Joby Harold, whose writing credits include Awake, King Arthur: Legend of the Sword, and Zack Snyder’s upcoming Army of the Dead, has been hired as the new writer of the untitled Obi-Wan Kenobi series on Disney+. Get the details below.
Variety has the news, reporting that Harold is taking over as the show’s writer after the show was shut down earlier this year. Drive screenwriter Hossein Amini turned in scripts, sets were built, staff were hired, and star Ewan McGregor was back on board…but Lucasfilm decided to pull the plug and start from scratch, throwing out Amini’s scripts and beginning the search for a new writer to come in and take over. That search, which at one time reportedly included The Mandalorian veterans Dave Filoni and Christopher Yost as options, is now over, as the studio has hired Joby Harold to get things back on track.
Harold is an unexpected choice for this job, since he’s arguably better known as a producer than a writer at this point. He’s produced or executive produced Edge of Tomorrow, Robin Hood, John Wick: Chapter 3 – Parabellum, and the WGN America series Underground. On the writing side, he wrote and directed his first feature film, Awake, back in 2007, and a decade passed before his script for King Arthur: The Legend of the Sword was eventually produced. That film was supposed to launch a six-movie franchise, but didn’t perform well enough to even get a single sequel, let alone five. Army of the Dead is in post-production and he’s on board to write another Transformers project, but those are the only four writing credits listed.
More to come…
SPOILER ALERT: If you are among the few who haven’t actually watched Netflix’s Tiger King docuseries, this review contains a lot of details about what goes down in the sad big cat saga.
With Netflix poised in the coming days to cash in and crank the base up a notch with more Tiger King, it's time to come out and say it: I hate the Red State porn that is the crash and burn of Joe Exotic
The initial seven episodes of this septic and shallow patchwork of trademark infringement, sex, guns, labor exploitation, song, drugs, mullets, betrayal, animal activism, revenge, and a lot of big cats may be much binged over these weeks of coronavirus lockdown, but that doesn't mean it's actually worth watching.
Now, I get it, I sound like I'm just a dour critic who hates anything that isn't prestige premium cable or aspirational. C'mon man, you want to say, Tiger King: Murder, Mayhem and Madness is just so unbelievable, I can't look away.
I respectfully disagree, and in fact, propose Tiger King isn't just bad, but dangerous in a divided America persistently looking to reduce the other side to caricature.
In a presently ailing nation where TV is more voluminous and vital than ever, the truth is the March 20 launched Tiger King is a clawed white trash misery index. Gawking at some clearly fragile and damaged people like would-be reality TV star Exotic and their below the Mason-Dixon line antics, the series subsequently provides a cultural circus for those smug bicoastals under stay at home orders and screaming to rise up in moral superiority.
Essentially, the tale of big cat collector, self-styled Oklahoma zoo proprietor and 2016 Presidential candidate Exotic AKA Joseph Maldonado-Passage and his ultimately unsuccessful attempt to have rival Carole Baskin knocked off by a hitman hired for $3,000, Tiger King is in that context more a zero-sum game, literally and figuratively, than hitting the zeitgeist.
Obviously, Netflix are pretty damn good at gauging and dragging the public mood over the years, as the likes of the then phenomenon of 2015's Making A Murderer or 2018’s Wild Wild Country prove. Yet, for all the attention it has drawn, this unfocused murder for hire exploration of sorts emerges as a bastard child of Cops, a million Dateline segments from the 1990s and Fox’s short-lived Murder in Small Town X reality show from 2001.
Not exactly the prestige product that the home of Roma, The Irishman and American Factory likes to brag about at award shows. Then again, with the knowledge that the Romans sold out the Colosseum every night feeding Christians to the lions, the bottom line based House of Hastings surely loves the subscription sign up that the currently incarcerated Maldonado-Passage and the accompanying motley gaggle of...
HBO Max is building out its collection of original titles with an adaptation of the hit LGBTQ podcast The Two Princes. The upcoming streaming service is teaming up with Spotify to adapt The Two Princes, which follows two rival princes on a quest to save their realm, into a 60-minute animated special. The Two Princes animated special goes to HBO Max after a competitive bidding situation for the property, which became a hit scripted podcast upon its debut last year.
Deadline reports that Spotify is in final negotiations with HBO Max to adapt the hit LGBT family podcast The Two Princes into an animated special. The project is still in early development and is going into the treatment phase, which makes it unclear whether the 60-minute animated special will debut upon the streamer’s highly anticipated launch in March.
Kevin Christopher Snipes, writer of the podcast series, will work on the adaptation, which will be under Warner Horizon and Warner Bros. Animation. Chris Giliberti & Justin McGoldrick from Gimlet Pictures will also executive produce.
The podcast debuted to rave reviews in May 2019, amassing a loyal following that praised the story’s positive representation of an LGBTQ romance between two princes whose rivalry turns to affection. The podcast featured an all-star cast that included Noah Galvin, Samira Wiley, Cynthia Erivo who will be starring in yet another podcast adaptation for the big screen, Christine Baranski, and Ari’el Stachel.
Here is the synopsis for season 1 of The Two Princes:
When Prince Rupert sets out to break the mysterious curse that’s destroying his kingdom, he’s ready to face whatever dastardly villain or vile monster stands in his way. What he isn’t prepared for are the bewildering new emotions he feels when he meets the handsome Amir, a rival prince on a quest to save his own realm. Forced to team up, the two princes soon discover that the only thing more difficult than saving their kingdoms is following their hearts.
It’s undetermined for now whether the starry cast will reprise their roles in the animated special, but with the buzz for adaptations like Amazon’s Homecoming, the podcast adaptation is gaining steam in Hollywood. And HBO Max seems to have found a property that can rival that of Netflix’s progressive family-friendly titles like She-Ra and the Princesses of Power with The Two Princes, which is sure to gain an even wider audience and more praise for its representation with its animated special....