|LOST IN SPACESEASON 2REVIEW|
The Robinson family is getting one last go-around: Netflix has renewed its visually impressive “Lost in Space,” sci-fi series for a third and final season.
The series, a reimagining of the 1960 series of the same name that also ran for three seasons, centers on the tight-knit and inexhaustibly inventive Robinson family, who set off for the Alpha Centauri star system with a handful of other colonists after Earth threatened to become inhospitable in the distant future. Unfortunately, the Robinsons have faced obstacle after obstacle over the last two seasons, the latest of which ended with the children getting separated from their parents in a far-flung star system. Now, the Robinsons have one last chance and season to reunite and finally make their way to Alpha Centauri.
The Robinson family consists of Will Maxwell Jenkins, a young child who bonds with a powerful alien Robot Brian Steele, expert doctor Judy Taylor Russell, the adventurous Penny Mina Sundwall, aerospace engineer Maureen Molly Parker, and former U.S. Navy Seal John Toby Stephens. Rounding out the cast are Parker Posey, who plays the psychopathic Dr. Smith, and Ignacio Serricchio as Don West, a Han Solo-type.
Season 3 will premiere in 2021, though a specific release date is still under wraps.
“From the beginning, we’ve always viewed this particular story of The Robinsons as a trilogy,” series showrunner Zack Estrin said in a statement. “A three part epic family adventure with a clear beginning, middle and end. It’s also worth noting that, with what these characters go through just trying to survive each episode — if anyone deserves to catch their breath before their next mission - it's Will, Penny, Judy, Maureen, John, Don West, Dr. Smith… and The Robot. And, of course, Debbie the Chicken. So while this chapter of Lost In Space is coming to a rousing conclusion, I'm excited about continuing to explore new stories with my friends at Netflix, and for all of the incredible possibilities that lie ahead.”
The plot of the original 1960s series was never resolved, but given Estrin's statement, it's a safe bet that the Netflix series will be given the opportunity to wrap things up for its hapless space adventurers.
While Netflix is closing the door on “Lost in Space,” the streaming service is already looking towards the future with series showrunner Zack Estrin: The platform also announced a multi-year overall deal with Estrin to produce new Netflix series.
Fox has ordered a second season of its animated family comedy Duncanville for 2021-2022. The series hails from Amy Poehler and her Paper Kite Productions, The Simpsons veteran Mike Scully and his wife, former Simpsons writer-producer Julie Scully, 20th Century Fox TV and Universal TV.
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Duncanville joins fellow Fox freshman animated series Bless the Harts, which also has already been renewed for a second season.
The network has been ramping up its animated portfolio over the past two years and currently has five series on the air, veterans The Simpsons, Family Guy and Bob’s Burgers, and newcomers Bless the Harts and Duncanville, with two more, Housebroken and The Great North, set to join the lineup next season. Animation is one film/TV area that is still going during the pandemic-related Hollywood shutdown, with production done remotely, so work can be done on current seasons as well orders for next season.
“Duncanville is another great addition to our Sunday Animation Domination block,” said Michael Thorn, President of Entertainment, Fox Entertainment. “Amy, Mike and Julie have been fantastic partners, as have the teams at 20th and Universal Television. Our thanks also go out to the entire voice cast, including Ty, Ricki, Betsy, Yassir, Zach, Joy, Rashida and Wiz. Duncan may be an average teen. However, the show is anything but, and we can't wait for a brand-new season of Harris family adventures.”
Duncanville has been a soft linear performer, with its Live+Same day rating deliveries among the lowest for a Fox series this season, but it has done well on digital. Season-to-date, Duncanville averages 2.3 million multiplatform viewers and is Fox's most-streamed new comedy this season, Its premiere is Fox's most-streamed animated debut on record 7-day average.
The series follows a spectacularly average 15-year-old boy, voiced by Poehler, with a rich fantasy life, and the people in his world. Duncan can see adulthood on the horizon: money, freedom, cars, girls...but the reality is more like: always being broke, driving with your mom sitting shotgun and babysitting your little sister. He's not exceptional, but he has a wild imagination in which he's never anything less than amazing. Poehler also voices Duncan's mother, Annie, and Ty Burrell voices Duncan's father, Jack. Featured voices also include Riki Lindhome, Betsy Sodaro, Yassir Lester and Zach Cherry, as well as guest voices Rashida Jones, Wiz Khalifa and Joy Osmanski.
Produced by 20th Century Fox Television, Universal Television and Fox Entertainment, Duncanville was co-created by the Scullys and Poehler, through her Paper...
SPOILER ALERT: If you are among the few who haven’t actually watched Netflix’s Tiger King docuseries, this review contains a lot of details about what goes down in the sad big cat saga.
With Netflix poised in the coming days to cash in and crank the base up a notch with more Tiger King, it's time to come out and say it: I hate the Red State porn that is the crash and burn of Joe Exotic
The initial seven episodes of this septic and shallow patchwork of trademark infringement, sex, guns, labor exploitation, song, drugs, mullets, betrayal, animal activism, revenge, and a lot of big cats may be much binged over these weeks of coronavirus lockdown, but that doesn't mean it's actually worth watching.
Now, I get it, I sound like I'm just a dour critic who hates anything that isn't prestige premium cable or aspirational. C'mon man, you want to say, Tiger King: Murder, Mayhem and Madness is just so unbelievable, I can't look away.
I respectfully disagree, and in fact, propose Tiger King isn't just bad, but dangerous in a divided America persistently looking to reduce the other side to caricature.
In a presently ailing nation where TV is more voluminous and vital than ever, the truth is the March 20 launched Tiger King is a clawed white trash misery index. Gawking at some clearly fragile and damaged people like would-be reality TV star Exotic and their below the Mason-Dixon line antics, the series subsequently provides a cultural circus for those smug bicoastals under stay at home orders and screaming to rise up in moral superiority.
Essentially, the tale of big cat collector, self-styled Oklahoma zoo proprietor and 2016 Presidential candidate Exotic AKA Joseph Maldonado-Passage and his ultimately unsuccessful attempt to have rival Carole Baskin knocked off by a hitman hired for $3,000, Tiger King is in that context more a zero-sum game, literally and figuratively, than hitting the zeitgeist.
Obviously, Netflix are pretty damn good at gauging and dragging the public mood over the years, as the likes of the then phenomenon of 2015's Making A Murderer or 2018’s Wild Wild Country prove. Yet, for all the attention it has drawn, this unfocused murder for hire exploration of sorts emerges as a bastard child of Cops, a million Dateline segments from the 1990s and Fox’s short-lived Murder in Small Town X reality show from 2001.
Not exactly the prestige product that the home of Roma, The Irishman and American Factory likes to brag about at award shows. Then again, with the knowledge that the Romans sold out the Colosseum every night feeding Christians to the lions, the bottom line based House of Hastings surely loves the subscription sign up that the currently incarcerated Maldonado-Passage and the accompanying motley gaggle of...