|RIAN JOHNSONKNIVES OUTINTERVIEWCOMEDY|
If you need a break from sitting around watching endless hours of TV during quarantine and want to do some reading, Rian Johnson is here to help. The filmmaker has made the shooting draft of Knives Out available for all to read. Since it’s a shooting draft it’s pretty similar to the final film, although there are a few interesting differences here and there. Mostly, though, it’s another reminder of how damn fine a script this is.
Just posted the shooting draft of Knives Out to my site. All previous scripts that don't involve outer space are up there too. https://t.co/aseGDIdwZJ
— Rian Johnson @rianjohnson March 23, 2020
Hey, remember Knives Out? One of the best movies of last year? Well, it’s back – in script form. Rian Johnson was nice enough to put the script on his site, along with all his other scripts except for The Last Jedi. It’s a fun read, mostly for the tiny little differences here and there. For instance: in the final film, when Benoit Blanc is first introduced as sitting in on the questioning of the Thrombey family, he casually taps a piano key every time he wants the line of questioning to change. In the script, he simply taps the back of a chair with his foot – which isn’t nearly as over-dramatic and memorable as the piano key thing.
Beyond that, you might notice that Johnson has a weird aversion to punctuation in some places, and more often than not, certain character’s dialogue just stops – no period, no em-dash, nothing. It’s a little jarring, but who am I to argue with the guy who wrote and directed the best Star Wars movie?
In response to the COVID-19 crisis, Vice TV has ordered Shelter in Place with Shane Smith, a new half-hour weekly interview show hosted by the Vice Media Group founder. It’s set to premiere Thursday, April 9 at 10 PM with two back-to-back episodes.
In the series, produced through remote video interviews from Smith’s home in Santa Monica, Smith will tackle the biggest questions of the moment with experts from the fields of science, journalism, entertainment, food and economics.Vice Media
“I'm at home, you're at home and our news cycle is changing by the minute,” said Smith. “So, I decided to dial up some of the world's foremost thinkers to offer us some much needed perspective and get to some truth on what we should be doing in this time like none other.” You can watch a preview clip below.
Smith’s first guest will be whistleblower Edward Snowden, who delves into the world of surveillance, privacy and our future civil liberties as international governments and autocratic regimes enact bold, new policies to curb the virus.
“When any of us look at where this is heading, we need to think about where we’ve been,” said Snowden. “And sadly, these kind of emergency powers that are born out of crises, have a perfect history of abuse”.
The second episode will feature California Governor Gavin Newsom who speaks to Smith about how his state has braced for the pandemic, where the federal government has stumbled, and what is coming next. Dr. Anne Rimoin, a world-leading epidemiologist, is also featured and will speak to how the virus has spread and what we can do about it.
Produced by Vice TV, Shane Smith, Alex Chitty, Maral Usefi are the Executive Producers for Shelter in Place. Jonah Kaplan is Supervising Producer.
Shelter in Place will be available on Vice TV via all major satellite and cable providers; ViceTV.com; and the Vice TV app via iOS, Android, Apple TV, Roku, and Chromecast. The first two episodes will be available for free on Vice & Munchies YouTube page.
Shelter in Place with Shane Smith is the latest programming from Vice TV produced in response to COVID-19. Vice Quarantine Hour is a limited variety series airing weekdays at 8 AM ET/PT. Vice TV's Emmy-winning nightly newscast is airing dedicated COVID-19 episodes with Vice News Tonight: Remote.
Right now, everyone is looking for some kind of reprieve from being locked up at home due to the spread of the coronavirus across the United States. That doesn’t appear to be in the cards anytime soon, but The Office executive producers Paul Lieberstein and Ben Silverman think they’ve figured out a way to make light of the situation by crafting a new workplace comedy series inspired by the sudden rise in employees working from home due to the outbreak of coronavirus forcing people to practice social distancing.
Deadline was first to learn of the currently untitled coronavirus comedy series, though it’s not necessarily about the pandemic. Paul Lieberstein and Ben Silverman, better known to The Office fans as the frequently maligned Toby Flenderson and one of Jim’s business partners at their company Athlead, are creating the series that is said to focus on “wunderkind boss who, in an effort to ensure his staff’s connectedness and productivity, asks them all to virtually interact and work face-to-face all day.”
The series is in the works at Big Breakfast, the comedy production banner Silverman runs, where he’ll executive produce the series along with and Luke Kelly-Clyne College Humor and Kevin Healey Scare Tactics. They’ll also be working with Howard Owens’ Propagate Content, which will have Rodney Ferrell serving as an executive producer as well.
Silverman, who was also once an NBC executive, explained the inception of the series and his hope for what it will become:
“So many of us are jumping on daily Zoom meetings — for work and beyond. We are in a new normal and are personally navigating ways to remain connected and productive at work and in our home lives. With the brilliant Paul Lieberstein at the helm, we think we have a series that not only brings humor and comfort during this troubling time but will also be an inventive and enduring workplace comedy for years to come.”
While the prospect of trying to craft a series around the coronavirus outbreak sounds like a bad idea at this time, there’s no indication that the pandemic will actually play a part in the overall concept of the series. In fact, it would be easy to pull something like this off without introducing such a grim plot device.
What I’m envisioning with this series is a show with a format that echoes what we’ve seen accomplished with movies like Unfriended and Searching. Both of those films play out entirely on computer or mobile device screens and successfully tell a solid narrative. Modern Family did something similar with an episode that unfolded across the ensemble cast’s various screens, and it worked pretty well. But if that’s what this series will be like, can that concept be sustained for an entire series? Or will they need to take...