The Organization, starring Sidney Poitier.
Often playing jumpy types, he worked for Francis Ford Coppola in The Conversation 1974 and The Cotton Club 1984 and for Wim Wenders in A State of Things 1982 and Until the End of the World 1991.
He also portrayed Louis B. Mayer in Gable and Lombard 1976 and police chief Harold Lutz in Beverly Hills Cop II 1987, and his résumé also included roles in Teachers 1984, Desert Bloom 1986, Dick Tracy 1990, Destiny Turns on the Radio 1995 and The Majestic 2001.
"The reason I didChief Zabu is that Allen Garfield is from the Actors Studio, I'm from the Actors Studio, and we worked together there on stuff," actress Marianna Hill said in a 2016 interview with Shaun Chang for the Hill Place blog. "Allen Garfield happens to be a great actor. He's a really underrated actor. Allen was the hardest-working actor, but nobody realizes that about him because he seems to be a natural."
Source: Hollywood Reporter