|KEVIN SMITHSTAR WARS 9STAR WARS|
EXCLUSIVE: MVD Entertainment Group has picked up the North American distribution rights to Max Reload and the Nether Blasters, a gaming action-adventure film written and directed by Scott Conditt and Jeremy Tremp. Jay and Silent Bob and Comic Book Men’s Kevin Smith stars alongside Tom Plumley Upright Citizen's Brigade alum, Hassie Harrison Tacoma FD, Joey Morgan Scouts Guide to the Zombie Apocalypse, Lukas Gage Euphoria, Joseph D. Reitman Money Monster, Charlie Talbert The Big Short, and Greg Grunberg Star Wars: Episode IX – The Rise of Skywalker. MVD will release the pic in theaters and on multiple VOD platforms this summer.
The plot follows a small town video game store clerk who must go from zero to hero after accidentally unleashing the forces of evil from a cursed Colecovision game… Max Jenkins’ gaming fantasies collide with reality when a legendary “lost” installment of the Nether Game series appears on the store counter of his workplace, Fallout Games. Unbeknownst to Max, the game bears a “Curse of The Ages”, and in playing it, he has just unlocked the Nether, an ancient malevolent force of evil from the cartridge, upon his small hometown. Along with a mysterious masked man and his two best friends, Liz and Reggie, Max must figure out how to beat the Nether at its own game before it’s game over for humanity.
Lin Shaye Insidious, Martin Kove Cobra Kai and Wil Wheaton The Big Bang Theory round out the cast. Producers are Tremp, Conditt, and Grunberg.
“After being in Star Wars I thought the next logical step would be to work with these master filmmakers in Phoenix, Arizona on an indie sci-fi comedy with a slant towards gaming, said Grunberg. “I need a new agent! I love this film so much and can't wait for the world to see it. And with the help of everyone at MVD the time is right to level up.”
Added Tremp and Conditt: “We are so stoked to finally be releasing Max Reload to audiences! It’s been a long and magical road making this film with some amazing people and it’s finally time to press PLAY!”
“We are thrilled to bring this unique action-adventure to audiences, and are especially excited to partner with Conditt & Tremp and the production team on the release,” remarked Eric D. Wilkinson of MVD Entertainment.
Wilkinson brokered the deal with Noor Ahmed of Reder & Feig LLP on behalf of the filmmakers and CineForge Media.
With The Rise of Skywalker now on home video, and with the novelization available, it seems like there is no better time to discuss some of the movie's big reveals, now that we've all had at least a little bit of time to digest them. Perhaps the biggest reveal comes, not just as the end of this movie, but the end of the whole Skywalker saga, with Rey taking on the name Skywalker. While this proved to be a controversial choice, author Rae Carson has a reasonably compelling argument to make in favor of it.
Rae Carson penned the Star Wars 9 novelization. During a recent interview, Carson discussed the whole Rey Skywalker thing and why she felt it was not only warranted, but the ultimate victory, as she describes it. Here's what Carson had to say.'When I was 18 years old, I took on the moniker of my stepfather to honor the bonds of love and trust between us. I imagine it was much the same for Rey, who wanted to honor her own chosen family. I recognize that Rey's decision proved controversial, and I look forward to discussing this with fans for years to come. But my current take is this: The entire Skywalker saga is about Palpatine turning or trying to turn Skywalkers to the dark side. He especially hopes that Rey will prove a worthy vessel for his own power and ambition and become the Skywalkers' final downfall. But in spite of all his efforts over the course of three generations, he fails. Rey rejects everything about him and takes on the Skywalker mantle and legacy. In the end, it's a Palpatine who turns to the light, thus handing the Skywalkers their ultimate victory.'
This is an argument that is easy to see both sides of. I understand that Rey's now-infamous 'Rey Skywalker' line left many fans feeling cold. I get it. But hearing Rey Carson's explanation feels compelling. Whether or not one feels the same way, it's hard not to at least see where she's coming from to some degree. We can argue about execution all day, and perhaps that's an argument for another time, but there is some emotional logic to it within the overall narrative.
J.J. Abrams directed Episode IX, having previously helmed The Force Awakens. The movie was intensely divisive amongst critics, but seemed to be less so with general audiences. Whatever the case, it wasn't the well-rounded home run Lucasfilm was looking for to round out the sequel trilogy. Still, it did bring in more than $1 billion at the global box office, making it yet another hit for the Disney era of Lucasfilm.
This did punctuate the Skywalker saga but more Star Wars movies are in the pipeline. At present, Disney has a release date locked down in December 2022. What will be there to fill that date? That is the million, or perhaps billion, dollar question right now. Whatever it ends up being, be it something in the Old Republic or something entirely new, just don't expect to see Rey Skywalker show up. This news comes to us via StarWars.com.
There’s one particularly telling and effective moment in The Skywalker Legacy, the feature-lenght documentary that’s included on the Star Wars: The Rise of Skywalker home release that sums up much of the ambivalence and consternation that some had with J.J. Abrams’ return to the Star Wars universe. After showing the intricate construction of a giant, practical snake monster, the doc cuts back to footage of Jabba The Hutt, that old analogue beast that slithered its way into our hearts. The sentiment is clear – we’re making movies like we used to! A celebration of practical effects, the dripping of k-y jelly to give viscosity just like the old costume days, it’s all there. There’s excitement on set, everyone talking about how amazing it looks, how lifelike, how this is how you’re supposed to do movies like this.
Cut to Visual Effects Supervisor Roger Guyett who shatters the myth, letting us know the creature was replaced by a CGI version in post.
Guyett’s resume is mighty. Having made his bones on groundbreaking films like Twister and Casper, he helped Spielberg bring the events of D-Day to screen in Saving Private Ryan, helped bring to life the best looking film in the Harry Potter series, Alfonso Cuarón’s Prisoner of Azkaban, and even made the theatrical version of Rent feel more than a stage production. Guyett has had many collaborations with Abrams – from the Star Trek Reboots through The Force Awakens and The Rise of Skywalker he was even second unit director on the former, as well as working with George Lucas on Episode III to round off the prequels. He’s in a unique position to speak to these changing landscapes of epic filmmaking.
We spoke at length about the apparent contradictions and indulgences in making a Star Wars film, and he made the case for why nothing was wasted and all contributed to the final presentation. He was erudite and open to the discussion, making for a dream conversation with a man who quite literally has helped shape what amazes us on screen for decades.
The following has been edited for clarity and concision.
We see practical effects being championed as almost a marketing ploy with the “postquels” as a mix of nostalgia and an attempt to delineate from Lucas’ second trilogy. In some ways the love of the practically-realized snake undercuts the extraordinary CGI you and your team accomplished, and raises questions about why the need to fetishize the on-set inclusions when they’re replaced anyway. Could you talk about that ethos, that somehow doing stuff on a computer is a “cheat” while doing an effect practically is not?
I think at the end of the day we’re all trying to do the best that we can, trying to make the best, most dramatic or emotional movie we can visually. I’m coming from figuring out how do you get the most...