The Morning Watch is a recurring feature that highlights a handful of noteworthy videos from around the web. They could be video essays, fanmade productions, featurettes, short films, hilarious sketches, or just anything that has to do with our favorite movies and TV shows.
In this edition, an explosive engineer and special effects expert review some big explosions from movies like The Dark Knight, Rush Hour, Desperado and more. Plus, check out a visual effects breakdown from the award-winning HBO miniseries Chernobyl, and listen as Guy Pearce breaks down some of his most memorable roles, including Memento, Iron Man 3 and more.
First up, Vanity Fair had explosives engineer and professor Paul Worsey and special effects supervisor Tassilo Baur take a look at explosion scenes from movies to analyze them from both an engineering perspective and a filmmaking perspective. For example, did you know that shrapnel and frag are two different kinds of explosive debris used in grenades? Find out more interesting facts as they look at The Dark Knight, Rush Hour, Desperado, Batman Returns and more.
Next up, DNEG walks us through the visual effects work they did on the HBO series Chernobyl. The VFX supervisor Max Dennison guides us through some of the 550 shots they created for the series, including the design of the reactor #4 building inside and out, developing complex destruction and smoke simulations, creating CG vehicles like cars and helicopters, and animating crowds.
Finally, Guy Pearce can currently be seen in Bloodshot coming soon to VOD far ahead of the usual schedule, so he sat down with GQ to look back at some of his most memorable characters. Listen as he reminisces about starring in The Adventures of Priscilla, Queen of the Desert, Christopher Nolan’s Memento, LA Confidential, The Hurt Locker, Iron Man 3, Prometheus, and more.
Quarantined viewers tuned into Saturday’s all-day, virtual ScreenCraft Screenwriting Summit were treated to a special surprise in the evening when filmmaker and TV titan J.J. Abrams crashed the party as the surprise special guest. He arrived just after his fellow “Star Wars” scribe Tony Gilroy “Rogue One” and the upcoming Cassian Andor series finished his conversation about the craft of screenwriting.
Abrams’ Q&A touched on a range of topics, from the origins of 2015’s “The Force Awakens” to scaling “the mountain,” as he called it, of writing a screenplay, and to the Golden Age of television happening now. It’s an era Abrams helped to launch with his ABC mystery series “Lost.” “I know my role in that. I’m not talking as if I had nothing to do with this,” he said.
“It’s the Golden Age of television, as they call it, even though I don’t know what television really is anymore,” Abrams said. “That’s because huge chances are being taken. Talent that might not have gotten the chance otherwise suddenly have the opportunity. For me, when I watch a show like ‘Atlanta,’ which takes the most spectacular risks in point of view, in genre, structure, and character […] every story has been told, it’s kind of all been done before,” remarking that the FX series tells its stories in unique ways.
Abrams also praised the Emmy-winning Prime Video series “Fleabag,” created by and starring Phoebe Waller-Bridge.
“You see ‘Fleabag’ and you’re like, well, yes, the fourth wall has been broken [before], but not like that,” he said, referring to the protagonist’s tendency to face the camera and address the audience. “Yes, there have been amazing love stories, and stories of family, but not like that. What I love is the thing that makes you feel like, ‘Oh my god, this is so amazingly specific.'”
Abrams pivoted to discussing Hollywood’s place in a moment dominated by streaming content with originality that far exceeds what’s being reproduced on the big screen. “Hollywood used to be a place where something would happen, there’d be a movie where people would see it and think ‘Oh my god, that’s amazing. Here’s my answer to that,’ or ‘here’s my version,'” he said.
“Hollywood has become a place where, for the most part, studios say, ‘Oh my god, that’s amazing. Let’s do that literally again.’ And that’s OK, and I think that will continue, but I really hope that all the writers who are here and others in the guild are as excited as I am about this new opportunity with streaming platforms. How many different stories are going to be...