Filmmakers will be able to apply to the prestigious September event from around the world via one website through 2022.
The Toronto International Film Festival is jumping on the FilmFreeway submissions platform.
The prestigious festival has inked a three-year exclusive deal with the Canadian startup to handle all films submitted to its annual September event. Submissions for the 2020 edition of TIFF will officially open Feb. 11 on filmfreeway.com.
Toronto joins Sundance, Tribeca, AFI Fest, Santa Barbara, Edinburgh and the San Francisco film fests in using FilmFreeway as an online festival submissions platform. The announcement was made Thursday by Zachary Jones, chief technology officer and co-founder of FilmFreeway, and TIFF artistic director and co-head Cameron Bailey.
FilmFreeway, which launched in 2014, touts its online platform as giving around 1 million registered filmmakers a way to easily find and submit their projects to film festivals worldwide and pay required fees.
"The reliable and user-friendly submission experience that FilmFreeway provides aligns with our mission and will help us reach and better serve diverse groups of storytellers from all over the world,” said Bailey in a statement.
The FilmFreeway partnership is also another sign that TIFF is embracing the digital world, following the unveiling a deal Wednesday with Canadian media giant Bell Media to see 11 feature films that debuted at the 2019 edition of the fest play on Canada's Crave streaming platform.
The three-year exclusive deal with TIFF also allows FilmFreeway to crack another top-tier film festival with its digital offering.
Added Jones in his own statement: "We are thrilled to be working with TIFF. To serve as the exclusive submission service for such a prestigious film festival is such an honor. We have worked closely with TIFF's programming team to develop custom functionality to serve their unique processes and demonstrated for them the level of attention and quality that festivals have come to expect when working with FilmFreeway."
Source: Hollywood Reporter
While major studios have the resources to debut their theatrical releases early on digital and streaming platforms amid the nationwide shutdown of movie theaters due to coronavirus COVID-19 concerns, indie filmmakers are being left without an audience for their small films. Typically, film festivals give these indie films the exposure they need to build up an audience or critical acclaim.
But with film festivals cancelling left and right, indie films are the ones that suffer the most. However, Jay and Mark Duplass, who got their start in the indie filmmaking world, want to use their clout to support those indie filmmakers whose small films are left without a home.
Film festivals are more than a fancy place for high-profile filmmakers to debut their next awards contender. They’re an essential home for many indie films that otherwise wouldn’t get a chance to debut to big crowds. But with those crowds dispersed and shut up in their homes for the time being, indie filmmakers are being left with nowhere to show the small films that they worked on for years. They don’t have the resources to just drop their movies on digital platforms and even if they did, they’re more likely to get overlooked in favor of Bloodshot.
However, the Duplass brothers are attempting to lessen the financial blow that indie filmmakers are feeling by using their clout to elevate those small films. In an interview with IndieWire, Mark Duplass put out the call to indie films for a home, offering the resources of Duplass Productions to boost indie filmmakers’ works.
“[The streamers] are all doing their best overtime watching pretty much every movie that’s being submitted to them from the festivals that didn’t have their premieres. We as Duplass Brothers have also come forward to those people and said, ‘If you find a movie where you feel like ‘This is really great but it’s not there yet,’ bring it to us and we will help partner with you to make that movie what you feel like it needs to be for your service.”
While streaming platforms have been a godsend for many stuck inside, or the many people who can’t afford to go to the movie theater every week, Duplass said that not only independent filmmakers, but independent studios have been struggling to cope with the effects of the coronavirus pandemic.
“There are so many positives and negatives to where we’re at with the prominence of streamers, what they have done to places like IFC and Magnolia who’ve been around for years and who are an integral part of our ecosystem,” Duplass said. “They were really damaged by some of these acquisition prices at film festivals. We used to … sell our movies to these niche distributors, and we wouldn’t hammer them for too much money because if we did, they wouldn’t be...
The 2006 Oscars will forever be remembered as the infamous ceremony where “Crash” beat “Brokeback Mountain” for Best Picture. Ang Lee’s groundbreaking gay romance was the critical favorite and it won three of the eight Oscars it was nominated for that year: Best Director, Best Adapted Screenplay, and Best Original Score. Headlining actors Heath Ledger and Jake Gyllenhaal both earned Oscar nominations for their performances. The actors were asked to present during the 2007 Oscars telecast, but Gyllenhaal revealed in a recent interview with Another Man magazine via NME that Ledger turned down the opportunity because it would mean making jokes at the expense of the gay “Brokeback” love story.
“I mean, I remember they wanted to do an opening for the Academy Awards that year that was sort of joking about it,” Gyllenhaal said. “And Heath refused. I was sort of at the time, 'Oh, okay... whatever.' I'm always like, ‘It's all in good fun.’ And Heath said, 'It's not a joke to me — I don't want to make any jokes about it.’”
Gyllenhaal, “That's the thing I loved about Heath. He would never joke. Someone wanted to make a joke about the story or whatever, he was like, 'No. This is about love. Like, that's it, man. Like, no.'”
Ledger was nominated in the Best Actor category but lost to “Capote” star Philip Seymour Hoffman. Gyllenhaal lost to George Clooney in “Syriana” for Best Supporting Actor. “Brokeback Mountain” marked the first Oscar nominations for both actors. Ledger would go on to be nominated and win his Oscar in the Best Supporting Actor race for his role as the Joker in Christopher Nolan’s “The Dark Knight.” Ledger received the Academy Award posthumously. “Brokeback” remains Gyllenhaal’s sole Oscar nomination to date.
Gyllenhaal has previously spoken about Ledger’s disdain for “Brokeback Mountain” jokes, but this is the first time the actor has revealed his late co-star turned down the Oscars. Gyllenhaal told “Today” in July 2019 that “Brokeback” marked a pivotal moment in his career. “It opened tons of doors,” he said. “It was crazy. It was amazing. It's defined my career in different ways. [But the film] is bigger than me...It has become not ours anymore. It's the world's.”
Read Gyllenhaal’s latest interview in its entirety on the Another Man website.