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EXCLUSIVE: I hear that Oscar-winning Free Solo filmmakers Jimmy Chin and Chai Vasarhelyi have become attached to direct Universal and Cavalry Media’s feature about the 2018 Tham Luang cave rescue in Thailand.
Midway screenwriter and scribe of USA Network’s Colony, Wes Tooke, is currently writing the screenplay about the Wild Boar boys soccer team, aged 11-16, who became trapped 1,000 meters below the surface with their coach by monsoon rains. They were ultimately rescued over the course of three days from July 8-10 in 2018. The risks of the harrowing rescue were underscored on July 6 when a retired Thai Navy SEAL died in an underwater passage, followed by three SEALs who were hospitalized after their oxygen tanks ran low.
Dana Brunetti and Matt DelPiano are producing under their Cavalry Media banner. Michael De Luca, who produced 6x Oscar nominee including Best Picture Captain Phillips, 3x Oscar winner The Social Network and the billion-dollar-plus grossing Universal franchise Fifty Shades of Grey with Brunetti, is serving as EP on the Thai Cave rescue project. De Luca stepped into his new job as Motion Picture Group chairman at MGM last month.
Brunetti and De Luca’s Sony production Captain Phillips, directed by Paul Greengrass, was also based on another real-life hero story entrenched in a perilous situation that made headlines, specifically Captain Richard Phillips who faced off with Somali pirates in 2009 after they hijacked the U.S. flagged MV Maersk Alabama cargo ship he was steering. That movie went on to gross close to $219M at the WW box office and was nominated for six Oscars including Best Picture. DelPiano, a former CAA vet who came to Cavalry to launch their management arm a year ago, collaborated with Brunetti to secure the life rights of Richard Phillips for Sony.
Chin and Vasarhelyi won Best Feature Documentary at last year’s Oscars for their film Free Solo which follows rock climber Alex Honnold as he free solo climbs the vertical rock formation El Capitan in Yosemite National Park. The National Geographic movie also centers around the production crew’s process in discussing the hurdles in endangering or distracting Honnold as he embarks on his climb. The film was a great hit for a documentary in 2018, grossing over $17.5M stateside, and $29.3M WW. Free Solo went on to win 6 Primetime Emmys including Chin and Vasarhelyi notching outstanding director for a doc/non-fiction program. Free Solo also won Best Documentary at the BAFTAs among many other accolades.
Chin and Vasarhelyi are represented by WME; Tooke is represented by Kaplan/Perrone Entertainment.
With most major releases indefinitely delayed, film festivals postponed, and studios dropping their theatrical releases on digital left and right due to the coronavirus COVID-19 crisis, awards season is going to look very different by the time it rolls around in the fall. And no, it won’t be Bloodshot and Sonic the Hedgehog gunning for best picture, as many online have joked.
The Hollywood Foreign Press Association is making significant changes to its long-standing rules for the Golden Globes awards eligibility that expands the formats where an eligible film can be first released, including subscription streaming services, subscription cable channels, and broadcast TV. With these changes to the Golden Globes eligibility rules, other awards bodies like the Academy Awards, will likely soon follow.
Deadline reports that the HFPA announced that it would be altering its rules for Golden Globe motion picture eligibility and screenings for this year, which would — for the first time in history — open up the films eligible for the top best picture prizes drama and musical/comedy to those that were first released on streaming services, cable, and broadcast TV. However, producers and studios must still prove they had a “bona fide theatrical release planned to begin in Los Angeles during the period from March 15 to April 30 2020.”
This is a change that would likely have come at some point anyway, with the rise of streaming platforms who have become awards heavy-hitters like Netflix, Amazon Video, and Hulu, but has been expedited by the coronavirus epidemic, which has forced the shuttering of theaters across the country and delayed film releases and productions.
“The HFPA’s reminders list committee will consider application of this suspension of the rules on a case-by-case basis when compiling the annual Golden Globe reminders list in the fall,” the HFPA says. “The HFPA will continue to assess the impact of the COVID-19 epidemic on motion picture and television distribution and exhibition and may extend these suspensions of the Golden Globe award rules and/or may make other temporary variations to those rules as it considers appropriate in the future.”
Exhibition requirements have been temporarily suspended, except for the rule that films must be released seven days prior to midnight on December 31 of the qualifying year. The HFPA has broadened eligible feature film release platforms — previously only pay-per-view services and theaters — to the alternate formats like streaming services, subscription cable channels, and broadcast TV. But this expansion opens up a whole host of questions: what does this mean for the Golden Globe categories dedicated to TV movies that are dominated by HBO? Could a film that premiered at a film festival but picked up by a cable channel now be...