|THE LAST JEDIJ.J. ABRAMSLAST JEDISURPRISE|
Star Wars: The Last Jedi and its incredible throne room scene remains burned in our minds, even three years after the polarizing film’s release. Now, as we sit twiddling our thumbs and scrolling through Twitter during our self-quarantines, The Last Jedi director Rian Johnson is dropping a few behind-the-scenes photos from that scene, as well as a sweet candid image of Carrie Fisher. See The Last Jedi behind the scenes photos below.The Last Jedi Behind The Scenes Photos
A few lovely ones from the archives spoilers I guess pic.twitter.com/HWgeFkI0qG
— Rian Johnson @rianjohnson March 19, 2020
Shot on Johnson’s Ilford 3200 camera, the black and white photos offer a few glimpses of what it was like behind-the-scenes of Star Wars: The Last Jedi. The third photo is a pretty funny one, showing Andy Serkis, who voiced and motion-capture performed the role of the villainous Supreme Leader Snoke, crying over a prop of Snoke’s bisected body after he had been killed by Kylo Ren Adam Driver. It may come as a bit of a surprise that Snoke’s body was actually a prop and not entirely digital, but we had actually learned this in our oral history of the throne room battle scene.
But while Serkis sheds fake tears over his character’s dead body, you may shed some real tears to see Carrie Fisher and Oscar Isaac who played the rogueish pilot Poe Dameron goofing around in the first image, which Johnson admits had “some funkyness happening with that,” but he liked how it came out nonetheless. It’s amazing that Johnson had time to snap these photos while he was busy directing a tentpole sci-fi film that would go on to rake in $1.3 billion worldwide, but hey, the Oscar-nominated filmmaker is a multi-tasker.
The Last Jedi images come right as the final film in the Skywalker Saga, Star Wars: The Rise of Skywalker, comes on digital and before it arrives in 4K Ultra HD, Blu-ray, and DVD on March 31.Source: Slashfilm.com
Quarantined viewers tuned into Saturday’s all-day, virtual ScreenCraft Screenwriting Summit were treated to a special surprise in the evening when filmmaker and TV titan J.J. Abrams crashed the party as the surprise special guest. He arrived just after his fellow “Star Wars” scribe Tony Gilroy “Rogue One” and the upcoming Cassian Andor series finished his conversation about the craft of screenwriting.
Abrams’ Q&A touched on a range of topics, from the origins of 2015’s “The Force Awakens” to scaling “the mountain,” as he called it, of writing a screenplay, and to the Golden Age of television happening now. It’s an era Abrams helped to launch with his ABC mystery series “Lost.” “I know my role in that. I’m not talking as if I had nothing to do with this,” he said.
“It’s the Golden Age of television, as they call it, even though I don’t know what television really is anymore,” Abrams said. “That’s because huge chances are being taken. Talent that might not have gotten the chance otherwise suddenly have the opportunity. For me, when I watch a show like ‘Atlanta,’ which takes the most spectacular risks in point of view, in genre, structure, and character […] every story has been told, it’s kind of all been done before,” remarking that the FX series tells its stories in unique ways.
Abrams also praised the Emmy-winning Prime Video series “Fleabag,” created by and starring Phoebe Waller-Bridge.
“You see ‘Fleabag’ and you’re like, well, yes, the fourth wall has been broken [before], but not like that,” he said, referring to the protagonist’s tendency to face the camera and address the audience. “Yes, there have been amazing love stories, and stories of family, but not like that. What I love is the thing that makes you feel like, ‘Oh my god, this is so amazingly specific.'”
Abrams pivoted to discussing Hollywood’s place in a moment dominated by streaming content with originality that far exceeds what’s being reproduced on the big screen. “Hollywood used to be a place where something would happen, there’d be a movie where people would see it and think ‘Oh my god, that’s amazing. Here’s my answer to that,’ or ‘here’s my version,'” he said.
“Hollywood has become a place where, for the most part, studios say, ‘Oh my god, that’s amazing. Let’s do that literally again.’ And that’s OK, and I think that will continue, but I really hope that all the writers who are here and others in the guild are as excited as I am about this new opportunity with streaming platforms. How many different stories are going to be...
Dua Lipa, Waxahatchee, Pearl Jam, and PARTYNEXTDOOR all put out new albums today, but did any of them “unite people in a pure way”? No, no they didn't. Not even Bob Dylan's 17-minute free-association song about the JFK assassination can compete with The Medicine, the new EP from musician/occasional actor Jeremy Renner.
“I've always found music to be one of the few things that unite people in a pure way,” the Marvel Cinematic Universe star Instagrammed. “Common ground can be hard to find in today's world, but music has remained a constant for me. To feel deeply, to dance fervently, and live together is more present now than ever.” Song titles include “Never Sorry” and “Every Woman,” which may or may not make you feel deeply, dance fervently, and live together, but you will question the lyric, “What's underneath that smile? / Your secrets drive me wild / It gets me every time / Take me on your magic carpet ride.”
The Jeremy Renner app had to die so The Medicine could live.
Every time I see Renner's irony-free Instagram handle, I think of Conner4Real from Popstar: Never Stop Never Stopping. Renner has already covered “Mmm Mmm Mmm Mmm” by Crash Test Dummies — why not “I'm So Humble” next?
Via Jeremy Renner on Instagram