UPDATED with joint statement from CBC/Netflix: There will be no fourth season for Anne With an E. Netflix and Canadian broadcaster CBC have opted not to move forward with a fourth season of the praised drama series from Northwood Entertainment. The third and final season will premiere January 3 on Netflix.
Series creator and executive producer Moira Walley-Beckett confirmed the cancellation via Instagram, writing, “I wish it could be different but it cannot. We have reached the end of the red Green Gables road after 3 wonderful seasons.”
The Season 3 finale aired Sunday on CBC.
In a joint statement, CBC and Netflix said, “We've been thrilled to bring the quintessentially Canadian story of Anne with an E to viewers around the world. We're thankful to producers Moira Walley-Beckett and Miranda de Pencier and to the talented cast and crew for their incredible work in sharing Anne's story with a new generation. We hope fans of the show love this final season as much as we do, and that it brings a satisfying conclusion to Anne's journey.”
Inspired by the Canadian young adult novel Anne of Green Gables by Lucy Maud Montgomery and created by Moira Walley-Beckett Breaking Bad, Flesh & Bone, the coming-of-age story follows Anne Amybeth McNulty, an outsider who, against all odds, fights for love, acceptance, and her place in the world. Producers say season 3 will continue to chart bold new territory, adding new characters and storylines while exploring themes of identity, prejudice, feminism, bullying, gender parity, diversity and empowerment through the lens of its fierce, starry-eyed, irrepressible 16-year-old protagonist.
Miranda de Pencier, Walley-Beckett, Debra Hayward and Alison Owen executive produced.
SPOILER ALERT: If you are among the few who haven’t actually watched Netflix’s Tiger King docuseries, this review contains a lot of details about what goes down in the sad big cat saga.
With Netflix poised in the coming days to cash in and crank the base up a notch with more Tiger King, it's time to come out and say it: I hate the Red State porn that is the crash and burn of Joe Exotic
The initial seven episodes of this septic and shallow patchwork of trademark infringement, sex, guns, labor exploitation, song, drugs, mullets, betrayal, animal activism, revenge, and a lot of big cats may be much binged over these weeks of coronavirus lockdown, but that doesn't mean it's actually worth watching.
Now, I get it, I sound like I'm just a dour critic who hates anything that isn't prestige premium cable or aspirational. C'mon man, you want to say, Tiger King: Murder, Mayhem and Madness is just so unbelievable, I can't look away.
I respectfully disagree, and in fact, propose Tiger King isn't just bad, but dangerous in a divided America persistently looking to reduce the other side to caricature.
In a presently ailing nation where TV is more voluminous and vital than ever, the truth is the March 20 launched Tiger King is a clawed white trash misery index. Gawking at some clearly fragile and damaged people like would-be reality TV star Exotic and their below the Mason-Dixon line antics, the series subsequently provides a cultural circus for those smug bicoastals under stay at home orders and screaming to rise up in moral superiority.
Essentially, the tale of big cat collector, self-styled Oklahoma zoo proprietor and 2016 Presidential candidate Exotic AKA Joseph Maldonado-Passage and his ultimately unsuccessful attempt to have rival Carole Baskin knocked off by a hitman hired for $3,000, Tiger King is in that context more a zero-sum game, literally and figuratively, than hitting the zeitgeist.
Obviously, Netflix are pretty damn good at gauging and dragging the public mood over the years, as the likes of the then phenomenon of 2015's Making A Murderer or 2018’s Wild Wild Country prove. Yet, for all the attention it has drawn, this unfocused murder for hire exploration of sorts emerges as a bastard child of Cops, a million Dateline segments from the 1990s and Fox’s short-lived Murder in Small Town X reality show from 2001.
Not exactly the prestige product that the home of Roma, The Irishman and American Factory likes to brag about at award shows. Then again, with the knowledge that the Romans sold out the Colosseum every night feeding Christians to the lions, the bottom line based House of Hastings surely loves the subscription sign up that the currently incarcerated Maldonado-Passage and the accompanying motley gaggle of...