SPOILER ALERT: If you are among the few who haven’t actually watched Netflix’s Tiger King docuseries, this review contains a lot of details about what goes down in the sad big cat saga.
With Netflix poised in the coming days to cash in and crank the base up a notch with more Tiger King, it's time to come out and say it: I hate the Red State porn that is the crash and burn of Joe Exotic
The initial seven episodes of this septic and shallow patchwork of trademark infringement, sex, guns, labor exploitation, song, drugs, mullets, betrayal, animal activism, revenge, and a lot of big cats may be much binged over these weeks of coronavirus lockdown, but that doesn't mean it's actually worth watching.
Now, I get it, I sound like I'm just a dour critic who hates anything that isn't prestige premium cable or aspirational. C'mon man, you want to say, Tiger King: Murder, Mayhem and Madness is just so unbelievable, I can't look away.
I respectfully disagree, and in fact, propose Tiger King isn't just bad, but dangerous in a divided America persistently looking to reduce the other side to caricature.
In a presently ailing nation where TV is more voluminous and vital than ever, the truth is the March 20 launched Tiger King is a clawed white trash misery index. Gawking at some clearly fragile and damaged people like would-be reality TV star Exotic and their below the Mason-Dixon line antics, the series subsequently provides a cultural circus for those smug bicoastals under stay at home orders and screaming to rise up in moral superiority.
Essentially, the tale of big cat collector, self-styled Oklahoma zoo proprietor and 2016 Presidential candidate Exotic AKA Joseph Maldonado-Passage and his ultimately unsuccessful attempt to have rival Carole Baskin knocked off by a hitman hired for $3,000, Tiger King is in that context more a zero-sum game, literally and figuratively, than hitting the zeitgeist.
Obviously, Netflix are pretty damn good at gauging and dragging the public mood over the years, as the likes of the then phenomenon of 2015's Making A Murderer or 2018’s Wild Wild Country prove. Yet, for all the attention it has drawn, this unfocused murder for hire exploration of sorts emerges as a bastard child of Cops, a million Dateline segments from the 1990s and Fox’s short-lived Murder in Small Town X reality show from 2001.
Not exactly the prestige product that the home of Roma, The Irishman and American Factory likes to brag about at award shows. Then again, with the knowledge that the Romans sold out the Colosseum every night feeding Christians to the lions, the bottom line based House of Hastings surely loves the subscription sign up that the currently incarcerated Maldonado-Passage and the accompanying motley gaggle of...
EXCLUSIVE: 20th Century Fox TV is developing an adaptation of Michael Arceneaux's memoir I Can't Date Jesus: Love, Sex, Family, Race and Other Reasons I've Put My Faith in Beyonce with Jerrod Carmichael, Lee Daniels and Marc Velez.
Deadline understands that the project is set to hit the cable and streaming market as a half-hour series.
The book, which was published by Simon & Schuster in July 2018, is a collection of 17 autobiographical essays from Arceneaux. The deal comes as Arceneaux’s second book, I Don't Want to Die Poor, an essay collection which chronicles his struggles with private student loans and economic anxiety, is published today April 7 by Simon & Schuster.Simon & Schuster
Arceneaux will adapt and executive produce alongside Carmichael, and Lee Daniels and Marc Velez of Lee Daniels Entertainment. UTA brokered the deal on Arceneaux's behalf.
The book looks at life in today's America with Arceneaux learning to embrace his identity when the world told him to do the opposite, leaving no bigoted or ignorant stone unturned. He discusses coming out to his mother, growing up in Houston, Texas, being approached for the priesthood, his obstacles in embracing intimacy that occasionally led to unfortunate fights with fire ants, and the persistent challenges of young people who feel marginalized and denied the chance to pursue their dreams.
Arceneaux is represented by UTA, Jermaine Johnson at 3Arts, attorney Loan Dang, and Jim McCarthy at Dystel, Goderich & Bourrett. Carmichael is represented by UTA and attorney PJ Shapiro at Ziffren Brittenham. Daniels is represented by WME, Alex Kovacs at Untitled Entertainment, and attorney Matthew Levy at Hansen, Jacobson, Teller, Hoberman, Newman, Warren, Richman, Rush, Kaller & Gellman.