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When you’ve got Lin Shaye in a horror movie, you know you’re in for some thrills. The horror stalwart has become an unusual new scream queen in recent years, with roles in the Insidious movies and Oujia. Now she’s lending her genre star power to The Grudge, a remake directed by The Eyes of My Mother filmmaker Nicolas Pesce. As the film hits theaters this weekend, Sony Pictures has released a new The Grudge clip showing Shaye playing a rather creepy game of peekaboo. Watch The Grudge clip below.The Grudge Clip
ComingSoon.Net debuted The Grudge clip, which follows Lorna Moody Jackie Weaver as she attempts to communicate with an unstable elderly woman, Faith Matheson Shaye, whose strange behavior had begun to worry her husband Frankie Faison. As Lorna gently tries to speak with Faith, Faith ignores her until she spots something in front of her that no one else sees. Smiling, Faith plays peekaboo with this invisible entity, who she calls “Melinda.” Based on the history of this franchise, I get the feeling that this isn’t an imaginary friend as much as it is a vengeful ghost.
The Grudge is a reboot of the 2004 horror movie The Grudge, itself an American remake of the 2002 Japanese movie Ju-On: The Grudge. In addition to directing the film, Pesce co-writes The Grudge with Jeff Buhler. Sam Raimi, who produced the first two installments of the American remakes trilogy, is producing alongside Rob Tapert for Ghost House. The Grudge also stars John Cho, Demian Bichir, and Andrea Riseborough.
The Grudge opens in theaters on January 3, 2020.
A single mother and young detective, Muldoon Andrea Riseborough, discovers that a suburban house is cursed by a vengeful ghost that dooms those who enter it with a violent death. Now, she runs to save herself and her son from demonic spirits from the cursed house in her neighborhood.
Everything is delayed, canceled, or on hold at the moment due to the coronavirus COVID-19, which means that film festivals are having to make some tough choices. Cannes is postponed. SXSW was canceled, but they recently announced they would try to put together an online film festival with Amazon Prime Video. TIFF has yet to make a decision one way or another, but festival runners Joana Vicente and Cameron Bailey mentioned last week that they were considering a potential digital festival. Digital film festivals are a distinct possibility in several locations, but there’s one fest that has flat-out refused to go digital: the Venice Film Festival.
With the coronavirus continuing to upend film festivals across the globe, some are wondering if virtual, online film festivals might be the solution for the time being. And while some fests – SXSW, TIFF – are open to this idea, the Venice Film Festival isn’t having it. Speaking with Variety, a Venice spokesperson said: “The Venice Film Festival cannot be replaced by an online event,” adding that “there is obviously the possibility that we use technology for some initiatives, [but] it’s too early for this to be decided.”
The Venice Film Festival is supposed to run in September, and as of now, everyone involved with the fest is still operating under the assumption that the festival is still on. Organizers have put out a call for “projects for its Final Cut in Venice co-production workshop dedicated to supporting works from the Middle East and Africa, currently scheduled to be held during the fest.”
Venice artistic director Alberto Barbera was quoted as saying he and his team “are working just the same as in past years” and that they “cannot provide specifics about the future.” The only thing they can confirm is that no matter what happens, the festival will not go digital. While some are more than happy to accept the idea of a digital festival – no travel fees! – not everyone is okay with the idea. For one thing, if a film without distribution were to debut digitally and then immediately be pirated, it would hurt its chances at eventual purchase. Plus, many filmmakers and producers long for that festival buzz that can only be achieved by screening titles for a live audience.
But we remain in uncharted territory for the moment, and it’s unclear just when the coronavirus situation will end. As of now, Italy remains in strict lockdown, and if that continues into the fall, there’s very little chance the Venice Film Festival will go off as planned....
Welcome to The Quarantine Stream, a new series where the /Film team shares what they’ve been watching while social distancing during the COVID-19 pandemic.
The Show: New Girl
Where You Can Stream It: Netflix
The Pitch: Charming weirdo Jess Zooey Deschanel moves into a new apartment with three male roommates after a devastating break-up. It turns out that her new roomies played by Jake Johnson, Max Greenfield, and Lamorne Morris are also charming weirdos. Quirky friendship ensues and it is all very, very funny.
