With the majority of the world at home in quarantine, musicians are providing a distraction through virtual entertainment. Some are hosting concert livestreams and others, like Miley Cyrus, are speaking with other celebrities via Instagram Live. Cyrus recently began a talk show web series titled Bright Minded. During her live series, the singer discusses a breadth of topics ranging from self-care to the zero-waste initiative. This week, Cyrus spoke with Stranger Things star Millie Bobby Brown on how to stay motivated despite the quarantine.
During the lengthy chat, the two stars diverted from that topic to chat about Brown’s acting career. Brown said when she was younger, she figured out a way to perfect her US lingo - and it was through watching hours of Cyrus’ breakout Disney Channel show Hannah Montana.
The actor described how being “obsessed” with the show helped her accent and pushed her to pursue a career in acting ogether:
“I just have to say, the only way I got my American accent was by watching Hannah Montana. I was obviously, you know, obsessed with it. I was actually just going through my camera roll and I saw a video of me in a cowboy hat and I was learning ‘Hoedown [Throwdown].’ Full on, knew every single dance move. And now, thinking back on how obsessed I was, I wanted your job. Like, I didn’t know how to get your job, but I was like, ‘I want to be Hannah Montana, I don’t know how to do it.’ Then, I realized it was an actual job.”
#StrangerThings’ Millie Bobby Brown told Miley Cyrus she got her American accent from watching #HannahMontana. pic.twitter.com/KJDQ1gjfXy
— Pop Crave @PopCrave April 2, 2020
Watch Brown on Cyrus’ Bright Minded web series above.
Though “The Plot Against America” took its time to get going, it’s full steam ahead for David Simon’s Philip Roth adaptation by Episode 4 — but to what end? With just two episodes to go, the drama has certainly flared up: The Levin familial bonds are being pushed to the brink as Sandy falls increasingly under Lindbergh’s spell, with the help of Aunt Evelyn and her new boyfriend Rabbi Bengelsdorf. The lines have been drawn, and it’s not looking good for either side. While this was by far the most exciting episode so far, it still feels as though Simon is obligingly following Roth’s outline rather than forging his own path.
In both the novel and the series “The Plot Against America,” there’s an unmentioned but implicit rhetorical question reaching out from beyond the page and screen. To borrow from the musical “Cabaret,” one of the only pieces of pop culture to artfully grapple with this unthinkable dilemma: What would you do? If a fascist were elected president of your country, if your sister started dating one of his shills, if your son was secretly sketching his visage by flashlight — how would you behave? Would you flee to Canada, organize the resistance, or stick your head in the sand and hope for the best?
The fourth episode hones in on these questions with laser-like precision, enjoying the fruits of the preceding three episodes that felt, both in retrospect and in real time, mostly like set-up. Having returned from his “Just Folks” adventure in Kentucky, a Hitler Youth-esque recruiting tool of Rabbi Bengelsdorf’s John Turturro design, Sandy has quite literally become the poster child for assimilationist Jews. Evelyn Winona Ryder proudly features him in a brochure for the program, against Bess’ Zoe Kazan wishes.
Sandy’s transformation has been building since the pilot episode, which ended with him surreptitiously sketching Charles Lindbergh from of a newspaper clipping. Having planted the seeds deliberately, the show earns its most uncomfortable moment so far when Sandy spits at his parents, calling them “ghetto Jews — narrow-minded ghetto Jews.” His transformation is complete. When Bess slaps him across the face, it’s hard not to let out a silent cheer. Your Jewish firstborn becoming a Nazi sympathizer may be the rare instance when a kid deserves a good wallop.
“The Plot Against America”
Less effective is a Shabbas dinner argument between Herman Morgan Spector and Bengelsdorf, where Herman puts aside any last shred of civility to tell the Rabbi what he really thinks of his man Lindbergh. Maybe it’s the fact that only the men are talking while the women make sidelong glances of...