|CAPTAIN AMERICACHRIS EVANSBOSSLOGICINFAMOUSAMERICA|
Marvel Cinematic Universe fans weathered years of back-and-forth before Chris Evans’ Steve Rogers passed Captain America’s shield to Sam Wilson in Avengers: Endgame. By the time it happened, the departure felt like it had been timed just right, especially with an incredible payoff after the seed with Thor’s hammer had been planted way back in Age of Ultron. The decade-long experience for Evans, however, almost didn’t happen. He did, in fact, turn down the role when Marvel Studios first approached him for 2011’s The First Avenger. Then he reconsidered after some advice from Mom Evans.
That tidbit arrives near the end of a lengthy Esquire interview to promote Evans role in Apple TV+’s upcoming Defending Jacob. Writer Brady Langmann met with Lisa Evans after a few hours with Chris, much of which was spent with the actor unable to comment upon reports of his involvement as the singing dentist in a Little Shop Of Horrors remake. Lots of “jazz hands” and uncomfortable expressions apparently went down, but the feature did produce this wonderful revelation from Lisa, who convinced him to seize an opportunity for which most actors can only dream:
“His biggest fear was losing his anonymity He said, ‘I have a career now where I can do work I really like. I can walk my dog. Nobody bothers me. Nobody wants to talk to me. I can go wherever I want. And the idea of losing that is terrifying to me.’ … I said to him, ‘Look, you want to do acting work for the rest of your life? If you do this part, you will have the opportunity. You’ll never have to worry about paying the rent. If you take the part, you just have to decide, It’s not going to affect my life negatively - it will enable it.'”
And the rest was history. Just think, we would have never received that killer ending line from Evans if not for his persuasive mother, and mom is always right. Now, Evans can not only let his Smug Flag fly for Rian Johnson, but he’s also taken on a challenging dramatic role with Defending Jacob, in which he plays an Assistant District Attorney and father of a young murder suspect. Talk about a rough position.
In the meantime, Evans did make it clear to Esquire that he can’t really talk about the possible Little Shop Of Horrors yet. Up until this point, he’s only addressed those reports with a surprised ? tooth emoji on Twitter.
— Chris Evans @ChrisEvans February 24, 2020Via Esquire
Back in 2018, when the numerous sexual assault allegations against Harvey Weinstein were making headlines, Sons of Anarchy star Ron Perlman swooped onto Twitter with an anecdote about the time he, uh, relieved himself on his hand, and then immediately sought out the lecherous producer for a warm handshake. The viral tweet was a welcomed moment of levity and revenge during the of the #MeToo movement, and now, the actor has expanded on the infamous exchange in a lengthy interview with The Daily Beast where he explains his motivation:
I think it was around 2001, because I was making Blade II with Guillermo in Prague and had a few days off, so I ran down to the Cannes Film Festival. That’s where it happened. I never really had a relationship with Harvey but I wanted to show up to one of his charity events, and when I got on the phone with him to request a ticket, he just acted like a f*ckin’ piece-of-shit pig, like, “Who are you to ask me? Do you know who I am?” He thought I was returning the Revlon guy’s phone call [Ron Perelman], which is why he returned my phone call in the first place, and when he realized I was just the actor he just went off on me:
I said to him, “Well, it’s OK, Harvey, I managed to get a ticket between the time I called you and now, so I’ll be there tonight.” And he said, “Oh, you’ll be there? Well, make sure you shake my hand out of respect.” And I said, “Oh yeah, Harvey, I sure will.” And that’s the genesis of that story.
When asked if Weinstein noticed, Perlman said “he knew it was clammy,” and that he hopes Weinstein saw his now-viral tweet below:
Did I ever tell ya about when Harvey Weinstein told me to make sure I shook his hand at a charity event, so I stopped in the mens room and pissed all over my hand, then went straight up to him on the receiving line? I think about that every time lil donnie opens up his KFC.
— Ron Perlman @perlmutations June 25, 2018By itself, the anecdote is the stuff of legends, but it rocketed even further into viral fame after Donald Trump Jr. tried to score points on Perlman who’s been a very vocal critic of the Trump administration. While attempting to accuse Perlman of not stopping an alleged rapist, Junior clearly didn’t realize that a central element of the Weinstein accusations is that he used his wealth and influence to hide his crimes. Fortunately, Perlman was more than happy to explain the situation.
Hey young don, nice ta meetcha! And thanks for the follow! So…I never said I knew Harve was a rapist. I never worked for Harve. I wasn’t home his type. I DID know he was a prick though. A prick and a bully. And I gotta thing about that. https://t.co/3cjmnMI5y6
— Ron Perlman @perlmutations June 26, 2018And that’s why you don’t mess with a guy who isn’t afraid to...
Though “The Plot Against America” took its time to get going, it’s full steam ahead for David Simon’s Philip Roth adaptation by Episode 4 — but to what end? With just two episodes to go, the drama has certainly flared up: The Levin familial bonds are being pushed to the brink as Sandy falls increasingly under Lindbergh’s spell, with the help of Aunt Evelyn and her new boyfriend Rabbi Bengelsdorf. The lines have been drawn, and it’s not looking good for either side. While this was by far the most exciting episode so far, it still feels as though Simon is obligingly following Roth’s outline rather than forging his own path.
In both the novel and the series “The Plot Against America,” there’s an unmentioned but implicit rhetorical question reaching out from beyond the page and screen. To borrow from the musical “Cabaret,” one of the only pieces of pop culture to artfully grapple with this unthinkable dilemma: What would you do? If a fascist were elected president of your country, if your sister started dating one of his shills, if your son was secretly sketching his visage by flashlight — how would you behave? Would you flee to Canada, organize the resistance, or stick your head in the sand and hope for the best?
The fourth episode hones in on these questions with laser-like precision, enjoying the fruits of the preceding three episodes that felt, both in retrospect and in real time, mostly like set-up. Having returned from his “Just Folks” adventure in Kentucky, a Hitler Youth-esque recruiting tool of Rabbi Bengelsdorf’s John Turturro design, Sandy has quite literally become the poster child for assimilationist Jews. Evelyn Winona Ryder proudly features him in a brochure for the program, against Bess’ Zoe Kazan wishes.
Sandy’s transformation has been building since the pilot episode, which ended with him surreptitiously sketching Charles Lindbergh from of a newspaper clipping. Having planted the seeds deliberately, the show earns its most uncomfortable moment so far when Sandy spits at his parents, calling them “ghetto Jews — narrow-minded ghetto Jews.” His transformation is complete. When Bess slaps him across the face, it’s hard not to let out a silent cheer. Your Jewish firstborn becoming a Nazi sympathizer may be the rare instance when a kid deserves a good wallop.
Less effective is a Shabbas dinner argument between Herman Morgan Spector and Bengelsdorf, where Herman puts aside any last shred of civility to tell the Rabbi what he really thinks of his man Lindbergh. Maybe it’s the fact that only the men are talking while the women make sidelong glances of...