With most major releases indefinitely delayed, film festivals postponed, and studios dropping their theatrical releases on digital left and right due to the coronavirus COVID-19 crisis, awards season is going to look very different by the time it rolls around in the fall. And no, it won’t be Bloodshot and Sonic the Hedgehog gunning for best picture, as many online have joked.
The Hollywood Foreign Press Association is making significant changes to its long-standing rules for the Golden Globes awards eligibility that expands the formats where an eligible film can be first released, including subscription streaming services, subscription cable channels, and broadcast TV. With these changes to the Golden Globes eligibility rules, other awards bodies like the Academy Awards, will likely soon follow.
Deadline reports that the HFPA announced that it would be altering its rules for Golden Globe motion picture eligibility and screenings for this year, which would — for the first time in history — open up the films eligible for the top best picture prizes drama and musical/comedy to those that were first released on streaming services, cable, and broadcast TV. However, producers and studios must still prove they had a “bona fide theatrical release planned to begin in Los Angeles during the period from March 15 to April 30 2020.”
This is a change that would likely have come at some point anyway, with the rise of streaming platforms who have become awards heavy-hitters like Netflix, Amazon Video, and Hulu, but has been expedited by the coronavirus epidemic, which has forced the shuttering of theaters across the country and delayed film releases and productions.
“The HFPA’s reminders list committee will consider application of this suspension of the rules on a case-by-case basis when compiling the annual Golden Globe reminders list in the fall,” the HFPA says. “The HFPA will continue to assess the impact of the COVID-19 epidemic on motion picture and television distribution and exhibition and may extend these suspensions of the Golden Globe award rules and/or may make other temporary variations to those rules as it considers appropriate in the future.”
Exhibition requirements have been temporarily suspended, except for the rule that films must be released seven days prior to midnight on December 31 of the qualifying year. The HFPA has broadened eligible feature film release platforms — previously only pay-per-view services and theaters — to the alternate formats like streaming services, subscription cable channels, and broadcast TV. But this expansion opens up a whole host of questions: what does this mean for the Golden Globe categories dedicated to TV movies that are dominated by HBO? Could a film that premiered at a film festival but picked up by a cable channel now be...
The Television Academy is adjusting the eligibility and voting deadlines for this year’s Primetime Emmy calendar in response to concerns made by TV communication executives and awards strategists in the current coronavirus climate.
The dates for the Creative Emmy Awards and Primetime Emmy shows remain unchanged respectively on Sept. 12-13 and Sept. 20, and will only be moved should state and national safety directives deem them to be, should the coronavirus worsen.
This morning’s big changes involve the entry deadline moving close to four weeks from May 11 to June 5, and the Phase one voting period jumping from June 15-29 to July 2-13 with the new nominations announcement date being July 28 instead of July 14. The Phase one period thus shrinks from 15 days to 12 days.
Phase 2 voting, which was originally set for Aug 17-31, will start slightly later, and shave off four days, now occurring between Aug. 21-31.
Also being extended is the eligibility date for hanging episodes for regular series and limited series, as the TV Academy takes into account production and programming delays. Now, all hanging episodes must broadcast or post on an accessible platform by June 30, instead of May 31. Both regular and limited series must still premiere by the end of this year’s eligibility date which remains May 31. A minimum of six episodes continues to be required for a show to be qualified in the series category. A limited series in its entirety must air or post on a platform before June 30, and if it doesn’t, then the limited series will qualify in the 2020-2021 Emmy year.
Meanwhile, all TV Academy FYC events “whether with a live audience, streaming or recorded for posting on a viewing platform” per the org remain suspended for the current Emmy season.
In recent weeks, the TV Academy appeared to be standing firm on their original voting and eligibility dates. However, TV publicists and Emmy campaign strategists reportedly voiced their reservations about promoting too heavily and too soon, thus wanting to exercise a greater degree of sensitivity in a spring that’s been rocked by COVID-19: Many productions have shut down, leaving many out of work, and the whole atmosphere across the nation is rather dour as we all self quarantine. Emmy season has traditionally been decked with glam marketing, billboards, food trucks, stunt events, big DVD boxes and soirees. Earlier this year, to tame some of that, the TV Academy banned DVD mailers to voters, and in doing so, favored online screeners. The hope here with the TV Academy’s tweaking of the FYC calendar is that we’ll be on the other side of the curve in regards to coronavirus, and in a lighter-spirited environment. Between the entertainment capitals, New York City currently counts 23K COVID-19 cases and 365 deaths as of yesterday while Los Angeles counts 1,2K cases...
With large swathes of the population sitting at home, audiences have a chance to catch up on films that were released years ago and find new insights into their narrative. Recently, a fan who had been watching Suicide Squad with his family reached out to the film's director David Ayer to ask about the meaning behind the scene where the Joker is lying in the middle of a room lined with a circle of knives, guns, and baby clothes. Denying that the baby onesies were trophies after an infanticide spree on the part of the cackling psychopath, Ayer provided the following explanation for the scene instead.'No it's more innocent. Harley wanted a normal family with Joker hence the baby in her vision. I figured she would have endlessly pestered Mr. J about having a kid. So he had Mr. Frost buy some onesies. The circle represents how he sees Harley.'
The scene under discussion comes up early in the story. Harley Quinn, played by Margot Robbie, is locked up in Arkham, and we see Joker, played by Jared Leto, in his mansion mourning her absence. He has also shown to have drawn a grin across his face using a sharpie, which according to David Ayer, is because...'He was having a hard time smiling without Harley so gave himself some help with a sharpie.'
This introduction sets up the fact that this Joker is unlike any other live-action portrayal of the supervillain as a man who is missing his demon lover. The onesies we see lined up on the floor next to the Joker later make an appearance in the scene where the Enchantress offers Harley her heart's desire, and she imagines a life of domestic bliss with her beloved Mistah J, with their babies wearing the onesies.
How the circle of knives represents Harley in the mind of the Joker is up for debate. Perhaps he fears that his affection for Harley makes her dangerous to him, and thus views her as a circle of knives drawing closer, threatening to destroy him.
This sentiment of Joker being attracted towards Harley and simultaneously hating the fact that she has made him care for her is also played out in the scene where Harley willingly throws herself into a pit of acid on Joker's command. After trying to walk away from the whole thing, Joker almost unwillingly jumps in after her and rescues her, proving that she means more to him than he can bring himself to admit.
From his explanation, it is clear that Ayer had a solid backstory and reasoning behind the script for Suicide Squad, which unfortunately did not translate very well to the big screen. But now that James Gunn has taken over directorial duties on the sequel, there is a chance to see a Suicide Squad film that gets critical acclaim in addition to minting money at the box office. David Ayer on Twitter brings us this news.