|THE END OF THE F***ING WORLDEND OF THE F***ING WORLDTHIS WEEKSEASON 2NETFLIX|
Sure, let’s try this again! A new Power Rangers reboot is in the works at Paramount, with Jonathan Entwistle, creator of Netflix’s The End of the F***ing World, in talks to direct. The Power Rangers hit the big screen again with a semi-serious 2017 reboot, which featured Elizabeth Banks hamming it up big time. While that film received better-than-expected reviews, it bombed at the box office.
THR has the scoop: another Power Rangers reboot is on the way. The previous Power Rangers movie came from Lionsgate, but this new incarnation is the property of Paramount. The new take apparently involves “a time travel element that brings the kids to the 1990s, and in Back to the Future fashion, they have to find a way to get back to their present.” Peter Rabbit 2 writer Patrick Burleigh is handling the script, and Jonathan Entwistle is wanted to direct.
Bringing Entwistle on board is certainly an unexpected choice, so maybe he’ll shake things up. In any case, I doubt the Power Rangers movie will end up being as dark as End of the F***ing World – Paramount wants to draw in wide audiences, and they want franchise potential – because that’s the name of the game.
Power Rangers began its life as repurposed footage from the Japanese TV series Super Sentai. It eventually blossomed into an entire franchise, featuring stories about ordinary teens who end up being recruited to become the Power Rangers, superheroes “able to use special powers and pilot immense assault machines, called Zords.”
The first big-screen adventure for the characters was Mighty Morphin Power Rangers: The Movie, released in 1995. Then came 1997’s Turbo: A Power Rangers Movie. The franchise received a reboot in the form of 2017’s Power Rangers, in which “five ordinary teens must become something extraordinary when they learn that their small town of Angel Grove – and the world – is on the verge of being obliterated by an alien threat. Chosen by destiny, our heroes quickly discover they are the only ones who can save the planet. But to do so, they will have to overcome their real-life issues and before it’s too late, band together as the Power Rangers.”
The 2017 film featured Bill Hader, Bryan Cranston, and Elizabeth Banks, and I’m not going to lie: I kind of enjoyed it. I was never a big Power Rangers fan to begin with, so I had zero baggage with the 2017 film. While I wouldn’t go so far as to call it a good movie, I’d say it was fairly entertaining, mostly for Elizabeth Banks’ over-the-top performance as Rita Repulsa.
Alas, the 2017 film only grossed $142 million worldwide against a budget of $105 million, which qualifies it as a box office failure. But Hollywood refuses to let any franchise stay dead, and...
EXCLUSIVE: Grace and Frankie may have suspended production on its seventh and final season because of the coronavirus crisis, but the Emmy nominated Netflix comedy is back this week with a special live treat for fans and a spotlight on seniors in need during these troubled times.
The Jane Fonda and Lily Tomlin-led series will be having an online table read this Thursday to help Meals On Wheels COVID-19 relief program, I've learned – though you can make donations right now via the link here.
While other shows have taken a similar digital approach in recent weeks, the long running Marta Kauffman and Howard J. Morris showrun series is adding some originality. The April 9 presentation will feature an episode from the yet unaired seventh season, as well as a live Q&A afterwards moderated by Kauffman.
Along with Oscar winner Fonda and Oscar nominee Tomlin, fellow G&F cast members Sam Waterston, Martin Sheen, June Diane Raphael, Brooklyn Decker, Baron Vaughn and Ethan Embry will be participating in the reading of the Kauffman and Morris-penned “The Fallout” episode on Thursday.
Starting at 5 PM PT/8 PM ET, the whole shindig can be seen live and direct on the Netflix is a Joke YouTube page LINK HERE on April 9.
“While we’re sitting here afraid, unsure and isolated, we wanted to come together and do some good,” Kauffman told me of the decision to take the show online in a new form and with a peek into the future.”
“All we’ve got is time on our hands and technology at our fingertips,” the Friends co-creator added as production on Season 7 was temporarily suspended late on March 12 as restrictions on large gatherings tighten in the City of Angels. “So we decided to use both of those assets to raise money for Meals on Wheels, which brings food to food-insecure and isolated seniors. They are among our most vulnerable right now and need our help.”
“Our cast is all in and super excited,” Okay Goodnight founder Kauffman also says of her superstar packed team. “And Netflix and Skydance have been particularly supportive. As far as giving the fans a peek into Season 7, we figured more people would tune in to new content and it would, hopefully, be a draw for fans of Grace and Frankie. The hope is: more eyes, more money raised for Meals on Wheels.”
Produced by Skydance Television, which launched in 2013, Grace And Frankie was one of the first original series for Netflix. Though in a pause period right now, like everyone else in Tinseltown the seventh and final season is still set to premiere next year, which will make the series the longest running comedy in the streamer's history.
As of last night, there are 6360 confirmed case of the coronavirus in L.A. County and 147 deaths....
