|THE IRISHMANGEMINI MANGEMINI MAIRISHMANACTOR|
Meanwhile six-time nominee 'Little Women' only won one award, for costume design, in an awards ceremony that featured numerous onstage comments praising the work of female directors.
The 2020 Oscars marked another disappointing awards ceremony for the team behind Netflix's Martin Scorsese-directed mob drama, The Irishman. After being shut out at the Golden Globes and Screen Actors Guild Awards, the epic, decade-spanning and decade-in-the-making story starring Robert De Niro and Oscar nominees Al Pacino and Joe Pesci failed to win any of the 10 Oscars for which it was nominated.
Still, Scorsese got a few shout-outs from the stage, with Chris Rock and Steve Martin mentioning the film and the director in their monologue and best director winner Bong Joon Ho taking a minute to note how, as an aspiring director, he was particularly inspired by Scorsese, comments that prompted the Academy Awards audience to give Scorsese a standing ovation.
Meanwhile, other top nominees had a relatively disappointing night, with six-time nominees Jojo Rabbit, Marriage Story and Little Women only taking home one award each. Little Women's prize was arguably the lowest profile award of those one by Jojo Rabbit and Marriage Story, only taking home the prize for best costume design. It's poor showing was somewhat ironic given that a theme throughout the show was praising the work of female directors, like Little Women helmer Greta Gerwig, despite the fact that none were nominated for best director again this year. Jojo Rabbit won best adapted screenplay while Marriage Story's Laura Dern won the best supporting actress award she was expected to take home
While Once Upon A Time in Hollywood won two awards, for production design and best supporting actor Brad Pitt, writer-director-producer Quentin Tarantino didn't win any of the awards for which he was nominated including high-profile prizes best original screenplay, best director and best picture.
Similarly, 11-time nominee Joker only won two awards, for best score and best actor Joaquin Phoenix, high-profile victories but a significant drop, numbers-wise, from its leading spot among nominated films.
Also while Parasite was predicted to do well at the 2020 Oscars, with the best picture race shaping up as a battle between the Bong Joon Ho film and Sam Mendes' 1917, many pundits expected 1917 to win best picture or for Mendes to win best director, if not both, particularly after 1917 won the top prizes at the BAFTA Awards last week, in the middle of Oscar voting, after winning the top prizes at the DGA Awards and PGA Awards. And while 1917 won three awards, all were in technical categories.
Other multiple Oscar nominees that were shut out included Harriet and The Two Popes.
Source: Hollywood Reporter
Gemini Man, in which Will Smith comes face to face with a de-aged clone of himself, was made from a ’90s script originally meant for Tony Scott. At some point, it was saddled with mid-2000s military politics and anxieties — a la the Bourne films — until eventually, Ang Lee got his hands on it, turning it into a futuristic visual experiment. Like Lee’s previous film, the contained war drama Billy Lynn’s Long Halftime Walk 2016, Gemini Man was shot at 120 frames per second, and was projected as such on the handful of screens that could accommodate it.
Unfortunately, not a single screen could show the film exactly as Lee had intended — at 120fps, in 3D, and at a 4K resolution — which is a shame, given that Lee is one of the most visually interesting filmmakers working in Hollywood. But does his use of “HFR” High Frame Rate actually work? Well, not exactly. I’m not sure a narrative film shot at 120fps can work, barring very specific circumstances. However, the conversation about Lee’s use of technology, and the kinds of stories he applies them to, is worth having.
First, a brief primer: What does 120fps mean?
Movies are generally shot and projected at 24 fps at least on film; it’s 23.976 on most digital cameras, which means ~24 still images are projected in quick succession, within the span of a second, to create the illusion of one continuous moving picture. At five times the frame rate, you lose the motion blur between frames, which helps approximate the vision of the human eye. Without it, things begin to look a little too smooth, almost like they’ve been sped up. You may have seen this effect on televisions in shop windows, which are usually calibrated to show off their sharpness. You can probably experiment with a similar effect at home by turning the “motion smooth” option on your TV on and off things not shot at higher frame rates will have the gaps filled by “guess frames”.
Most people’s first exposure to any HFR footage was The Hobbit: An Unexpected Journey 2012. Even its mere 48fps was enough to occasionally expose the seams of the makeup, sets and costumes; generally, HFR has the effect of exposing the artifice of cinema. Unfortunately, there aren’t too many side-by-side comparisons of 120fps video on the internet; if you’re reading this on a phone or laptop, your screen probably can’t handle more than 60fps, and neither can YouTube. Most HFR showings of Gemini Man were in 60fps to begin with only fourteen screens across the U.S. played it at the full 120fps; for a comparison of different viewing experiences, do read Bilge Ebiri.
So, to illustrate just some the effect created by HFR, here’s the trailer for Gemini Man in 24fps, followed by the same trailer at 60fps:
Can you spot the difference? The 120fps version of the...
He also played the police chief in 'Beverly Hills Cop II' and mogul Louis B. Mayer in 'Gable and Lombard.'
Allen Garfield, the New Jersey character actor who specialized in playing nervous types while appearing in such films as The Conversation, The Candidate, The Stunt Man and Nashville, has died. He was 80.
His sister, Lois Goorwitz, confirmed his death in a brief conversation with The Hollywood Reporter.
Earlier, actress Ronee Blakley posted the news of Garfield's death on Facebook, saying that he had died Tuesday and that the cause was COVID-19. Garfield and Blakley played husband and wife in Robert Altman's Nashville 1975.
Garfield suffered a stroke as he was set to appear in Roman Polanski's The Ninth Gate 1999, then suffered another one in 2004 that led him to reside at the Motion Picture Country Home and Hospital in Woodland Hills. A spokeswoman for the MPTF facility did not know if Garfield was there at the time of his death.
Born Allen Goorwitz on Nov. 22, 1939, in Newark, he went by his real name in several films, including The Brink's Job 1978 and One From the Heart 1981, midway through his career.
Garfield boxed as an amateur, worked as a sportswriter and studied with Lee Strasberg and Elia Kazan at the Actors Studio in New York. He appeared often onstage before making his film debut in Orgy Girls '69, followed by other big-screen appearances in 1971 in Woody Allen's Bananas and The Organization, starring Sidney Poitier.
Often playing jumpy types, he worked for Francis Ford Coppola in The Conversation 1974 and The Cotton Club 1984 and for Wim Wenders in A State of Things 1982 and Until the End of the World 1991.
He also portrayed Louis B. Mayer in Gable and Lombard 1976 and police chief Harold Lutz in Beverly Hills Cop II 1987, and his résumé also included roles in Teachers 1984, Desert Bloom 1986, Dick Tracy 1990, Destiny Turns on the Radio 1995 and The Majestic 2001.
"The reason I didChief Zabu is that Allen Garfield is from the Actors Studio, I'm from the Actors Studio, and we worked together there on stuff," actress Marianna Hill said in a 2016 interview with Shaun Chang for the Hill Place blog. "Allen Garfield happens to be a great actor. He's a really underrated actor. Allen was the hardest-working actor, but nobody realizes that about him because he seems to be a natural."
Source: Hollywood Reporter