|DEFENDING JACOBCHRIS EVANSTRAILERAPPLE|
Marvel Cinematic Universe fans weathered years of back-and-forth before Chris Evans’ Steve Rogers passed Captain America’s shield to Sam Wilson in Avengers: Endgame. By the time it happened, the departure felt like it had been timed just right, especially with an incredible payoff after the seed with Thor’s hammer had been planted way back in Age of Ultron. The decade-long experience for Evans, however, almost didn’t happen. He did, in fact, turn down the role when Marvel Studios first approached him for 2011’s The First Avenger. Then he reconsidered after some advice from Mom Evans.
That tidbit arrives near the end of a lengthy Esquire interview to promote Evans role in Apple TV+’s upcoming Defending Jacob. Writer Brady Langmann met with Lisa Evans after a few hours with Chris, much of which was spent with the actor unable to comment upon reports of his involvement as the singing dentist in a Little Shop Of Horrors remake. Lots of “jazz hands” and uncomfortable expressions apparently went down, but the feature did produce this wonderful revelation from Lisa, who convinced him to seize an opportunity for which most actors can only dream:
“His biggest fear was losing his anonymity He said, ‘I have a career now where I can do work I really like. I can walk my dog. Nobody bothers me. Nobody wants to talk to me. I can go wherever I want. And the idea of losing that is terrifying to me.’ … I said to him, ‘Look, you want to do acting work for the rest of your life? If you do this part, you will have the opportunity. You’ll never have to worry about paying the rent. If you take the part, you just have to decide, It’s not going to affect my life negatively - it will enable it.'”
And the rest was history. Just think, we would have never received that killer ending line from Evans if not for his persuasive mother, and mom is always right. Now, Evans can not only let his Smug Flag fly for Rian Johnson, but he’s also taken on a challenging dramatic role with Defending Jacob, in which he plays an Assistant District Attorney and father of a young murder suspect. Talk about a rough position.
In the meantime, Evans did make it clear to Esquire that he can’t really talk about the possible Little Shop Of Horrors yet. Up until this point, he’s only addressed those reports with a surprised ? tooth emoji on Twitter.
— Chris Evans @ChrisEvans February 24, 2020Via Esquire
Although “The L Word: Generation Q” may have tried desperately to speak to a “new generation” of queer women and non-binary folks, fresher creative voices quickly rose to the top in its place. Though people still watched. Showtime’s “Work in Progress” was the best queer comedy of the year, Netflix’s “Feel Good” was an unexpected delight, and “Vida” is returning just in time for queer audiences to catch up on the best show about queer women of color on TV. Yet another contender released a promising first trailer today: “Betty” is a stylish and youthful portrait of Brooklyn teen skaters that already appears extremely queer.
The six-part half-hour arrives on HBO from filmmaker Crystal Moselle, who quickly made waves in 2015 with her her riveting documentary hybrid “The Wolfpack.” “Betty” is adapted from her second feature, the similarly hybridized “Skate Kitchen,” which followed a group of teenage girl skaters in New York City. The film premiered at the 2018 Sundance Film Festival to positive reviews and was released by Magnolia Pictures that year.
In his B+ review of “Skate Kitchen” out of Sundance, IndieWire’s Eric Kohn wrote: “The streetwise alternative to ‘Girls,’ the movie weaves together such a complete vision of its subjects that the rest of the world barely exists. Of course, there's a long-standing precedent to capturing this subculture — ‘Kids’ did it, with more adventurous storytelling twists, more than 20 years ago — but Moselle's subjects hold their own with the surprising ability to clarify their emotions through the cathartic process of hanging out.”
“Betty” features many of the film’s original stars, most of whom had not acted before, including Kabrina Adams, Dede Lovelace, Nina Moran, Rachelle Vinberg, and Ajani Russell. All accomplished skaters in their own right, the first trailer shows the charismatic crew navigating various crushes and friendship trials with compelling panache and humor.
“Betty” is directed, co-written, and executive produced by Moselle. Lesley Arfin and Patricia Breen are also co-writers. Arfin, who also EPs, is a comedy writer best known for co-creating the Netflix series “Love” with Judd Apatow and Paul Rust.
HBO will release “Betty” beginning May 1 at 11 pm ET. Check out the exciting first trailer below:
On Friday, April 3, Apple TV+ releases all 10 episodes of the first season of its mystery-thriller “Home Before Dark.” Inspired by the life of Hilde Lysiak, a young journalist who gained national notoriety at age nine when she scooped a local homicide case in her Pennsylvania hometown, the Jon M. Chu-directed and executive produced series has already been renewed for a second season.
Created and executive produced by Dana Fox and Dara Resnick, “Home Before Dark” follows Brooklynn Prince as Hilde Lysko, a nine-year-old journalist whose family's cross-country move from New York to her father's Jim Sturgess small Washington hometown leads her to investigate a dark, deeply buried mystery from decades ago.
IndieWire spoke with “Home Before Dark” co-showrunner and co-creator Dana Fox about the series, from the process of making a bingeable mystery-thriller she hadn’t seen before to her transition from comedy to drama to the unexpected “Justified” reunion.
This interview has been edited and condensed for length and clarity.
Getty Images/David Livingston/Stringer
IndieWire: How exactly did you come to co-create “Home Before Dark”? How did you come to Hilde Lysiak’s story?
Fox: Basically, my dear friend Joy Gorman Wettels, who’s an amazing producer — she was my manager for a long time and then she started producing, as well — she was at the Tribeca Awards, and there were a bunch of adults winning awards for cool things. And then, this little nine-year-old girl stood up and gave this incredible speech and was incredibly poised. She started talking about the need for journalists and how important it was to try to find the truth, and it really resonated with Joy. We weren’t even deeply in the times that we are in now, but it’s something that was feeling important already.
And so Joy was talking to the people next to her about how extraordinary this little girl was, and it turned out to be Hilde’s parents. So she joked, “I have a five-year-old, can you come move in with me, and help me raise my daughter, because this girl is amazing.” And so they struck up a conversation, they got along, and eventually, Hilde was featured in the New York Times for essentially scooping her local paper on a murder.
Joy was in a very competitive situation with a lot of other producers and they were all talking to Hilde and her parents on the phone and they had all these conversations. Joy ended up winning the rights and when she did, afterwards she said, “Why did you pick me?” And Hilde’s...