Why It’s Essential Quarantine Viewing: On paper, there is literally nothing special about New Girl, which ran on Fox from 2011 through 2018. In fact, it sounds downright hacky and tired: a quirky girl has three male roommates?! What is this, 1972? But while that concept may be a tough pitch in an age where television comedy has grown increasingly experimental and daring, New Girl has something you cannot fake or manufacture: lead actors with undeniable, unmistakable chemistry that works no matter which combination of characters share the screen in a given scene.
Honestly, it was that basic concept that kept me away from New Girl for a long time, even as my significant other insisted I watch it. And damn it, they were right. Now that the entire series is finished and streaming on Netflix, I’m hooked. While I certainly would’ve been hooked during another time, the show feels especially right for this given moment. During a literal pandemic where I cannot see any of my real friends, being able to hang out with Jess and Nick and Schmidt and Winston and Cece has genuinely cleansing for the soul. Sure, they’re not my real friends, but they are close enough for now. The show’s agreeable tone and chilled-out, laid-back, friendly vibe makes them welcome visitors in your living room.
At this point during my first time through the series I just completed the first season as I write this, New Girl‘s greatest strength remains its cast, which elevates the weaker episodes while super-charging the more inspired entries. Deschanel, Johnson, Greenfield, Morris and Hannah Simone as Jess’ best friend and eventual member of the group are talented, funny folks in a vacuum, but when put in the same room, the electricity between all of them could power a dozen lesser sitcoms. It’s a triumph of casting, acting, and character development, the kind of lightning in a bottle ensemble that every comedy series wishes it could taste.
I imagine New Girl will have its highs and lows as I watch it. I imagine there will be the rough patches and inspired streaks. But I know these are my new television friends and right now, I treasure them....
SPOILER ALERT: If you are among the few who haven’t actually watched Netflix’s Tiger King docuseries, this review contains a lot of details about what goes down in the sad big cat saga.
With Netflix poised in the coming days to cash in and crank the base up a notch with more Tiger King, it's time to come out and say it: I hate the Red State porn that is the crash and burn of Joe Exotic
The initial seven episodes of this septic and shallow patchwork of trademark infringement, sex, guns, labor exploitation, song, drugs, mullets, betrayal, animal activism, revenge, and a lot of big cats may be much binged over these weeks of coronavirus lockdown, but that doesn't mean it's actually worth watching.
Now, I get it, I sound like I'm just a dour critic who hates anything that isn't prestige premium cable or aspirational. C'mon man, you want to say, Tiger King: Murder, Mayhem and Madness is just so unbelievable, I can't look away.
I respectfully disagree, and in fact, propose Tiger King isn't just bad, but dangerous in a divided America persistently looking to reduce the other side to caricature.
In a presently ailing nation where TV is more voluminous and vital than ever, the truth is the March 20 launched Tiger King is a clawed white trash misery index. Gawking at some clearly fragile and damaged people like would-be reality TV star Exotic and their below the Mason-Dixon line antics, the series subsequently provides a cultural circus for those smug bicoastals under stay at home orders and screaming to rise up in moral superiority.
Essentially, the tale of big cat collector, self-styled Oklahoma zoo proprietor and 2016 Presidential candidate Exotic AKA Joseph Maldonado-Passage and his ultimately unsuccessful attempt to have rival Carole Baskin knocked off by a hitman hired for $3,000, Tiger King is in that context more a zero-sum game, literally and figuratively, than hitting the zeitgeist.
Obviously, Netflix are pretty damn good at gauging and dragging the public mood over the years, as the likes of the then phenomenon of 2015's Making A Murderer or 2018’s Wild Wild Country prove. Yet, for all the attention it has drawn, this unfocused murder for hire exploration of sorts emerges as a bastard child of Cops, a million Dateline segments from the 1990s and Fox’s short-lived Murder in Small Town X reality show from 2001.
Not exactly the prestige product that the home of Roma, The Irishman and American Factory likes to brag about at award shows. Then again, with the knowledge that the Romans sold out the Colosseum every night feeding Christians to the lions, the bottom line based House of Hastings surely loves the subscription sign up that the currently incarcerated Maldonado-Passage and the accompanying motley gaggle of...