|ONCE UPON A TIME IN HOLLYWOODQUENTIN TARANTINOONCE UPON A TIMEHOLLYWOODTARANTINOCLIP|
“Once Upon a Time in Hollywood” might be a getting a novelization courtesy of Quentin Tarantino. The director revealed on the latest “Pure Cinema Podcast” episode that he’s currently eyeing a novel adaptation of his 10-time Oscar nominee. Tarantino said to the podcast hosts, “I hadn’t thought about that until recently. But now I’m thinking a lot about it. I might be writing a novelization to ‘Once Upon a Time in Hollywood.'” Sony Pictures released “Hollywood” last summer to rave reviews and $374 million worldwide, a big haul for an original adult drama. The film stars Leonardo DiCaprio and Brad Pitt as a television actor and his stuntman struggling to adapt to changing Hollywood in 1969. Margot Robbie appears as Sharon Tate. The film won Oscars for Best Supporting Actor Pitt and Best Production Design.
Whether or not Tarantino moves forward with a novelization of “Once Upon a Time in Hollywood,” it appears likely fans will be getting some kind of supplemental version of his 2019 drama. The director has been vocal about leaving several scenes and characters on the cutting room floor, and he told IndieWire after the film debuted at Cannes that his assembly cut of the film ran over the four-hour mark. Brad Pitt said last September Tarantino was eyeing a miniseries release of “Hollywood” that would put back the deleted scenes.
“Once Upon a Time in Hollywood” marked the ninth feature of Tarantino’s career, making it his penultimate effort should he stick with his current plan to retire from feature filmmaking after his 10th movie. Tarantino has expressed interest in moving to other artistic mediums such as plays and books, so a “Hollywood” novelization would make sense for the director. Tarantino said last fall he was also planning to write a novel about a World War II veteran jaded by Hollywood movies.
“I've got this character who had been in World War II and he saw a lot of bloodshed there and now he's back home, and it's like the '50s, and he doesn't respond to movies anymore,” Tarantino said. “He finds them juvenile after everything that he's been through. As far as he's concerned, Hollywood movies are movies. And so then, all of a sudden, he starts hearing about these foreign movies by Kurosawa and Fellini. And so he's like, 'Well, maybe they might have something more than this phony Hollywood stuff.’”
There’s clearly books in Tarantino’s future. The director has not announced any plans for a follow-up movie to “Once Upon a Time in Hollywood.” The movie is available to watch on VOD and home video.
Before the Marvel Cinematic Universe was even a thing — heck, before X-Men and Spider-Man kicked off the current age of superhero blockbusters — Quentin Tarantino had his heart set on making a Luke Cage film. Though it never happened, the director revealed on a podcast that he had grand plans for one of his favorite comic book heroes and even had a specific actor in mind for the titular role.
The prolific writer/director appeared on Amy Schumer’s podcast via The Guardian and explained that he wanted to make a Luke Cage movie between his directorial debut Reservoir Dogs and Pulp Fiction. He also explained how that choice caused him to abandon the project after his friends constantly badgered him to choose a different lead.
“Growing up I was a big comic-book collector, and my two favourite [comic books] were Luke Cage: Hero for Hire, later Luke Cage: Power Man, and Shang-Chi: Master of Kung Fu.
“What dissuaded me … was my comic-geek friends talked me out of it,” Tarantino went on. “Because I had an idea that Larry Fishburne would’ve been the perfect guy to play Luke Cage. But all my friends were like, ‘It’s got to be Wesley Snipes.’ And I go, ‘Look, I like Wesley Snipes, but Larry Fishburne is practically Marlon Brando. I think Fish is the man.’ And they’re like, ‘Yeah, but he’d have to get in shape in a big way. Snipes is that way already!’ And I go, ‘F*ck that! That’s not that important! F*ck you, you ruined the whole damn thing!’”
In defense of Tarantino’s friends, Wesley Snipes would later land the role of Marvel’s Blade, which arguably set the stage for the onslaught of superhero films to come, so their judgment wasn’t too far off. Lawrence Fishburne did “get in shape in a big way,” however, and thoroughly proved his action star chops as Morpheus in The Matrix, so the Pulp Fiction director was definitely onto something.
Not to mention, he would’ve delivered a Luke Cage movie that featured the same knack for the Blaxpoitation genre that he showcased in both Jackie Brown and Django Unchained. But if you’re hoping Tarantino might still have a Marvel movie in him, don’t hold your breath. He’s still adamant that his next film will be his last, and it’s probably not going to be for the MCU.
