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Sad news for dog lovers is coming in today as it's now being reported that another beloved television animal has passed away. Odin the Northern Inuit, the dog seen by millions of Game of Thrones fans across the world when he played Bran Stark's pet direwolf Summer in the very first episode of the hit HBO series, died this week after battling mouth cancer for the past several months. According to his owners, Odin had spent his final days with his family taking walks on the beach and dining on his favorite foods, dying at the age of ten this week when his health took a turn for the worse.
In a social media post confirming Odin's passing, his owners state they adopted the Inuit when he was just a 7-week-old puppy, spending the next ten years with the television dog as a very important part of the family. 'Odin's passing marks the end of a decade and the end of an era as he taught our friends and family a lot of lessons about life for one dog he has more stories to tell than some people would,' they explain on Instagram. Adding that we can all 'take great comfort in knowing that he is forever immortalised' on Game of Thrones, the owners also note: 'It's an incredible piece of luck to have a pet you love so well become world famous and touch so many people's hearts.'
Longtime Game of Thrones fans might remember when Ned Stark Sean Bean adopted orphaned direwolf puppies for each of his five children: Grey Wind for Robb Richard Madden, Lady for Sansa Sophie Turner, Nymeria for Arya Maisie Williams, Summer for Bran Isaac Hempstead Wright, and Shaggydog for Rickon Art Parkinson. Ned's illegitimate son Jon Snow Kit Harington adopted another direwolf puppy named Ghost for himself as well. Following the appearances of the direwolves as puppies in season one, CGI would later be used to create the larger adult versions of the animals in later seasons.
Recently, we lost another famous television dog as well, as Modern Family's bulldog Stellapassed away just days after the series wrapped filming its final episode. Last year also saw the deaths of the animal actors who played the beloved pet dogs on the comedy shows Brooklyn Nine-Nine and Fuller House. Needless to say, it's been a bit rough lately for dog lovers, so let's hope our other favorite pets from television stay safe with no new casualties for a long, long time.
Following Odin's cancer diagnosis, HBO also did their part in caring for the Game of Thrones star by helping to raise funds to pay for his ongoing medical treatment; Odin's family says the leftover funds after paying for the vet bill will be donated to animal charities. Though the dog was unfortunately unable to be saved, his top-notch medical treatment and the quality care from his owners went a long way in making his final days on Earth as comfortable and happy as they could possibly be for the world-famous pet. Rest in peace, sweet Odin - you were a very good boy. This news comes to us from...
EXCLUSIVE: Oscar conversations around town bring differing opinions about what might win in an exceptional year for auteur cinema. It was surprising how many people add: boy would it be nice to see Martin Scorsese get an Oscar for his final mob epic, The Irishman. Sure he won for The Departed, but he got robbed on Taxi Driver, Goodfellas, Raging Bull and Casino, those epics with Robert De Niro.
Scorsese shared with Deadline moments from those film collaborations with De Niro. Most know the hardship this film went through after De Niro and Scorsese decided to scrap a Paramount greenlit adaptation of the Don Winslow novel The Winter of Frankie Machine to instead make the film about union leader/hitman Frank Sheeran's deathbed regret over crimes that included the murder of his best friend, Teamsters leader Jimmy Hoffa. The Irishman allowed Scorsese and De Niro to focus on the regret and guilt that few mobsters in his earlier films conveyed.
Because it spanned decades, no studio would step up for the de-aging technology that pushed its budget to $160 million, until Netflix embraced it. What is surprising here is how much of a struggle they encountered on every movie Scorsese and De Niro made together.
DEADLINE: A documentary on fellow New York director Sidney Lumet traced how his filmmaking path was forged by watching soldiers pull a young girl on to a train to sexually abuse her, and when it was clear he might not survive an attempt to stop it, he did nothing. The guilt pressed Lumet to make movies about men who summon the courage to stand up for what is right no matter the cost, like in 12 Angry Men. I watched your films, from Silence to Mean Streets and wondered; what events in your own life informed the depictions of guilt, faith, and cowardice of the imperfect male characters in these films? Like the interpreter in Silence who asks for confession to forgive his latest betrayal, knowing full well he's going to do it again the next time he needs to save his own skin. All this began with the relationship between Harvey Keitel and De Niro's characters in Mean Streets.
MARTIN SCORSESE: But that character in Silence, he's really going to try not to [repeat the sin.] That's a difference. He says, I will pray to be stronger. I promise I'll be stronger. It's his condition. It's the human condition and that's such a complicated question. There are so many things I saw growing up...grown men in a male dominated world. There were good, hardworking, decent guys but there were many people around who had money in the street, as they say, and who were involved in real street corner underworld activity. Just thugs, but a lot of those thugs I basically knew as people first. I was eight years old.
