Tickets for the experience, called As If!, go on sale Friday.
As if it would be named anything else — a Clueless pop-up restaurant called As If! is headed to West Hollywood.
The 1995 film is the latest nostalgic IP to get its own pop-up café. Paramount Pictures has partnered with the creators of television eateries Saved by the Max Saved by the Bell, Good Burger All That, The Peach Pit Beverly Hills, 90210 and The Breaking Bad Experience to celebrate Clueless' 25th anniversary.
As If! will be open March 31 through May 8 excluding Mondays at 7100 Santa Monica Blvd. near Formosa Cafe. Tickets go on sale Friday for $35 each, and include a main and side dish and 90-minute entry window. "Cher-able" snacks by Secret Lasagna founder and chef Royce Burke will be on hand, plus Los Angeles-inspired cocktails, desserts and other dishes will be available for purchase. Guests can shop Clueless merchandise and roll with the homies in picture-perfect set re-creations hopefully with plenty of plaid.
“We are like 'totally butt crazy in love' with the chance to bring the world of Clueless to life,” said Derek Berry, one of the concept's partners, in a statement. “It's truly one of those films that has stood the test of time and cult fandom. With the anniversary quickly approaching there was no better team than ours to honor this beloved teen classic and bring Cher's world to life. To miss out would have just been way harsh.”
The restaurant comes after CBS Television Studios announced in October its plans to reboot Clueless with a mystery TV show, following the release of Clueless, The Musical in New York.
Last month, Paramount revealed it's hosting a Mean Girls pop-up, called Fetch, as the Mean Girls Broadway musical is getting adapted into a film. Fetch will take place in Santa Monica from April 18 to May 31; tickets are $45 and include a three-course meal. Other recent fan experiences in L.A. have feted Stranger Things, Friends, Schitt's Creek, Fleabag and more.
Source: Hollywood Reporter
With so many new comic book movies winning awards and making a killing at the box office, it is difficult to determine which of the current crop will be considered true classics of the genre in time. But for veteran actor Michael Caine, who played Alfred Pennyworth in Christopher Nolan's Dark Knight trilogy, that particular series is something truly special, as he explained to The Hindu, starting with his first meeting with Nolan.'He came to the front door of my house in the country with a script. I could see him through the glass but I couldn't recognize him. The moment he introduced himself, I knew exactly who he was because I was a great fan of his three small films.'
Today Christopher Nolan is known as one of Hollywood's biggest filmmakers. But back in 2005, he was seen as more of an indie director, with his most acclaimed work thus far being the low-budget thriller Momento. But despite the lack of big-name projects to his name, Nolan had already begun making a name for himself as a filmmaker to watch out for when Warner Bros. brought him on to reboot the Batman franchise towards a more realistic path. Caine was aware of this when Nolan came to him to be a part of the planned origin movie about the Dark Knight, Batman Begins.'I told him, 'I am too old for Batman. Do you want me to play the butler? What would my dialogues be? Would you like another beverage or more custard?' So, I did the movie and it was one of the greatest things I have done in my life.'
Clearly, Michael Caine has a great deal of respect for the world that Nolan crafted for his version of Batman, and most critics and audiences would agree. The Dark Knight trilogy is widely considered one of the best comic book movies of all time, with the second film in the series, often singled out as the best comic book film ever made, with a once-in-a-generation, Oscar-winning turn by Heath Ledger as the maniacal Joker.
The respect is returned by Nolan, who has put Caine in each of his films ever since the two got together on the sets of Batman Begins. There have even been jokes about Caine having become a necessity for a Nolan film to be successful, so much so that the actor was roped in simply to provide a voice-over for Dunkirk, and received a billing in the credit title for the effort.
Caine is also a part of Nolan's latest film, Tenet, which, in typical Nolan fashion, is shrouded in mystery even after the release of its first trailer online. There are rumors of the movie being a sequel to Inception, and involves some elements of time travel. Apart from Caine, the film stars John David Washington and Robert Pattinson, who coincidentally is set to take over the mantle of Batman for director Matt Reeves's upcoming feature. This news comes from The Hindu.
With large swathes of the population sitting at home, audiences have a chance to catch up on films that were released years ago and find new insights into their narrative. Recently, a fan who had been watching Suicide Squad with his family reached out to the film's director David Ayer to ask about the meaning behind the scene where the Joker is lying in the middle of a room lined with a circle of knives, guns, and baby clothes. Denying that the baby onesies were trophies after an infanticide spree on the part of the cackling psychopath, Ayer provided the following explanation for the scene instead.'No it's more innocent. Harley wanted a normal family with Joker hence the baby in her vision. I figured she would have endlessly pestered Mr. J about having a kid. So he had Mr. Frost buy some onesies. The circle represents how he sees Harley.'
The scene under discussion comes up early in the story. Harley Quinn, played by Margot Robbie, is locked up in Arkham, and we see Joker, played by Jared Leto, in his mansion mourning her absence. He has also shown to have drawn a grin across his face using a sharpie, which according to David Ayer, is because...'He was having a hard time smiling without Harley so gave himself some help with a sharpie.'
This introduction sets up the fact that this Joker is unlike any other live-action portrayal of the supervillain as a man who is missing his demon lover. The onesies we see lined up on the floor next to the Joker later make an appearance in the scene where the Enchantress offers Harley her heart's desire, and she imagines a life of domestic bliss with her beloved Mistah J, with their babies wearing the onesies.
How the circle of knives represents Harley in the mind of the Joker is up for debate. Perhaps he fears that his affection for Harley makes her dangerous to him, and thus views her as a circle of knives drawing closer, threatening to destroy him.
This sentiment of Joker being attracted towards Harley and simultaneously hating the fact that she has made him care for her is also played out in the scene where Harley willingly throws herself into a pit of acid on Joker's command. After trying to walk away from the whole thing, Joker almost unwillingly jumps in after her and rescues her, proving that she means more to him than he can bring himself to admit.
From his explanation, it is clear that Ayer had a solid backstory and reasoning behind the script for Suicide Squad, which unfortunately did not translate very well to the big screen. But now that James Gunn has taken over directorial duties on the sequel, there is a chance to see a Suicide Squad film that gets critical acclaim in addition to minting money at the box office. David Ayer on Twitter brings us this news.