|FILM FESTIVALPALM SPRINGSADAM DRIVERFILM FESTACTOR|
Everything is delayed, canceled, or on hold at the moment due to the coronavirus COVID-19, which means that film festivals are having to make some tough choices. Cannes is postponed. SXSW was canceled, but they recently announced they would try to put together an online film festival with Amazon Prime Video. TIFF has yet to make a decision one way or another, but festival runners Joana Vicente and Cameron Bailey mentioned last week that they were considering a potential digital festival. Digital film festivals are a distinct possibility in several locations, but there’s one fest that has flat-out refused to go digital: the Venice Film Festival.
With the coronavirus continuing to upend film festivals across the globe, some are wondering if virtual, online film festivals might be the solution for the time being. And while some fests – SXSW, TIFF – are open to this idea, the Venice Film Festival isn’t having it. Speaking with Variety, a Venice spokesperson said: “The Venice Film Festival cannot be replaced by an online event,” adding that “there is obviously the possibility that we use technology for some initiatives, [but] it’s too early for this to be decided.”
The Venice Film Festival is supposed to run in September, and as of now, everyone involved with the fest is still operating under the assumption that the festival is still on. Organizers have put out a call for “projects for its Final Cut in Venice co-production workshop dedicated to supporting works from the Middle East and Africa, currently scheduled to be held during the fest.”
Venice artistic director Alberto Barbera was quoted as saying he and his team “are working just the same as in past years” and that they “cannot provide specifics about the future.” The only thing they can confirm is that no matter what happens, the festival will not go digital. While some are more than happy to accept the idea of a digital festival – no travel fees! – not everyone is okay with the idea. For one thing, if a film without distribution were to debut digitally and then immediately be pirated, it would hurt its chances at eventual purchase. Plus, many filmmakers and producers long for that festival buzz that can only be achieved by screening titles for a live audience.
But we remain in uncharted territory for the moment, and it’s unclear just when the coronavirus situation will end. As of now, Italy remains in strict lockdown, and if that continues into the fall, there’s very little chance the Venice Film Festival will go off as planned....
UCP is developing dark comedy series The Resort from Andy Siara, writer of Sundance breakout Palm Springs, and Sam Esmail’s Esmail Corp, which is under a deal with UCP, a division of NBCUniversal Content Studios. Anonymous Content is producing. The series will be shopped to premium and streaming platforms.
The Resort explores love and the weird things we do in the name of it, encased in an elaborate true-crime conspiracy, with each season set in a unique picturesque vacation destination. The first season takes place at an all-inclusive resort along the Mayan Riviera, when a married couple on the brink of divorce inadvertently becomes embroiled in one of the Yucatan's most bizarre, unsolved mysteries that, somehow, is part metaphysical detective story, part Indiana Jones-esque adventure, part coming-of-age romance.
The Siara-written Palm Springs, which stars Andy Samberg and Cristin Milioti, is one of the buzziest titles coming out of this year’s Sundance Film Festival. As Deadline reported, sources familiar with the heated multi-bidder auction said the pic sold to Hulu/Neon for close to $22 million, far and away the biggest Sundance deal of all time.
Siara is currently a co-producer on UCP/EsmailCorp's limited series Angelyne for Peacock, NBCUniversal's upcoming streaming service, with Emmy Rossum starring in the title role and Lucy Tcherniak directing.
UCP's relationship with Esmail began with the award-winning drama Mr. Robot which wrapped its fourth and final season on USA Network in January. Esmail currently executive produces three series for UCP: USA’s new anthology series Briarpatch, Amazon's Homecoming and Angelyne.
Previously, Siara was a staff writer on Lodge 49. He started his career touring the country with his indie rock band The Henry Clay People before getting an MFA in screenwriting from AFI in 2015. Siara is repped by LBI Entertainment and Morris Yorn.