Fox has ordered a second season of its animated family comedy Duncanville for 2021-2022. The series hails from Amy Poehler and her Paper Kite Productions, The Simpsons veteran Mike Scully and his wife, former Simpsons writer-producer Julie Scully, 20th Century Fox TV and Universal TV.
Your Complete Guide to Pilots and Straight-to-Series ordersSee All
Duncanville joins fellow Fox freshman animated series Bless the Harts, which also has already been renewed for a second season.
The network has been ramping up its animated portfolio over the past two years and currently has five series on the air, veterans The Simpsons, Family Guy and Bob’s Burgers, and newcomers Bless the Harts and Duncanville, with two more, Housebroken and The Great North, set to join the lineup next season. Animation is one film/TV area that is still going during the pandemic-related Hollywood shutdown, with production done remotely, so work can be done on current seasons as well orders for next season.
“Duncanville is another great addition to our Sunday Animation Domination block,” said Michael Thorn, President of Entertainment, Fox Entertainment. “Amy, Mike and Julie have been fantastic partners, as have the teams at 20th and Universal Television. Our thanks also go out to the entire voice cast, including Ty, Ricki, Betsy, Yassir, Zach, Joy, Rashida and Wiz. Duncan may be an average teen. However, the show is anything but, and we can't wait for a brand-new season of Harris family adventures.”
Duncanville has been a soft linear performer, with its Live+Same day rating deliveries among the lowest for a Fox series this season, but it has done well on digital. Season-to-date, Duncanville averages 2.3 million multiplatform viewers and is Fox's most-streamed new comedy this season, Its premiere is Fox's most-streamed animated debut on record 7-day average.
The series follows a spectacularly average 15-year-old boy, voiced by Poehler, with a rich fantasy life, and the people in his world. Duncan can see adulthood on the horizon: money, freedom, cars, girls...but the reality is more like: always being broke, driving with your mom sitting shotgun and babysitting your little sister. He's not exceptional, but he has a wild imagination in which he's never anything less than amazing. Poehler also voices Duncan's mother, Annie, and Ty Burrell voices Duncan's father, Jack. Featured voices also include Riki Lindhome, Betsy Sodaro, Yassir Lester and Zach Cherry, as well as guest voices Rashida Jones, Wiz Khalifa and Joy Osmanski.
Produced by 20th Century Fox Television, Universal Television and Fox Entertainment, Duncanville was co-created by the Scullys and Poehler, through her Paper...
SPOILER ALERT: If you are among the few who haven’t actually watched Netflix’s Tiger King docuseries, this review contains a lot of details about what goes down in the sad big cat saga.
With Netflix poised in the coming days to cash in and crank the base up a notch with more Tiger King, it's time to come out and say it: I hate the Red State porn that is the crash and burn of Joe Exotic
The initial seven episodes of this septic and shallow patchwork of trademark infringement, sex, guns, labor exploitation, song, drugs, mullets, betrayal, animal activism, revenge, and a lot of big cats may be much binged over these weeks of coronavirus lockdown, but that doesn't mean it's actually worth watching.
Now, I get it, I sound like I'm just a dour critic who hates anything that isn't prestige premium cable or aspirational. C'mon man, you want to say, Tiger King: Murder, Mayhem and Madness is just so unbelievable, I can't look away.
I respectfully disagree, and in fact, propose Tiger King isn't just bad, but dangerous in a divided America persistently looking to reduce the other side to caricature.
In a presently ailing nation where TV is more voluminous and vital than ever, the truth is the March 20 launched Tiger King is a clawed white trash misery index. Gawking at some clearly fragile and damaged people like would-be reality TV star Exotic and their below the Mason-Dixon line antics, the series subsequently provides a cultural circus for those smug bicoastals under stay at home orders and screaming to rise up in moral superiority.
Essentially, the tale of big cat collector, self-styled Oklahoma zoo proprietor and 2016 Presidential candidate Exotic AKA Joseph Maldonado-Passage and his ultimately unsuccessful attempt to have rival Carole Baskin knocked off by a hitman hired for $3,000, Tiger King is in that context more a zero-sum game, literally and figuratively, than hitting the zeitgeist.
Obviously, Netflix are pretty damn good at gauging and dragging the public mood over the years, as the likes of the then phenomenon of 2015's Making A Murderer or 2018’s Wild Wild Country prove. Yet, for all the attention it has drawn, this unfocused murder for hire exploration of sorts emerges as a bastard child of Cops, a million Dateline segments from the 1990s and Fox’s short-lived Murder in Small Town X reality show from 2001.
Not exactly the prestige product that the home of Roma, The Irishman and American Factory likes to brag about at award shows. Then again, with the knowledge that the Romans sold out the Colosseum every night feeding Christians to the lions, the bottom line based House of Hastings surely loves the subscription sign up that the currently incarcerated Maldonado-Passage and the accompanying motley gaggle of...