Some were nice, some weren't. The ones who weren't, you...
Less than a week after Netflix and Ava DuVernay were sued by an ex-prosecutor depicted in When They See Us, the undoubtedly happy duo today saw a federal judge dismiss a previous lawsuit over the Emmy winning miniseries.
“Because the First Amendment protects non-factual assertions and because neither defendants Ava DuVernay nor Array Alliance Inc. has sufficient minimum contacts with the State of Illinois to justify haling them into court here, Reid’s complaint is dismissed,” wrote U.S. District Court Judge Manish Shah on Monday read the order here. This ends an action started back in October last year by John E. Reid & Associates over their trademark controversial interrogation technique.
Not that Judge Shah let it end there.
“If the technique is as widely used as Reid says it is, the effect of the criticism has been felt well beyond Illinois’s borders,” the Northern District of Illinois Eastern Division official noted. “To find that DuVernay should be haled into court here because she criticized a process sold by a company that happens to be located in Illinois would be to offend traditional notions of fair play and substantial justice.”
To further that point, in a corresponding document, the court declared that the judgement in the midwest-based civil case is “in favor of defendants Netflix, Inc., Ava DuVernay, and Array Alliance, Inc., and against plaintiff John E. Reid and Associates, Inc.”
All of which means, this legal grilling of the streamer and the creative force behind the four-parter about the five young men falsely accused of brutally raping and beating a Central Park female jogger in 1989 is DOA as of today.
In the weeks after WTSU's Jharrel Jerome picked up his Primetime Emmy for Outstanding Lead Actor in a Limited Series or Movie, the Illinois set-John E. Reid & Associates took DuVernay, her ARRAY shingle and Netflix to court over a line in the series calling the company's once widely used technique as “universally rejected.” The plaintiffs wanted unspecified widespread damages and profits and they also sought to have the June 12, 2019 launching and critically acclaimed miniseries taken off the streamer globally until the offending line in the fourth episode was omitted or changed.
Rejecting that premise and desire, the streamer and the director said in paperwork of their own last November that the matter should be terminated – and now it is.
Still, one down and one to go as Netflix and DuVernay were sued on March 18 by former Manhattan Assistant D.A. Linda Fairstein for defamation. “Linda Fairstein's frivolous lawsuit is without merit,” a spokesperson for the streamer said last week.
In the case of the now over Reid & Associates case,...
With most major releases indefinitely delayed, film festivals postponed, and studios dropping their theatrical releases on digital left and right due to the coronavirus COVID-19 crisis, awards season is going to look very different by the time it rolls around in the fall. And no, it won’t be Bloodshot and Sonic the Hedgehog gunning for best picture, as many online have joked.
The Hollywood Foreign Press Association is making significant changes to its long-standing rules for the Golden Globes awards eligibility that expands the formats where an eligible film can be first released, including subscription streaming services, subscription cable channels, and broadcast TV. With these changes to the Golden Globes eligibility rules, other awards bodies like the Academy Awards, will likely soon follow.
Deadline reports that the HFPA announced that it would be altering its rules for Golden Globe motion picture eligibility and screenings for this year, which would — for the first time in history — open up the films eligible for the top best picture prizes drama and musical/comedy to those that were first released on streaming services, cable, and broadcast TV. However, producers and studios must still prove they had a “bona fide theatrical release planned to begin in Los Angeles during the period from March 15 to April 30 2020.”
This is a change that would likely have come at some point anyway, with the rise of streaming platforms who have become awards heavy-hitters like Netflix, Amazon Video, and Hulu, but has been expedited by the coronavirus epidemic, which has forced the shuttering of theaters across the country and delayed film releases and productions.
“The HFPA’s reminders list committee will consider application of this suspension of the rules on a case-by-case basis when compiling the annual Golden Globe reminders list in the fall,” the HFPA says. “The HFPA will continue to assess the impact of the COVID-19 epidemic on motion picture and television distribution and exhibition and may extend these suspensions of the Golden Globe award rules and/or may make other temporary variations to those rules as it considers appropriate in the future.”
Exhibition requirements have been temporarily suspended, except for the rule that films must be released seven days prior to midnight on December 31 of the qualifying year. The HFPA has broadened eligible feature film release platforms — previously only pay-per-view services and theaters — to the alternate formats like streaming services, subscription cable channels, and broadcast TV. But this expansion opens up a whole host of questions: what does this mean for the Golden Globe categories dedicated to TV movies that are dominated by HBO? Could a film that premiered at a film festival but picked up by a cable channel now be...