Via The Guardian
Welcome to The Quarantine Stream, a new series where the /Film team shares what they’ve been watching while social distancing during the COVID-19 pandemic.
The Show: The Secret History of Hollywood
Where You Can Stream It: The podcasting app of your choice.
The Pitch: The Secret History of Hollywood is the most compelling, immersive, and emotional podcast I’ve ever had the pleasure of listening to. Each season consists of deep dives into a major Hollywood figure, tracing its subject’s rise to prominence and giving incredible insight into their home lives, painting a portrait so captivating and well-rounded that biographies or books on the subjects could only dream to achieve.
Why It’s Essential Quarantine Listening: I’ve been thinking about this podcast a lot since I first stumbled across it several years ago, but I think it’s especially appropriate to recommend it right now because some of its episodes are incredibly lengthy – many clock in around an hour and a half, but some of them stretch to four, six, or even nine hours long. Yes, really. Some of you may scoff, but isn’t being in quarantine the perfect time to give a long-form podcast a chance?
Adam Roche, the voice behind the show, had no background in sound editing or sound production when he got started, but he could have fooled me: the series reminds me of an old-time radio show, complete with sound effects and Roche doing voices as he plays the people in a given scene. I realize that may sound cheesy, and it absolutely would be in less-capable hands. But trust me: Roche’s mellifluous voice and incredibly researched accounts are perfect for this type of storytelling.
The show has brought me to tears multiple times over the years, and I think a huge part of the reason for that is because of the long episode lengths. Like a great TV series you never want to end, you get to spend hours and hours with the subjects of these episodes and build emotional connections to them, so when they they experience hardships, a project goes wrong, or they lose a loved one, the results can be unexpectedly powerful.
The show has earned the attention of Hollywood vets like Peter Ramsey Spider-Man: Into the Spider-Verse and Mark Gatiss Sherlock, Game of Thrones, the latter of whom lends his own terrific voice to introductions of the most recent season, which covers the prolific producer Val Lewton Cat People, The Body Snatcher, The Ghost Ship. I knew nothing about Lewton or his work before I listened to the eleven episode season, but by the end, I feel like not only do I know all about him, but I feel I’ve experienced his highs and lows right alongside him. It’s truly spellbinding stuff, and it comes with my absolute highest recommendation.
I’ve talked about the show a couple...
Cursed Films, Shudder’s new series about the urban legends surrounding classic horror films, is a must-watch. They’ve already debuted an episode on The Exorcist, and this week they’ll be premiering a new ep devoted to Richard Donner’s 1976 classic, The Omen. We’re debuting an exclusive Cursed Films clip that features Donner and more talking about some of the spooky happenings that surrounded The Omen‘s production.Cursed Films Clip
Do you believe in curses? I don’t, but I sure love hearing about them. Especially when they’re curses associated with classic horror films. Shudder’s new series Cursed Films covers this very topic, and it’s a wonderful show. Rather than just sensationalize the material, the series – directed by Jay Cheel – actually takes the time to dig for the truth, and get to the bottom of it all.
One of this week’s new Cursed Films episodes focuses on The Omen, and in the clip above, you can hear all about the admittedly alarming amount of plane-related mishaps surrounding the pic. We learn that star Gregory Peck’s plane was struck by lightning when he was flying to England to shoot the film. Then, just a few days later, screenwriter David Seltzer was also flying to England and his plane was also struck by lightning. Lastly, we learn that still another plane Peck was supposed to be on actually crashed. And not just crashed, but crashed into a car carrying the wife and child of the plane’s pilot. Is that extremely bad luck…or the work of a sinister, supernatural curse? Cue the spooky Jerry Goldsmith music.
Cursed Films is a “five-part documentary series that explores the myths and legends behind some of Hollywood’s notoriously “cursed” horror film productions. From plane accidents and bombings during the making of The Omen, to the rumored use of real human skeletons on the set of Poltergeist, these stories are legendary amongst film fans and filmmakers alike. But where does the truth lie? Cursed Films reveals the events that haunted these productions through interviews with experts, witnesses and the cast, directors and producers who lived through the real-life events. Were these films really cursed, as many believe, or just the victims of bad luck and bizarre circumstances?”
The episode devoted to The Omen and another episode focusing on Poltergeist premieres on Shudder April 9.Source: Slashfilm.com