Thanks to Disney dropping the digital release for Star Wars: The Rise of Skywalker early, folks have had time to pore over the making-of documentary, which is loaded with interesting info about the final installment of The Skywalker Saga. Adam Driver‘s extremely passionate fanbase is going to be particularly thrilled as the making-of feature highlights his intense dedication to performing his own stunts even on his birthday.
According to Nerdist, stunt coordinator Eunice Huthart is a “hilarious, enthusiastic, and heavily accented British woman” and one of the documentary’s more delightful stars. Huthart reportedly was against Driver doing his own stunts, but the actor quickly won her over and was soon swinging from wires during the film’s climactic lightsaber duel:
He explains in the documentary how protective he is over Kylo’s body language. Eventually Huthart relented–especially after seeing how much better it looked with the actor doing the stunts.
All of this paves the way for a special little treat for Driver: The most difficult stunt sequence in the film–the lightsaber battle with Kylo Ren and Rey aboard the Death Star ruins–was partially filmed on his birthday. “It was really physically exhausting, and we were wet and soaked and cold and on wires–I loved it,” Driver says with glee in the documentary. “How many times are you gonna get a chance to do that?”
Speaking of Driver and birthdays, Ben Affleck recently teared up while telling Jimmy Kimmel how the Kylo Ren actor came through for him in a big way. After rushing from Paris to Los Angeles for his son’s birthday, Affleck arrived at his ex-wife Jennifer Garner’s house only to learn from his assistant that the gifts he sent ahead for the party never arrived, which left Affleck empty-handed. However, unbeknownst to the former Batman, Driver had sent a package full of signed Kylo Ren toys for Affleck’s son that did arrive and basically saved the day.
“Adam made me a hero to my kid,” an emotional Affleck told Kimmel, “and I will never, ever, ever forget it.”
He also played the police chief in 'Beverly Hills Cop II' and mogul Louis B. Mayer in 'Gable and Lombard.'
Allen Garfield, the New Jersey character actor who specialized in playing nervous types while appearing in such films as The Conversation, The Candidate, The Stunt Man and Nashville, has died. He was 80.
His sister, Lois Goorwitz, confirmed his death in a brief conversation with The Hollywood Reporter.
Earlier, actress Ronee Blakley posted the news of Garfield's death on Facebook, saying that he had died Tuesday and that the cause was COVID-19. Garfield and Blakley played husband and wife in Robert Altman's Nashville 1975.
Garfield suffered a stroke as he was set to appear in Roman Polanski's The Ninth Gate 1999, then suffered another one in 2004 that led him to reside at the Motion Picture Country Home and Hospital in Woodland Hills. A spokeswoman for the MPTF facility did not know if Garfield was there at the time of his death.
Born Allen Goorwitz on Nov. 22, 1939, in Newark, he went by his real name in several films, including The Brink's Job 1978 and One From the Heart 1981, midway through his career.
Garfield boxed as an amateur, worked as a sportswriter and studied with Lee Strasberg and Elia Kazan at the Actors Studio in New York. He appeared often onstage before making his film debut in Orgy Girls '69, followed by other big-screen appearances in 1971 in Woody Allen's Bananas and The Organization, starring Sidney Poitier.
Often playing jumpy types, he worked for Francis Ford Coppola in The Conversation 1974 and The Cotton Club 1984 and for Wim Wenders in A State of Things 1982 and Until the End of the World 1991.
He also portrayed Louis B. Mayer in Gable and Lombard 1976 and police chief Harold Lutz in Beverly Hills Cop II 1987, and his résumé also included roles in Teachers 1984, Desert Bloom 1986, Dick Tracy 1990, Destiny Turns on the Radio 1995 and The Majestic 2001.
"The reason I didChief Zabu is that Allen Garfield is from the Actors Studio, I'm from the Actors Studio, and we worked together there on stuff," actress Marianna Hill said in a 2016 interview with Shaun Chang for the Hill Place blog. "Allen Garfield happens to be a great actor. He's a really underrated actor. Allen was the hardest-working actor, but nobody realizes that about him because he seems to be a natural."
Source: Hollywood Reporter