Birds of Prey director Cathy Yan already has ideas for a sequel. Although a direct Birds of Prey follow-up has not yet officially been confirmed, Yan has already started plotting out where she would take Harley Quinn on her next adventures — and with whom. And that character will be very familiar to longtime fans of Harley Quinn in both her animated and comic book forms.
In an interview with The Wrap, Cathy Yan said that if she were to direct a Birds of Prey sequel, she would focus on the fan-favorite dynamic of Harley Quinn and Poison Ivy:
“I would love to see Poison Ivy and I would certainly love to see the relationship between Harley Quinn and Poison Ivy.”
A Harley and Poison Ivy romance — or at least a criminal team-up — seems to be on everyone’s minds, as Margot Robbie also recently said that she has also been pushing for the eco-friendly supervillain to appear alongside her Harley Quinn. “One [character] been pushing for as long as I’ve been pushing for this film is Poison Ivy,” Robbie told /Film. “I mean, there’s two versions of that, you know, with some comics, it’s friendship, some comics, it’s romantic. Either way, I want to explore that because I just I love their relationship so much in the comics.”
Harley Quinn and Poison Ivy have long been paired together, first becoming partners in crime in Batman: The Animated Series during one of Harley’s breaks with the Joker. Their gleeful chemistry and Thelma and Louise-inspired dynamic in the animated series became so popular that their friendship was soon integrated into the comics. Harley and Ivy would appear as allies and maybe more in the comics and more animated shows, but their romantic relationship only became canon recently, becoming official in 2015. The second season of DC Universe’s animated Harley Quinn series, in which Poison Ivy is a recurring character and Harley’s sardonic best friend, will see Ivy finally become Harley’s romantic partner.
A Birds of Prey sequel is still unconfirmed, but Yan doesn’t dismiss the possibility, despite the film’s somewhat disappointing box office returns. “I think people aren’t ready to let go of Harley Quinn quite yet and you know, Margot I don’t think is ready to let go of Harley Quinn yet either,” she said.
Oscar-winning producers Barry Jenkins and Adele Romanski re-team for Eliza Hittman's timely tale of the challenges that face a teenage girl as she seeks an abortion.
As theaters shuttered across the nation amid the coronavirus pandemic, the filmmakers of Never Rarely Sometimes Always had a tough decision to make - wait to release the movie when theaters reopen, or release the film on digital platforms to capitalize on an audience confined to their homes.
Ultimately, for Adele Romanski and Barry Jenkins, who produced the film under their Pastel Productions banner, the story about a teenage girl's journey to get a safe and legal abortion was resonant with the current state of women's reproductive health in America, and so they, along with writer-director Eliza Hittman and distributor Focus Features, opted to release the film on VOD platforms.
"What we do know is that we have a film that's very urgent right now," Romanski tells The Hollywood Reporter. "There continues to be a war on women's health and certain states saying abortions are non-essential medical procedures in response to COVID-19, so we know we have a film that matters."
Written and directed by Hittman Beach Rats, It Felt Like Love and made for under $3 million, Never Rarely Sometimes Always is the story of the teenage Autumn, played by first-time actor Sidney Flanigan, who decides to travel with her cousin Skylar Talia Ryder from her rural Pennsylvania town to New York City to get an abortion. The film delves into the real challenges that the two girls face within the medical system and an unfriendly big city.
The film debuted at Sundance Film Festival this year, where it won a special jury award, and then went on to win the Silver Bear prize at the Berlin Film Festival in February. The film was slated to hit theaters on March 13, but with theaters closing down, it was released on demand on April 3.
"We all believe we have a very powerful piece of art and a very captive audience sitting at home," says Jenkins. "The movie's rated PG-13 and it's really powerful because there's all these kids sitting at home right now trying to figure out what to watch, and while they're doing that, there's states all across the country saying that an abortion is not an essential procedure."
Jenkins and Romanski talked to THR about how Hittman tackled highly politicized issue of abortion with nuance, the biggest production challenges and the decision to bring the film to home screens early.
How did your collaboration with Eliza Hittman come about?
Romanski: We had been fans of Eliza's work since It Felt Like Love, which also debuted at Sundance, and stuck up a friendship as one does on the festival circuit and when we were coming together years later and forming Pastel and thinking about who were the kinds of artists and filmmakers we wanted to...